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Author: Foster Hirsch
Publisher: Knopf
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 600
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Book Description
The first full-scale life of the controversial, greatly admired yet often underrated director/producer who was known as Otto the Terrible--a biography that reveals him as a complex, paradoxical, wholly fascinating figure. Illustrated.
Author: Foster Hirsch
Publisher: Knopf
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 600
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Book Description
The first full-scale life of the controversial, greatly admired yet often underrated director/producer who was known as Otto the Terrible--a biography that reveals him as a complex, paradoxical, wholly fascinating figure. Illustrated.
Author: Otto Preminger
Publisher: Garden City, N.Y. : Doubleday
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
"With the same candor that has characterized his life, Otto Preminger--actor, director, producer, and now writer--exposes himself (in writing) as well as an impressive line-up of show business folk in this engrossing memoir. As one of Hol1ywood's pre-eminent directors with 36 films and 32 stage productions to his credit, Preminger reveals the funny, outrageous, and often exasperating moments of his career, and his association with the eccentric, the gracious, the wealthy, the egomaniacal--'the stars.' Beginning his career as an apprentice of Max Reinhardt, Preminger became an instant success as an actor and then as a director. Hollywood called and he went there in 1935. His outspoken manner clashed with the autocratic studio moguls. He was forced to return to New York and find work directing plays on Broadway. He rebounded in 1944 to begin his stormy and remarkably creative period in Hollywood with Laura, his first all-out hit, starring Gene Tierney, Clifton Webb, and Dana Andrews. Preminger gives an inside glimpse at shooting such films as Daisy Kenyon with Joan Crawford (whom he considers a remarkable, independent, and generous woman); River of No Return, starring Marilyn Monroe; the all-black productions of Carmen Jones and Porgy and Bess, both accused of being racist; The Man With the Golden Arm, with Frank Sinatra and Kim Novak; plus such legendary films as Anatomy of a Murder (James Stewart, Lee Remick, and George C. Scott), Exodus (Paul Newman, Eva Marie Saint), Advise and Consent (Henry Fonda and Charles Laughton), The Cardinal (Tom Tryon, Romy Schneider), Hurry Sundown (Jane Fonda, Michael Caine, Diahann Carroll and Faye Dunaway), and In Harm's Way (John Wayne). Making no bones about naming enemies or exalting his friends, Preminger elaborates on the blacklisting during the fifties and includes his own critique of the critics. Preminger gives us a little more insight into his friend Tallulah Bankhead and her affinity for shocking behavior (with a few choice examples), as well as his opinion of Howard Hughes (a fascinating man, but not all that eccentric). He sets the record straight on a number of his love affairs and marriages, and divulges the story of his relationship with Gypsy Rose Lee and their child, who after Gypsy's death emerged as Erik Preminger. Leaving few stones unturned, this unique "Otto-biography" zooms in on Hollywood through the eyes of one of its most active and highly creative personalities--Preminger!"--Jacket.
Author: Jeremy Geltzer
Publisher: University of Texas Press
ISBN: 1477307435
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
Boxing, porn, and the beginnings of movie censorship -- The rise of salacious cinema -- State regulations emerge -- Mutual and the capacity for evil -- War, nudity, and birth control -- Self-regulation reemerges -- Midnight movies and sanctioned cinema -- Sound enters the debate -- Tension increases between free speech and state censorship -- Threats from abroad and domestic disturbances -- Outlaws and miracles -- State censorship statutes on the defense -- Devil in the details : film and the Fourth and Fifth Amendments -- Dirty words : profanity and the patently offensive -- Filthy pictures : obscenity from nudie cuties to fetish films -- The porno chic : from Danish loops to Deep throat -- Just not here : content regulation through zoning -- Is censorship necessary? -- The politics of profanity
Author: Chris Fujiwara
Publisher: Farrar, Straus and Giroux
ISBN: 1466894237
Category : Performing Arts
Languages : en
Pages : 521
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Book Description
Otto Preminger was one of Hollywood's first truly independent producer/directors. He sought to address the major social, political, and historical questions of his time in films designed to appeal to a wide public. Blazing a trail in the examination of controversial issues such as drug addiction (The Man with the Golden Arm) and homosexuality (Advise and Consent) and in the frank, sophisticated treatment of adult material (Anatomy of a Murder), Preminger in the process broke the censorship of the Hollywood Production Code and the blacklist. He also made some of Hollywood's most enduring film noir classics, including Laura and Fallen Angel. An Austrian émigré, Preminger began his Hollywood career in 1936 as a contract director. When the conditions emerged that led to the fall of the studio system, he had the insight to perceive them clearly and the boldness to take advantage of them, turning himself into one of America's most powerful filmmakers. More than anyone else, Preminger represented the transition from the Hollywod of the studios to the decentralized, wheeling and dealing New Hollywood of today. Chris Fujiwara's critical biography--the first in more than thirty years--follows Preminger throughout his varied career, penetrating his carefully constructed public persona and revealing the many layers of his work.
