Author: John Mueller
Publisher: Simon and Schuster
ISBN: 1416574654
Category : Political Science
Languages : en
Pages : 306
Book Description
Why have there been no terrorist attacks in the United States since 9/11? It is ridiculously easy for a single person with a bomb-filled backpack, or a single explosives-laden automobile, to launch an attack. So why hasn't it happened? The answer is surely not the Department of Homeland Security, which cannot stop terrorists from entering the country, legally or otherwise. It is surely not the Iraq war, which has stoked the hatred of Muslim extremists around the world and wasted many thousands of lives. Terrorist attacks have been regular events for many years -- usually killing handfuls of people, occasionally more than that. Is it possible that there is a simple explanation for the peaceful American homefront? Is it possible that there are no al-Qaeda terrorists here? Is it possible that the war on terror has been a radical overreaction to a rare event? Consider: 80,000 Arab and Muslim immigrants have been subjected to fingerprinting and registration, and more than 5,000 foreign nationals have been imprisoned -- yet there has not been a single conviction for a terrorist crime in America. A handful of plots -- some deadly, some intercepted -- have plagued Europe and elsewhere, and even so, the death toll has been modest. We have gone to war in two countries and killed tens of thousands of people. We have launched a massive domestic wiretapping program and created vast databases of information once considered private. Politicians and pundits have berated us about national security and patriotic duty, while encroaching our freedoms and sending thousands of young men off to die. It is time to consider the hypothesis that dare not speak its name: we have wildly overreacted. Terrorism has been used by murderous groups for many decades, yet even including 9/11, the odds of an American being killed by international terrorism are microscopic. In general, international terrorism doesn't do much damage when considered in almost any reasonable context. The capacity of al-Qaeda or of any similar group to do damage in the United States pales in comparison to the capacity other dedicated enemies, particularly international Communism, have possessed in the past. Lashing out at the terrorist threat is frequently an exercise in self-flagellation because it is usually more expensive than the terrorist attack itself and because it gives the terrorists exactly what they are looking for. Much, probably most, of the money and effort expended on counterterrorism since 2001 (and before, for that matter) has been wasted. The terrorism industry and its allies in the White House and Congress have preyed on our fears and caused enormous damage. It is time to rethink the entire enterprise and spend much smaller amounts on only those things that do matter: intelligence, law enforcement, and disruption of radical groups overseas. Above all, it is time to stop playing into the terrorists' hands, by fear-mongering and helping spread terror itself.
Overblown
Author: John Mueller
Publisher: Simon and Schuster
ISBN: 1416574654
Category : Political Science
Languages : en
Pages : 306
Book Description
Why have there been no terrorist attacks in the United States since 9/11? It is ridiculously easy for a single person with a bomb-filled backpack, or a single explosives-laden automobile, to launch an attack. So why hasn't it happened? The answer is surely not the Department of Homeland Security, which cannot stop terrorists from entering the country, legally or otherwise. It is surely not the Iraq war, which has stoked the hatred of Muslim extremists around the world and wasted many thousands of lives. Terrorist attacks have been regular events for many years -- usually killing handfuls of people, occasionally more than that. Is it possible that there is a simple explanation for the peaceful American homefront? Is it possible that there are no al-Qaeda terrorists here? Is it possible that the war on terror has been a radical overreaction to a rare event? Consider: 80,000 Arab and Muslim immigrants have been subjected to fingerprinting and registration, and more than 5,000 foreign nationals have been imprisoned -- yet there has not been a single conviction for a terrorist crime in America. A handful of plots -- some deadly, some intercepted -- have plagued Europe and elsewhere, and even so, the death toll has been modest. We have gone to war in two countries and killed tens of thousands of people. We have launched a massive domestic wiretapping program and created vast databases of information once considered private. Politicians and pundits have berated us about national security and patriotic duty, while encroaching our freedoms and sending thousands of young men off to die. It is time to consider the hypothesis that dare not speak its name: we have wildly overreacted. Terrorism has been used by murderous groups for many decades, yet even including 9/11, the odds of an American being killed by international terrorism are microscopic. In general, international terrorism doesn't do much damage when considered in almost any reasonable context. The capacity of al-Qaeda or of any similar group to do damage in the United States pales in comparison to the capacity other dedicated enemies, particularly international Communism, have possessed in the past. Lashing out at the terrorist threat is frequently an exercise in self-flagellation because it is usually more expensive than the terrorist attack itself and because it gives the terrorists exactly what they are looking for. Much, probably most, of the money and effort expended on counterterrorism since 2001 (and before, for that matter) has been wasted. The terrorism industry and its allies in the White House and Congress have preyed on our fears and caused enormous damage. It is time to rethink the entire enterprise and spend much smaller amounts on only those things that do matter: intelligence, law enforcement, and disruption of radical groups overseas. Above all, it is time to stop playing into the terrorists' hands, by fear-mongering and helping spread terror itself.
