Author:
Publisher:
ISBN:
Category : Altar frontals
Languages : en
Pages : 192
Book Description
Painted Altar Frontals of Norway: Artists, styles and iconography
Author:
Publisher:
ISBN:
Category : Altar frontals
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category : Altar frontals
Languages : en
Pages : 192
Book Description
Painted Altar Frontals of Norway: Illustrations and drawings
Author:
Publisher:
ISBN:
Category : Altar frontals
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Altar frontals
Languages : en
Pages : 156
Book Description
Painted Altar Frontals of Norway: Materials and technique
Author:
Publisher:
ISBN:
Category : Altar frontals
Languages : en
Pages : 386
Book Description
Publisher:
ISBN:
Category : Altar frontals
Languages : en
Pages : 386
Book Description
Painted Altar Frontals of Norway, 1250-1350
Author: Erla Bergendahl Hohler
Publisher: Archetype Books
ISBN: 9781873132937
Category : Art
Languages : en
Pages : 662
Book Description
This 3-volume book is an exhaustive survey of 31 Norwegian wooden panel altar frontals, from the period 1250-1350 - the largest group of paintings from this period in Northern Europe. It is an important source for everyone interested in Northern medieval painting.
Publisher: Archetype Books
ISBN: 9781873132937
Category : Art
Languages : en
Pages : 662
Book Description
This 3-volume book is an exhaustive survey of 31 Norwegian wooden panel altar frontals, from the period 1250-1350 - the largest group of paintings from this period in Northern Europe. It is an important source for everyone interested in Northern medieval painting.
Historical Dictionary of Norway
Author: Terje Leiren
Publisher: Rowman & Littlefield
ISBN: 1538123126
Category : History
Languages : en
Pages : 402
Book Description
Norway has a thousand year history from the Vikings (750-1100) to modern times. Historically, a poor country on Europe’s periphery, its natural resources and hardy people have established a successful modern welfare state. Norway has exploited its natural resources of fish, water, oil, and gas to become one of Europe’s most successful small states. This second edition of I contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Norway.
Publisher: Rowman & Littlefield
ISBN: 1538123126
Category : History
Languages : en
Pages : 402
Book Description
Norway has a thousand year history from the Vikings (750-1100) to modern times. Historically, a poor country on Europe’s periphery, its natural resources and hardy people have established a successful modern welfare state. Norway has exploited its natural resources of fish, water, oil, and gas to become one of Europe’s most successful small states. This second edition of I contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Norway.
The Varnish and the Glaze
Author: Marjolijn Bol
Publisher: University of Chicago Press
ISBN: 022682036X
Category : Art
Languages : en
Pages : 323
Book Description
"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth, however, and after it was revealed as such, the remarkable verisimilitude of his work was attributed instead to a new translucent painting technique, a technique the artist could have only innovated with oil paint already at his disposal: the glaze. Today, most theories about how Van Eyck achieved his visual realism revolve around this idea: that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before and, moreover, that these two techniques were not only explored by painters but were developed by a variety of artisans as part of the medieval material culture of splendor. Artisans embellished metalwork and wood with varnishes and glazes to imitate gems and enamel; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of water, silk, and more. What's more, Bol shows how the explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by nature"--
Publisher: University of Chicago Press
ISBN: 022682036X
Category : Art
Languages : en
Pages : 323
Book Description
"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth, however, and after it was revealed as such, the remarkable verisimilitude of his work was attributed instead to a new translucent painting technique, a technique the artist could have only innovated with oil paint already at his disposal: the glaze. Today, most theories about how Van Eyck achieved his visual realism revolve around this idea: that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before and, moreover, that these two techniques were not only explored by painters but were developed by a variety of artisans as part of the medieval material culture of splendor. Artisans embellished metalwork and wood with varnishes and glazes to imitate gems and enamel; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of water, silk, and more. What's more, Bol shows how the explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by nature"--
The A to Z of Norway
Author: Jan Sjåvik
Publisher: Scarecrow Press
ISBN: 0810872137
Category : History
Languages : en
Pages : 304
Book Description
One of the smallest countries in Europe, Norway has created for itself a position in the world community, which is completely out of proportion to the size of its population. Originally the home of sub-Arctic hunters and gatherers, then of ferocious Vikings, it lost perhaps half of its population to the Black Death in 1349, ended up in a union with Denmark that lasted until 1814, and then became united with Sweden, gaining complete independence only as recently as 1905. Over the centuries the Norwegians eked out a meager living from stony fields and treacherous seas while suffering through hunger, darkness, and cold, however, its recent productive use of such natural resources as hydroelectric power, natural gas, and oil has made the Norwegians some of the richest people in the world. The A to Z of Norway supplies a wealth of information that illuminates Norway's remarkable history, society, and culture. This is done through a chronology, a bibliography, an introductory essay, appendixes, and over 250 cross-referenced dictionary entries covering events and individuals of historical, political, social, and cultural significance. Both past and present political parties are discussed, major economic sectors are described, and basic economic facts are provided. Several entries describe the history and attractions of major Norwegian cities, and Norway's role in the international community is detailed as well providing a full portrait of this vibrant country.
