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Author: Camille Saint-Saens
Publisher: Routledge
ISBN: 1351349856
Category : Music
Languages : en
Pages : 150
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Book Description
A series of essays on reactions and emotional responses to music.
Author: Camille Saint-Saens
Publisher: Routledge
ISBN: 1351349856
Category : Music
Languages : en
Pages : 150
Get Book Here
Book Description
A series of essays on reactions and emotional responses to music.
Author: Camille Saint-Saens
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 186
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Book Description
Author: Camille Saint-Saëns
Publisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 204
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Book Description
Author: CAMILLE. SAINT-SAENS
Publisher:
ISBN: 9781033522615
Category :
Languages : en
Pages : 0
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Book Description
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
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Book Description
Author: Camille Saint-Saens
Publisher: Forgotten Books
ISBN: 9781528248860
Category : Music
Languages : en
Pages : 200
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Book Description
Excerpt from Outspoken Essays on Music Legends abound as regards the power of expression, the truly superhuman results, obtained by this primary music. Wild animals crawling at the feet of Orpheus; Saul's madness soothed and calmed by the strains of David's harp the vocation or calling of the Buddha determined by the vibrations of the strings of a Vina; the passions of Alexander roused or lulled at will by the various melodies drawn from a lyre, with out speaking of walls erected by the music of Amphion's lyre or dashed to the ground by the trumpets of the Hebrews. Wide is our choice among the phenomena of the marvellous, wherein the potency of the results effected contrasts strangely with the poverty of the means employed to bring them about. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0195346580
Category : Political Science
Languages : en
Pages : 488
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Book Description
In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 712
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 976
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Book Description