Publisher: Simon and Schuster
ISBN: 1416574654
Category : Political Science
Languages : en
Pages : 306
Book Description
Why have there been no terrorist attacks in the United States since 9/11? It is ridiculously easy for a single person with a bomb-filled backpack, or a single explosives-laden automobile, to launch an attack. So why hasn't it happened? The answer is surely not the Department of Homeland Security, which cannot stop terrorists from entering the country, legally or otherwise. It is surely not the Iraq war, which has stoked the hatred of Muslim extremists around the world and wasted many thousands of lives. Terrorist attacks have been regular events for many years -- usually killing handfuls of people, occasionally more than that. Is it possible that there is a simple explanation for the peaceful American homefront? Is it possible that there are no al-Qaeda terrorists here? Is it possible that the war on terror has been a radical overreaction to a rare event? Consider: 80,000 Arab and Muslim immigrants have been subjected to fingerprinting and registration, and more than 5,000 foreign nationals have been imprisoned -- yet there has not been a single conviction for a terrorist crime in America. A handful of plots -- some deadly, some intercepted -- have plagued Europe and elsewhere, and even so, the death toll has been modest. We have gone to war in two countries and killed tens of thousands of people. We have launched a massive domestic wiretapping program and created vast databases of information once considered private. Politicians and pundits have berated us about national security and patriotic duty, while encroaching our freedoms and sending thousands of young men off to die. It is time to consider the hypothesis that dare not speak its name: we have wildly overreacted. Terrorism has been used by murderous groups for many decades, yet even including 9/11, the odds of an American being killed by international terrorism are microscopic. In general, international terrorism doesn't do much damage when considered in almost any reasonable context. The capacity of al-Qaeda or of any similar group to do damage in the United States pales in comparison to the capacity other dedicated enemies, particularly international Communism, have possessed in the past. Lashing out at the terrorist threat is frequently an exercise in self-flagellation because it is usually more expensive than the terrorist attack itself and because it gives the terrorists exactly what they are looking for. Much, probably most, of the money and effort expended on counterterrorism since 2001 (and before, for that matter) has been wasted. The terrorism industry and its allies in the White House and Congress have preyed on our fears and caused enormous damage. It is time to rethink the entire enterprise and spend much smaller amounts on only those things that do matter: intelligence, law enforcement, and disruption of radical groups overseas. Above all, it is time to stop playing into the terrorists' hands, by fear-mongering and helping spread terror itself.
