Oxford Readings in Aristophanes PDF Download
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Author: Erich Segal
Publisher: OUP Oxford
ISBN:
Category : Drama
Languages : en
Pages : 368
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Book Description
This anthology is a 'must' for all serious students of Aristophanes. It includes in one volume sixteen of the most important contributions to the study of the only surviving author of Greek Attic comedy who has left us more than fragments.
Author: Erich Segal
Publisher: OUP Oxford
ISBN:
Category : Drama
Languages : en
Pages : 368
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Book Description
This anthology is a 'must' for all serious students of Aristophanes. It includes in one volume sixteen of the most important contributions to the study of the only surviving author of Greek Attic comedy who has left us more than fragments.
Author: Simon Swain
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
This book comprises a new and exciting collection of critical work on the ancient Greek novel. It offers students and researchers twelve of the most influential studies of recent years together with an introduction, by the editor, which explores the nature of the Greek novel in its historical context. The most important Greek quotations have been rendered into English making these texts easily accessible to readers without Greek.
Author: Erich Segal
Publisher: Oxford University Press on Demand
ISBN: 9780198721932
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This volume of seminal essays examines the origins of modern comedy. It looks at the quiet domestic dramas of Menander, the Greek comic playwright whose work was rediscovered in the last century; the farces of Plautus, allegedly adaptations of the Greek but really mockeries on themes of his Hellenistic predecessors; and the comedies of Terence which, whilst seemingly throwbacks to Menander in style, have their own originality which gave a final form to what we now know as modern comedy. The papers are pulled together in the introduction which sets all the pieces included in their historical and cultural context, and examines the legacy for modern comedies. All Latin and Greek is translated.
Author: Vivienne Gray
Publisher: Oxford University Press
ISBN: 0199216177
Category : History
Languages : en
Pages : 613
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Book Description
A selection of important articles on Xenophon which will serve as an introduction to his writings by presenting current debates about the way in which we read them. A specially written introduction by Vivienne J. Gray places the articles in the context of Xenophon's life and works.
Author: Dimitrios Kanellakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110677032
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
The purpose of this book is to examine the variety, the mechanisms, and the poetological intention of the effect of surprise in Aristophanic comedy, addressing the phenomenon not as a self-evident or unselfconscious element of comedy as a genre, but as an elaborate system which characterises the style of the specific dramatist. More precisely, the book analyses Aristophanes’ most prominent verbal, thematic, and theatrical modes of surprise from a typological perspective, and interprets them as comprising the key area in which the playwright claims and demonstrates his artistic superiority over rival genres and individual poets. In line with this purpose, two parallel aims of the book are to provide an original commentary on the passages under examination, and to promote the study of modern performances – a practice which has so far been either restricted to Classical Reception or only theoretically acknowledged (if at all) by mainstream philological scholarship. This is a timely book on a topic of wide current interest across a range of interlocking disciplines: emotion studies, semiotics, narratology, information theory, and -most pertinently for this book- humour research.
Author: Ian Rutherford
Publisher: OUP Oxford
ISBN: 9780199216192
Category : History
Languages : en
Pages : 0
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Book Description
Oxford Readings in Greek Lyric Poetry contains 17 studies on Greek Lyric, Elegiac, and Iambic poetry by leading international academics drawn from the last three decades, 3 of which are translated here for the first time. Ian Rutherford has written an introduction surveying the scholarship in the field.
Author: John G. Fitch
Publisher: Oxford University Press, USA
ISBN: 0199282080
Category : Language Arts & Disciplines
Languages : en
Pages : 445
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Book Description
Statesman, dramatist, philosopher, and prose stylist, Seneca was a leading figure in the Roman Empire in the first century AD. This volume is a collection of outstanding articles written about him during the last four decades, with a new introduction which places the articles within the context of recent academic thought and criticism.
Author: Douglas L. Cairns
Publisher: Oxford University Press on Demand
ISBN: 9780198721833
Category : Literary Criticism
Languages : en
Pages : 503
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Book Description
This anthology of 16 seminal studies of Homer's Iliad offers essential insights into the poem's artistry and cultural background. An authoritative introduction sets the papers in context and explores significant connections between them.
Author: Ian C. Storey
Publisher: John Wiley & Sons
ISBN: 1405137630
Category : Drama
Languages : en
Pages : 330
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Book Description
This Blackwell Guide introduces ancient Greek drama, which flourished principally in Athens from the sixth century BC to the third century BC. A broad-ranging and systematically organised introduction to ancient Greek drama. Discusses all three genres of Greek drama - tragedy, comedy, and satyr play. Provides overviews of the five surviving playwrights - Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and brief entries on lost playwrights. Covers contextual issues such as: the origins of dramatic art forms; the conventions of the festivals and the theatre; the relationship between drama and the worship of Dionysos; the political dimension; and how to read and watch Greek drama. Includes 46 one-page synopses of each of the surviving plays.
Author: Daniel Holmes
Publisher: Rowman & Littlefield
ISBN: 1498590772
Category : Philosophy
Languages : en
Pages : 247
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Book Description
Aristophanes was clearly anxious about the role of the sophists and the “new” education in Athens. After the perceived failure of Clouds in 423 and its subsequent, unperformed revision, Aristophanes, this book argues, returned in 414 with Birds, a continuation and deepening of his critique found in Clouds. Peisetaerus or “persuader of his comrades,” the protagonist of Birds, though an old man, is clearly a student of Socrates’ phrontisterion. Unlike Socrates, however, he is political and ambitious and he understands the whole of human nature, both rational and irrational. Peisetaerus employs the various deconstructive techniques of Socrates and his allies (which is summed up on the comic sage in the image of “father-beating”) to overturn not just human society, but, with the help of his new allies, the divine and musical birds, the cosmos. After his new gods and bird city, Cloudcuckooland, are actually established, however, the hero re-introduces the “old” ways - justice, moderation, and obedience to law – but now under his personal authority, and thereby becomes “the highest of the gods.” Thus, the author postulates, in 414 Aristophanes has come to acknowledge the potency of the apparent civic-minded turn (or element) of the sophists, while aware of the self-aggrandizing nature of their ambition. Peisetaerus, unlike Socrates, is successful: he is establishing a just polis and cosmos and, therefore, must be victorious. But the consequence or cost of this success is illustrated through the Bird Chorus. After the polis is founded, the birds never again sing of their musical reciprocity with the Muses, the source of melodies for men. The birds are now political and the policemen of human beings. The sophist-run cosmos has lost its music. The new Zeus is an ugly bird-mutant. The gods and all nomoi have lost their beauty, honor, and reverential nature. Birds, in its finale, hilariously, but boldlyilluminates the inherent tension between philosophy (reason) and poetry (divinely-inspired tradition).
