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Author: Sean O'Skea
Publisher: Focal Press
ISBN: 9781138951174
Category : Art
Languages : en
Pages : 0
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Book Description
Painting for Performance removes the mystery from painting and gives beginners the terms, tools, and techniques to approach their unpainted set with confidence. Covering the mechanics of paint and its many implementations in set design, this book provides simple and effective step-by-step instructions for painting a variety of surfaces to look great on stage.
Author: Sean O'Skea
Publisher: Focal Press
ISBN: 9781138951174
Category : Art
Languages : en
Pages : 0
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Book Description
Painting for Performance removes the mystery from painting and gives beginners the terms, tools, and techniques to approach their unpainted set with confidence. Covering the mechanics of paint and its many implementations in set design, this book provides simple and effective step-by-step instructions for painting a variety of surfaces to look great on stage.
Author: Catherine Wood
Publisher: Tate
ISBN: 9781849760201
Category : Art
Languages : en
Pages : 0
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Book Description
A new look at the dynamic relationship between performance and painting since 1950, showing how performance art has challenged and energised the medium of painting for successive generations
Author:
Publisher:
ISBN:
Category : Crops and climate
Languages : en
Pages : 12
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Book Description
Author: Clémentine Deliss
Publisher:
ISBN: 9783037348413
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
PAINTING-PERFORMANCE-POLITICS is the first critical and comprehensive publication on the Senegalese artist, curator and activist, El Sy (*1954), who is one of the most significant figures in African contemporary art. Not only has his innovative practice as a painter, performance artist, stage designer and curator shaped the art scene in Dakar since the late 1970s, but he is also internationally recognized as a leading protagonist of conceptual and politicized art collectives in Africa including the Laboratoire Agit Art and Tenq. This publication is the first art historical analysis that contextualizes his work and connects it to notions of resistance and activism in post-Independence Africa. It includes new essays by internationally renowned art historians, writers, and curators as well as unseen archival material. It places El Sy s activities within the framework of Senghorian post-Independence aesthetics, artists collectives in Africa, and Senegalese-German post-war relations. This publication offers a rare insight into intellectual and activist art practice in Africa prior to the "Global Turn" of 1989. "
Author: Britta Erickson
Publisher: Hatje Cantz
ISBN: 9783775749190
Category :
Languages : en
Pages : 320
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Book Description
In his paintings the Taiwanese artist Yahon Chang brings together traditional Chinese ink-wash painting and Western forms of artistic expression to produce a synthesis of East and West. Typically standing on large sheets of linen or Xuan paper and wielding a brush almost as long as he is tall, Chang creates works imbued with performative energy and characterized by large, sweeping brushstrokes. Drawing on Chinese literati and Zen (Chan) Buddhist traditions, the artist understands painting as an activity that connects body and mind. His entire body functions as an axis for these expressive paintings and is influenced by his training in calligraphy. This publication offers the first insight into the artist's extensive oeuvre and includes exhibition views as well as accompanying texts.
Author: Helen Langdon
Publisher: Reaktion Books
ISBN: 1789145732
Category : Art
Languages : en
Pages : 239
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Book Description
A compelling biography of the Renaissance painter, known equally for his magnetic personality and unusual subject matter: witchcraft and the sublime. Painter, poet, and actor Salvator Rosa was one of the most engaging and charismatic personalities of seventeenth-century Italy. Although a gifted landscape painter, he longed to be seen as the preeminent philosopher-painter of his age. This new biography traces Rosa’s strategies of self-promotion and his creation of a new kind of audience for his art. The book describes the startling novelty of his subject matter—witchcraft and divination, as well as prophecies, natural magic, and dark violence—and his early exploration of a nascent aesthetic of the sublime. Salvator Rosa shows how the artist, in a series of remarkable works, responded to new movements in thought and feeling, creating images that spoke to the deepest concerns of his age.
Author: Amy Skinner
Publisher:
ISBN: 9781783202775
Category : Cubism
Languages : en
Pages : 234
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Book Description
"This book offers a rich analysis of collage practices in the theatre of Vsevolod Meyerhold. Focusing on the philosophical and formal tenets of the form, and supporting her analysis with wide-ranging examples from both theatre and fine art, Amy Skinner develops collage as a framework for reading the whole of the theatrical experience, from scenography and mise-en-scène to text and spectatorship. An innovative exploration of the influence of collage on twentieth- and twenty-first-century theatre, Meyerhold and the Cubists will be essential reading for theatre scholars and practitioners alike."--Page 4 of cover.
Author: Thomas Sully
Publisher: Other Distribution
ISBN: 9780300197419
Category : Art
Languages : en
Pages : 0
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Book Description
"This catalogue is published on the occasion of the exhibition Thomas Sully: Painted Performance organized by the Milwaukee Art Museum."
Author: RoseLee Goldberg
Publisher:
ISBN:
Category : Arts, Modern
Languages : en
Pages : 256
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Book Description
First published in 1979, the latest edition of this pioneering study in "the World of Art" series surveys a full century of performance, from the Futurist manifesto of 1909 to the second decade of the new millennium. Art historian and gallery curator Rose Lee Goldberg explains how a medium once used only in sporadic outbreaks of artistic dissent has become, over the course of a century, a vital and integral part of the contemporary mainstream and a global phenomenon.
Author: Brian Livesley
Publisher:
ISBN: 9781849761451
Category : Painters
Languages : en
Pages : 0
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Book Description
When Turner died in 1851, the general view of an artist's late work was one of decline. Indeed, Turner's own painting from 1845 onwards was described as indulgent, eccentric and 'repulsive', and even his devoted champion John Ruskin commented on its 'wholly inferior value'. However, from the early 1900s there was a major reassessment of Turner's later paintings and sketches. Commentators hailed his study of light as a visionary precursor to the ideas of the Impressionists. This continued into the twentieth century, with curatorial choices in some museums presenting Turner's late and unfinished work as distinctly modern. Through a number of key themes and studies into his subject matter, technique and personal activities, this new analysis challenges the historical conceptions of Turner's late style. The idea that as an elderly artist Turner was seen as introverted and detached by the Victorian art world is set against the fact that his paintings from 1835 were some of the most popular, accessible and intellectual that he created. Meanwhile, questioning the notion that Turner's late work articulated a conclusive, radical vision that was heedless of public reaction, the texts explore how Turner had a very firm idea of the workings of the art market at that time. Fully illustrated in colour, and with contributions by some of the foremost Turner scholars, this book breaks new ground in the continuing study of the life and legacy of one of art's greatest masters.