Vox
Author: Christina Dalcher
Publisher: Penguin
ISBN: 0440000815
Category : Fiction
Languages : en
Pages : 354
Book Description
THE NATIONAL BESTSELLER • ONE OF ENTERTAINMENT WEEKLY'S AND SHEREADS' BOOKS TO READ AFTER THE HANDMAID'S TALE “[An] electrifying debut.”—O, The Oprah Magazine “The real-life parallels will make you shiver.”—Cosmopolitan Set in a United States in which half the population has been silenced, Vox is the harrowing, unforgettable story of what one woman will do to protect herself and her daughter. On the day the government decrees that women are no longer allowed more than one hundred words per day, Dr. Jean McClellan is in denial. This can't happen here. Not in America. Not to her. Soon women are not permitted to hold jobs. Girls are not taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words each day, but now women have only one hundred to make themselves heard. For herself, her daughter, and every woman silenced, Jean will reclaim her voice. This is just the beginning...not the end. One of Good Morning America's “Best Books to Bring to the Beach This Summer” One of PopSugar, Refinery29, Entertainment Weekly, Bustle, Real Simple, i09, and Amazon's Best Books to Read in August 2018
Publisher: Penguin
ISBN: 0440000815
Category : Fiction
Languages : en
Pages : 354
Book Description
THE NATIONAL BESTSELLER • ONE OF ENTERTAINMENT WEEKLY'S AND SHEREADS' BOOKS TO READ AFTER THE HANDMAID'S TALE “[An] electrifying debut.”—O, The Oprah Magazine “The real-life parallels will make you shiver.”—Cosmopolitan Set in a United States in which half the population has been silenced, Vox is the harrowing, unforgettable story of what one woman will do to protect herself and her daughter. On the day the government decrees that women are no longer allowed more than one hundred words per day, Dr. Jean McClellan is in denial. This can't happen here. Not in America. Not to her. Soon women are not permitted to hold jobs. Girls are not taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words each day, but now women have only one hundred to make themselves heard. For herself, her daughter, and every woman silenced, Jean will reclaim her voice. This is just the beginning...not the end. One of Good Morning America's “Best Books to Bring to the Beach This Summer” One of PopSugar, Refinery29, Entertainment Weekly, Bustle, Real Simple, i09, and Amazon's Best Books to Read in August 2018
Someone Else's Love Story
Author: Joshilyn Jackson
Publisher:
ISBN: 9780062372734
Category : Georgia
Languages : en
Pages : 0
Book Description
Single mom Shandi Pierce's life takes a turn when an enigmatic geneticist saves her and her 3-year-old genius son from an armed robber.
Publisher:
ISBN: 9780062372734
Category : Georgia
Languages : en
Pages : 0
Book Description
Single mom Shandi Pierce's life takes a turn when an enigmatic geneticist saves her and her 3-year-old genius son from an armed robber.
The Eight
Author: Katherine Neville
Publisher: Open Road Media
ISBN: 1504013670
Category : Fiction
Languages : en
Pages : 523
Book Description
The “fascinating” #1 international bestseller of a quest across centuries by two intrepid women to reunite the pieces of a powerful, ancient chess set (Los Angeles Times Book Review). A fabulous, bejeweled chess set that belonged to Charlemagne has been buried in a Pyrenees abbey for a thousand years. As the bloody French Revolution rages in Paris, the nuns dig it up and scatter its pieces across the globe because, when united, the set contains a secret power that could topple civilizations. To keep the set from falling into the wrong hands, two novices, Valentine and Mireille, embark on an adventure that begins in the streets of Paris and leads to Russia, Egypt, Corsica, and into the heart of the Algerian Sahara. Two hundred years later, while on assignment in Algeria, computer expert Catherine Velis finds herself drawn unwillingly into the deadly “Game” still swirling around the legendary chess set—a game that will require her to risk her life and match wits with diabolical forces. This ebook features an illustrated biography of Katherine Neville including rare images from her life and travels.
