Oxford Readings in Greek Tragedy PDF Download
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Author: Erich Segal
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 472
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Book Description
Greek tragedy, the fountainhead of all western drama, is widely read by students in a variety of disciplines. Segal here presents twenty-nine of the finest modern essays on the plays of Aeschylus, Sophocles, and Euripides. All Greek has been translated, but the original footnotes have been retained. Contributors include Anne Burnett, E.R. Dodds, Bernard M.W. Knox, Hugh Lloyd-Jones, Karl Reinhardt, Jacqueline de Romilly, Bruno Snell, Jean-Pierre Vernant and Cedric Whitman.
Author: Erich Segal
Publisher: Oxford University Press, USA
ISBN:
Category : Drama
Languages : en
Pages : 472
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Book Description
Greek tragedy, the fountainhead of all western drama, is widely read by students in a variety of disciplines. Segal here presents twenty-nine of the finest modern essays on the plays of Aeschylus, Sophocles, and Euripides. All Greek has been translated, but the original footnotes have been retained. Contributors include Anne Burnett, E.R. Dodds, Bernard M.W. Knox, Hugh Lloyd-Jones, Karl Reinhardt, Jacqueline de Romilly, Bruno Snell, Jean-Pierre Vernant and Cedric Whitman.
Author: R. G. A. Buxton
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 388
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Book Description
The study of ancient Greek religion has been excitingly renewed in the last thirty years. This volume gathers together challenging papers by many of the most innovative participants in this renewal. No single school or style of approach is privileged: the aim is to illustrate a range of possible methods that may be adopted in the investigation of this endlessly fascinating material. The volume also contains an important introductory essay by Richard Buxton.
Author: Michael Lloyd
Publisher: Oxford University Press
ISBN: 0199265240
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
This book is an anthology of thirteen of the most important articles published on Aeschylus in the last fifty years. It gives roughly equal coverage to the seven surviving plays, and there is also a chapter which places them in the context of Aeschylus' work as a whole. Three articles have been translated into English for the first time, and others have a fresh foreword or postscript by the author. Greek quotations have been translated for the benefit of those reading the plays inEnglish. The editor has supplied a substantial introduction and an index.
Author: Simon Goldhill
Publisher: Oxford University Press
ISBN: 0199978824
Category : Literary Collections
Languages : en
Pages : 303
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Book Description
Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on how our understanding of tragedy has been shaped by our literary past. Simon Goldhill sheds new light on Sophocles' distinctive brilliance as a dramatist, illuminating such aspects of his work as his manipulation of irony, his construction of dialogue, and his deployment of the actors and the chorus. Goldhill also investigates how nineteenth-century critics like Hegel, Nietzsche, and Wagner developed a specific understanding of tragedy, one that has shaped our current approach to the genre. Finally, Goldhill addresses one of the foundational questions of literary criticism: how historically self-conscious should a reading of Greek tragedy be? The result is an invigorating and exciting new interpretation of the most canonical of Western authors.
Author: Pantelis Michelakis
Publisher:
ISBN: 019923907X
Category : Drama
Languages : en
Pages : 281
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Book Description
Greek Tragedy on Screen considers a wide range of films which engage openly with narrative and performative aspects of Greek tragedy. This volume situates these films within the context of on-going debates in film criticism and reception theory in relation to theoretical or critical readings of tragedy in contemporary culture. Michelakis argues that film adaptations of Greek tragedy need to be placed between the promises of cinema for a radical popular culture, and the divergent cultural practices and realities of commercial films, art-house films, silent cinema, and films for television, home video, and DVD. In an age where the boundaries between art and other forms of cultural production are constantly intersected and reconfigured, the appeal of Greek tragedy for the screen needs to be related to the longing it triggers for origins and authenticity, as well as to the many uncertainties, such as homelessness, violence, and loss of identity, with which it engages. The films discussed include not only critically recognized films by directors such Michael Cacoyannis, Jules Dassin, and Pier Paolo Pasolini, but also more recent films by Woody Allen, Tony Harrison, Werner Herzog, and Lars von Trier. Moreover, it also considers earlier and largely neglected films of cinematic traditions which lie outside Hollywood.
Author: Ian McAuslan
Publisher: Oxford University Press, USA
ISBN: 9780199203017
Category : Greek drama (Tragedy)
Languages : en
Pages : 225
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Book Description
The second in the Greece and Rome Studies series, this book collects seventeen studies of Greek tragedy by leading authorities published in the journal Greece & Rome between 1972 and 1989. The articles include analyses of individual plays by Sophocles, Aeschylus, and Euripides; studies of character and imagery; and an examination of recent critical assumptions.
Author: Oliver Taplin
Publisher: Routledge
ISBN: 1134414935
Category : History
Languages : en
Pages : 166
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Book Description
Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances. Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is demonstrated. Now firmly established as a classic text, Greek Tragedy in Action is even more relevant today, when performances of Greek tragedies and plays inspired by them have had such an extraordinary revival around the world.
Author: R. G. A. Buxton
Publisher: Oxford University Press, USA
ISBN: 0199557616
Category : History
Languages : en
Pages : 293
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Book Description
This work brings together Richard Buxton's studies of Greek mythology and Greek tragedy, focusing especially on the interrelationship between the two. Situating and contextualising topics and themes within the world of ancient Greece, he traces the intricate variations and retellings which they underwent in Greek antiquity.
Author: N. J. Sewell-Rutter
Publisher: OUP Oxford
ISBN: 019161548X
Category : Drama
Languages : en
Pages : 224
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Book Description
Blighted and accursed families are an inescapable feature of Greek tragedy, and many scholars have treated questions of inherited guilt, curses, and divine causation. N.J. Sewell-Rutter gives these familiar issues a fresh appraisal, arguing that tragedy is a medium that fuses the conceptual with the provoking and exciting of emotion, neither of which can be ignored if the texts are to be fully understood. He pays particular attention to Aeschylus' Seven against Thebes and the Phoenician Women of Euripides, both of which dramatize the sorrows of the later generations of the House of Oedipus, but in very different, and perhaps complementary, ways. All Greek quotations are translated, making his study thoroughly accessible to the non-specialist reader.
Author: Jan Kott
Publisher: Northwestern University Press
ISBN: 0810107457
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
In The Eating of the Gods the distinguished Polish critic Jan Kott reexamines Greek tragedy from the modern perspective. As in his earlier acclaimed Shakespeare Our Contemporary, Kott provides startling insights and intuitive leaps which link our world to that of the ancient Greeks. The title refers to the Bacchae of Euripides, that tragedy of lust, revenge, murder, and "the joy of eating raw flesh" which Kott finds paradigmatic in its violence and bloodshed.