Author: Gerald Pratley
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Vera Caspary
Publisher: The Feminist Press at CUNY
ISBN: 155861883X
Category : Fiction
Languages : en
Pages : 179
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Book Description
The greatest noir romance of all time, Laura won lasting renown as an Academy Award-nominated 1944 film: “an intriguing melodrama. . . . A top-drawer mystery.” (The New York Times) A brutal murder. A tough detective. And a woman who kept men spellbound—even after her death. Laura Hunt was the ideal modern woman: beautiful, elegant, highly ambitious, and utterly mysterious. No man could resist her charms—not even the hardboiled NYPD detective sent to investigate her murder. As this cop probes the mystery of Laura’s death, he finds himself drawn to the mere idea of her. As the circumstances surrounding her death become more intriguing, he comes to a startling realization—he’s in love with a dead woman. But is she even dead? Vera Caspary’s equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale. Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era.
Author: Willi Frischauer
Publisher: Michael Joseph
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
Author: David Kerekes
Publisher:
ISBN: 9781900486187
Category : Art
Languages : en
Pages : 196
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Book Description
A gothic, blood curdling edition of the world's greatest journal of sex, religion and death. Incisive and cutting edge essays from the world of underground film, fanaticism, crime, sex, art, trash and sleaze. Contents include; A visit to the reclusive director of 70s seminal obscure horror movie Last house on Dead End Street, interview with Tom Robbins whose book 'Another Roadside Attraction' Elvis was reputed to be reading when he died, and Laurence O'Toole, author of 'Pornucopia' on set with gonzo pornmaker Buttman. Illustrated with 20 black and white illustrations.
Author: Peter Bogdanovich
Publisher: Ballantine Books
ISBN: 0307817458
Category : Performing Arts
Languages : en
Pages : 1127
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Book Description
“A must have for any film nut.”—Details Peter Bogdanovich, award-winning director, screenwriter, actor and critic, interviews 16 legendary directors over a 15-year period. Their richly illuminating conversations combine to make this a riveting chronicle of Hollywood and picture making. Join him in conversations with: Robert Aldrich • George Cukor • Allan Dwan • Howard Hanks • Alfred Hitchcock • Chuck Jones • Fritz Lang • Joseph H. Lewis • Sidney Lumet • Leo McCarey • Otto Preminger • Don Siegel • Josef von Sternberg • Frank Tashlin • Edgar G. Ulmer • Raoul Walsh NOTE: This edition does not include photographs. Praise for Who the Devil Made It “Illuminating . . . These were (and sometimes are: a few yet breathe) men rooted in history as much as in Hollywood. Their collected memories make the past look fearfully rich beside a present that is poverty-stricken in everything except money.”—The New Yorker “Bogdanovich is one of America’s finest writers on the cinema. . . . Thank goodness [his] Who the Devil Made It has come along to remind us that films and writing about film were, at one time, focused on the work and not strictly on the bottom line.”—The Boston Globe “A treasure trove on the craft of directing.”—Newsday “Monumental . . . The directors’ reminiscences about technique, working methods, sources of ideas, and relationships with actors and studios are thoroughly entertaining.”—Publishers Weekly “A fine achievement that helps illuminate the art and craft of some remarkable directors . . . There are plenty of revealing anecdotes.”—Kirkus Reviews
Author: MM Silver
Publisher: Wayne State University Press
ISBN: 0814336396
Category : History
Languages : en
Pages : 276
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Book Description
Examines the phenomenon of Exodus and its influence on post–World War II understandings of Israel’s beginnings. Despite the dramatic circumstances of its founding, Israel did not inspire sustained, impassioned public discussion among Jews and non-Jews in the United States until Leon Uris’s popular novel Exodus was released in 1958. Uris’s novel popularized the complicated story of Israel’s founding and, in the process, boosted the morale of post–Holocaust Jewry and disseminated in popular culture positive images of Jewish heroism. Our Exodus: Leon Uris and the Americanization of Israel’s Founding Story examines the phenomenon of Exodus and its largely unrecognized influence on post-World War II understandings of Israel’s beginnings in America and around the world. Author M. M. Silver’s extensive archival research helps clarify the relevance of Uris’s own biography in the creation of Exodus. He situates the novel’s enormous popularity in the context of postwar America, and particularly Jewish American culture of the 1950s and early 1960s. In telling the story of the making of and the response to Exodus, first as a book and then as a film, Silver shows how the representation of historical events in Exodus reflected needs, expectations, and aspirations of Jewish identity and culture in the post-Holocaust world. He argues that while Uris’s novel simplified some facts and distorted others, it provided an astonishingly ample amount of information about Jewish history and popularized a persuasive and cogent (though debatable) Zionist interpretation of modern Jewish history. Silver also argues that Exodus is at the core of an evolving argument about the essential compatibility between the Jewish state and American democracy that continues to this day. Readers interested in Israel studies, Jewish history, and American popular culture will appreciate Silver’s unique analysis.