Publisher: Open Road Media
ISBN: 1504013670
Category : Fiction
Languages : en
Pages : 523
Book Description
The “fascinating” #1 international bestseller of a quest across centuries by two intrepid women to reunite the pieces of a powerful, ancient chess set (Los Angeles Times Book Review). A fabulous, bejeweled chess set that belonged to Charlemagne has been buried in a Pyrenees abbey for a thousand years. As the bloody French Revolution rages in Paris, the nuns dig it up and scatter its pieces across the globe because, when united, the set contains a secret power that could topple civilizations. To keep the set from falling into the wrong hands, two novices, Valentine and Mireille, embark on an adventure that begins in the streets of Paris and leads to Russia, Egypt, Corsica, and into the heart of the Algerian Sahara. Two hundred years later, while on assignment in Algeria, computer expert Catherine Velis finds herself drawn unwillingly into the deadly “Game” still swirling around the legendary chess set—a game that will require her to risk her life and match wits with diabolical forces. This ebook features an illustrated biography of Katherine Neville including rare images from her life and travels.
A Bright Ray of Darkness
Author: Ethan Hawke
Publisher: Vintage
ISBN: 0385352395
Category : Fiction
Languages : en
Pages : 256
Book Description
The blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes—a "witty, wise, and heartfelt novel" (Washington Post) about art and love, fame and heartbreak from the acclaimed actor/writer/director. A bracing meditation on fame and celebrity, and the redemptive, healing power of art; a portrait of the ravages of disappointment and divorce; a poignant consideration of the rites of fatherhood and manhood; a novel soaked in rage and sex, longing and despair; and a passionate love letter to the world of theater, A Bright Ray of Darkness showcases Ethan Hawke's gifts as a novelist as never before. Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying—and narcissistic—Falstaff's of all time. Searing, raw, and utterly transfixing, A Bright Ray of Darkness is a novel about shame and beauty and faith, and the moral power of art.
Publisher: Vintage
ISBN: 0385352395
Category : Fiction
Languages : en
Pages : 256
Book Description
The blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes—a "witty, wise, and heartfelt novel" (Washington Post) about art and love, fame and heartbreak from the acclaimed actor/writer/director. A bracing meditation on fame and celebrity, and the redemptive, healing power of art; a portrait of the ravages of disappointment and divorce; a poignant consideration of the rites of fatherhood and manhood; a novel soaked in rage and sex, longing and despair; and a passionate love letter to the world of theater, A Bright Ray of Darkness showcases Ethan Hawke's gifts as a novelist as never before. Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying—and narcissistic—Falstaff's of all time. Searing, raw, and utterly transfixing, A Bright Ray of Darkness is a novel about shame and beauty and faith, and the moral power of art.
Color Me in
Author: Natasha E. Diaz
Publisher:
ISBN: 0525578234
Category : Juvenile Fiction
Languages : en
Pages : 386
Book Description
Fifteen-year-old Nevaeh Levitz is torn between two worlds, passing for white while living in Harlem, being called Jewish while attending her mother's Baptist church, and experiencing first love while watching her parents' marriage crumble.
Publisher:
ISBN: 0525578234
Category : Juvenile Fiction
Languages : en
Pages : 386
Book Description
Fifteen-year-old Nevaeh Levitz is torn between two worlds, passing for white while living in Harlem, being called Jewish while attending her mother's Baptist church, and experiencing first love while watching her parents' marriage crumble.