Publisher: Scarecrow Press
ISBN: 0810872137
Category : History
Languages : en
Pages : 304
Book Description
One of the smallest countries in Europe, Norway has created for itself a position in the world community, which is completely out of proportion to the size of its population. Originally the home of sub-Arctic hunters and gatherers, then of ferocious Vikings, it lost perhaps half of its population to the Black Death in 1349, ended up in a union with Denmark that lasted until 1814, and then became united with Sweden, gaining complete independence only as recently as 1905. Over the centuries the Norwegians eked out a meager living from stony fields and treacherous seas while suffering through hunger, darkness, and cold, however, its recent productive use of such natural resources as hydroelectric power, natural gas, and oil has made the Norwegians some of the richest people in the world. The A to Z of Norway supplies a wealth of information that illuminates Norway's remarkable history, society, and culture. This is done through a chronology, a bibliography, an introductory essay, appendixes, and over 250 cross-referenced dictionary entries covering events and individuals of historical, political, social, and cultural significance. Both past and present political parties are discussed, major economic sectors are described, and basic economic facts are provided. Several entries describe the history and attractions of major Norwegian cities, and Norway's role in the international community is detailed as well providing a full portrait of this vibrant country.
The Grove Encyclopedia of Medieval Art and Architecture
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Medieval Painting in Northern Europe
Author: Unn Plahter
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
This text of analytical and art historical research on medieval painting and polychromy is published to commemorate the 70th birthday of Unn Plahter.
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
This text of analytical and art historical research on medieval painting and polychromy is published to commemorate the 70th birthday of Unn Plahter.
A Cultural History of Color in the Medieval Age
Author: Carole P. Biggam
Publisher: Bloomsbury Publishing
ISBN: 1350193488
Category : History
Languages : en
Pages : 289
Book Description
A Cultural History of Color in the Medieval Age covers the period 500 to 1400. The medieval age saw an extraordinary burst of color - from illuminated manuscripts and polychrome sculpture to architecture and interiors, and from enamelled and jewelled metalwork to colored glass and the exquisite decoration of artefacts. Color was used to denote affiliation in heraldry and social status in medieval clothes. Color names were created in various languages and their resonance explored in poems, romances, epics, and plays. And, whilst medieval philosophers began to explain the rainbow, theologians and artists developed a color symbolism for both virtues and vices. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Carole P. Biggam is Honorary Senior Research Fellow in English Language and Linguistics at the University of Glasgow, UK. Kirsten Wolf is Professor of Old Norse and Scandinavian Linguistics at the University of Wisconsin-Madison, USA. Volume 2 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf The Cultural Histories Series A Cultural History of Color is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com . Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com .
Publisher: Bloomsbury Publishing
ISBN: 1350193488
Category : History
Languages : en
Pages : 289
Book Description
A Cultural History of Color in the Medieval Age covers the period 500 to 1400. The medieval age saw an extraordinary burst of color - from illuminated manuscripts and polychrome sculpture to architecture and interiors, and from enamelled and jewelled metalwork to colored glass and the exquisite decoration of artefacts. Color was used to denote affiliation in heraldry and social status in medieval clothes. Color names were created in various languages and their resonance explored in poems, romances, epics, and plays. And, whilst medieval philosophers began to explain the rainbow, theologians and artists developed a color symbolism for both virtues and vices. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Carole P. Biggam is Honorary Senior Research Fellow in English Language and Linguistics at the University of Glasgow, UK. Kirsten Wolf is Professor of Old Norse and Scandinavian Linguistics at the University of Wisconsin-Madison, USA. Volume 2 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf The Cultural Histories Series A Cultural History of Color is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com . Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com .