White Teeth
Author: Zadie Smith
Publisher: Penguin UK
ISBN: 0141939230
Category : Fiction
Languages : en
Pages : 676
Book Description
An unforgettable portrait of London and one of the most talked about debuts of all time! 'The almost preposterous talent was clear from the first pages' Guardian On New Years Day 1975, the day of his almost-suicide, life said yes to Archie Jones. Not OK or 'You-might-as-well-carry-on-since-you've-started'. A resounding affirmative. Promptly seizing his second life by the horns, Archie meets and marries Clara Bowden, a Caribbean girl twenty-eight years his junior. Thus begins a tale of friendship, of love and war, of three culture and three families over three generations . . . ***** 'Street-smart and learned, sassy and philosophical all at the same time' New York Times 'Outstanding' Sunday Telegraph 'An astonishingly assured début, funny and serious . . . I was delighted' Salman Rushdie
Publisher: Penguin UK
ISBN: 0141939230
Category : Fiction
Languages : en
Pages : 676
Book Description
An unforgettable portrait of London and one of the most talked about debuts of all time! 'The almost preposterous talent was clear from the first pages' Guardian On New Years Day 1975, the day of his almost-suicide, life said yes to Archie Jones. Not OK or 'You-might-as-well-carry-on-since-you've-started'. A resounding affirmative. Promptly seizing his second life by the horns, Archie meets and marries Clara Bowden, a Caribbean girl twenty-eight years his junior. Thus begins a tale of friendship, of love and war, of three culture and three families over three generations . . . ***** 'Street-smart and learned, sassy and philosophical all at the same time' New York Times 'Outstanding' Sunday Telegraph 'An astonishingly assured début, funny and serious . . . I was delighted' Salman Rushdie
Fan Fiction
Author: Brent Spiner
Publisher: St. Martin's Press
ISBN: 1250274370
Category : Fiction
Languages : en
Pages : 199
Book Description
Brent Spiner’s explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one. Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance. Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner, and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life. Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of “Fandom.”
Publisher: St. Martin's Press
ISBN: 1250274370
Category : Fiction
Languages : en
Pages : 199
Book Description
Brent Spiner’s explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one. Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance. Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner, and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life. Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of “Fandom.”
The Other Rise of the Novel in Eighteenth-Century French Fiction
Author: Olivier Delers
Publisher: Rowman & Littlefield
ISBN: 1611495822
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
The rise of the novel paradigm—and the underlying homology between the rise of a bourgeois middle class and the coming of age of a new literary genre—continues to influence the way we analyze economic discourse in the eighteenth-century French novel. Characters are often seen as portraying bourgeois values, even when historiographical evidence points to the virtual absence of a self-conscious and coherent bourgeoisie in France in the early modern period. Likewise, the fact that the nobility was a dynamic and diverse group whose members had learned to think in individualistic and meritocratic terms as a result of courtly politics is often ignored. The Other Rise of the Novel calls for a radical revision of how realism, the language of self-interest and commercial exchanges, and idealized noble values interact in the early modern novel. It focuses on two novels from the seventeenth century, Furetière’s Roman bourgeois and Lafayette’s Princesse de Clèves and four novels from the eighteenth century, Prévost’s Manon Lescaut, Graffigny’s Lettres d’une Péruvienne, Rousseau’s La Nouvelle Héloïse and Sade’s Les infortunes de la vertu. It argues that eighteenth-century French fiction does not reflect material culture mimetically and that character action is best analyzed by focusing on the social and discursive exchanges staged by the text, rather than by trying to create parallels between specific behavior and actual historical changes. The novel produces its own reality by transforming characters and their stories into alternative social models, different articulations of how individuals should define their economic relations to others. The representation of interpersonal relations often highlights personal conceptions of private interest that cannot be easily reconciled with the traditional narrative of a transition towards economic modernity. Realism, then, is not only about verisimilar storytelling and psychological depth: it is an epistemological questioning about the type of access to reality that a particular genre can give its readers.
Publisher: Rowman & Littlefield
ISBN: 1611495822
Category : Literary Criticism
Languages : en
Pages : 197
Book Description
The rise of the novel paradigm—and the underlying homology between the rise of a bourgeois middle class and the coming of age of a new literary genre—continues to influence the way we analyze economic discourse in the eighteenth-century French novel. Characters are often seen as portraying bourgeois values, even when historiographical evidence points to the virtual absence of a self-conscious and coherent bourgeoisie in France in the early modern period. Likewise, the fact that the nobility was a dynamic and diverse group whose members had learned to think in individualistic and meritocratic terms as a result of courtly politics is often ignored. The Other Rise of the Novel calls for a radical revision of how realism, the language of self-interest and commercial exchanges, and idealized noble values interact in the early modern novel. It focuses on two novels from the seventeenth century, Furetière’s Roman bourgeois and Lafayette’s Princesse de Clèves and four novels from the eighteenth century, Prévost’s Manon Lescaut, Graffigny’s Lettres d’une Péruvienne, Rousseau’s La Nouvelle Héloïse and Sade’s Les infortunes de la vertu. It argues that eighteenth-century French fiction does not reflect material culture mimetically and that character action is best analyzed by focusing on the social and discursive exchanges staged by the text, rather than by trying to create parallels between specific behavior and actual historical changes. The novel produces its own reality by transforming characters and their stories into alternative social models, different articulations of how individuals should define their economic relations to others. The representation of interpersonal relations often highlights personal conceptions of private interest that cannot be easily reconciled with the traditional narrative of a transition towards economic modernity. Realism, then, is not only about verisimilar storytelling and psychological depth: it is an epistemological questioning about the type of access to reality that a particular genre can give its readers.
Why Women Read Fiction
Author: Helen Taylor
Publisher: Oxford University Press
ISBN: 0192562673
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Ian McEwan once said, 'When women stop reading, the novel will be dead.' This book explains how precious fiction is to contemporary women readers, and how they draw on it to tell the stories of their lives. Female readers are key to the future of fiction and—as parents, teachers, and librarians—the glue for a literate society. Women treasure the chance to read alone, but have also gregariously shared reading experiences and memories with mothers, daughters, grandchildren, and female friends. For so many, reading novels and short stories enables them to escape and to spread their wings intellectually and emotionally. This book, written by an experienced teacher, scholar of women's writing, and literature festival director, draws on over 500 interviews with and questionnaires from women readers and writers. It describes how, where, and when British women read fiction, and examines why stories and writers influence the way female readers understand and shape their own life stories. Taylor explores why women are the main buyers and readers of fiction, members of book clubs, attendees at literary festivals, and organisers of days out to fictional sites and writers' homes. The book analyses the special appeal and changing readership of the genres of romance, erotica, and crime. It also illuminates the reasons for British women's abiding love of two favourite novels, Pride and Prejudice and Jane Eyre. Taylor offers a cornucopia of witty and wise women's voices, of both readers themselves and also writers such as Hilary Mantel, Helen Dunmore, Katie Fforde, and Sarah Dunant. The book helps us understand why—in Jackie Kay's words—'our lives are mapped by books.'
Publisher: Oxford University Press
ISBN: 0192562673
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Ian McEwan once said, 'When women stop reading, the novel will be dead.' This book explains how precious fiction is to contemporary women readers, and how they draw on it to tell the stories of their lives. Female readers are key to the future of fiction and—as parents, teachers, and librarians—the glue for a literate society. Women treasure the chance to read alone, but have also gregariously shared reading experiences and memories with mothers, daughters, grandchildren, and female friends. For so many, reading novels and short stories enables them to escape and to spread their wings intellectually and emotionally. This book, written by an experienced teacher, scholar of women's writing, and literature festival director, draws on over 500 interviews with and questionnaires from women readers and writers. It describes how, where, and when British women read fiction, and examines why stories and writers influence the way female readers understand and shape their own life stories. Taylor explores why women are the main buyers and readers of fiction, members of book clubs, attendees at literary festivals, and organisers of days out to fictional sites and writers' homes. The book analyses the special appeal and changing readership of the genres of romance, erotica, and crime. It also illuminates the reasons for British women's abiding love of two favourite novels, Pride and Prejudice and Jane Eyre. Taylor offers a cornucopia of witty and wise women's voices, of both readers themselves and also writers such as Hilary Mantel, Helen Dunmore, Katie Fforde, and Sarah Dunant. The book helps us understand why—in Jackie Kay's words—'our lives are mapped by books.'