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Author: Theresa M. Collins
Publisher: UNC Press Books
ISBN: 1469620219
Category : Biography & Autobiography
Languages : en
Pages : 398
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Book Description
In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867-1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America's premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, and the editors of the Little Review. This book is the full-scale biography Kahn has long deserved. Theresa Collins chronicles Kahn's life and times and reveals his singular place at the intersection of capitalism and modernity. Drawing on research in private correspondence, congressional testimony, and other sources, she paints a fascinating portrait of the figure whose seemingly incongruous identities as benefactor and banker inspired the New York Times to dub him the "Man of Velvet and Steel."
Author: Theresa M. Collins
Publisher: UNC Press Books
ISBN: 1469620219
Category : Biography & Autobiography
Languages : en
Pages : 398
Get Book Here
Book Description
In the early decades of the twentieth century, almost everyone in modern theater, literature, or film knew of Otto Kahn (1867-1934), and those who read the financial press or followed the news from Wall Street could scarcely have missed his name. A partner at one of America's premier private banks, he played a leading role in reorganizing the U.S. railroad system and supporting the Allied war effort in World War I. The German-Jewish Kahn was also perhaps the most influential patron of the arts the nation has ever seen: he helped finance the Metropolitan Opera, brought the Ballets Russes to America, and bankrolled such promising young talent as poet Hart Crane, the Provincetown Players, and the editors of the Little Review. This book is the full-scale biography Kahn has long deserved. Theresa Collins chronicles Kahn's life and times and reveals his singular place at the intersection of capitalism and modernity. Drawing on research in private correspondence, congressional testimony, and other sources, she paints a fascinating portrait of the figure whose seemingly incongruous identities as benefactor and banker inspired the New York Times to dub him the "Man of Velvet and Steel."
Author: Mary Jane Phillips-Matz
Publisher: Pendragon Press
ISBN: 9780918728364
Category : Biography & Autobiography
Languages : en
Pages : 328
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Book Description
Here was a man who was both equipped and disposed to be the most considerable Maecenas in the history of our theater, wrote Alexander Woollcott. It is the man behind that legend whom Mary Jane Matz brings. to life in this spirited biography. Otto Kahn, The King of New York in the twenties, had virtually created the city's new Metropolitan Opera with his enormous energy and financial backing. He was responsible for introducing Stanislavski, Nijinski, the Abbey Players, the Moscow Art Theater, and practically every other important personage and event in the most vigorous era of American theatrical history. He subsidized, sponsored, and had close relationships with Toscanini, Caruso, Chaliapin, Pavlova, Pirandello, Eugene O'Neill, Paul Robeson, Grace Moore, and hundreds of other artists whose names are now part of that history. This was the Otto Kahn whose fame lives on today-the man who was an activating force in American opera and theater for more than two decades. But there was another Otto Kahn, now less well known, who was more than a theatrical patron. The other Otto Kahn had amassed a banking fortune through his perspicuity and integrity in the era of unbridled Big Business, and had gone on to win the respect of the nation with his political, economic, and humanitarian activities in the First World War and its boom-and-bust aftermath. That Otto Kahn, a partner in the banking firm of Kuhn, Loeb, was often accused of being a socialist.
Author: Otto H. Kahn
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 31
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Book Description
"High Finance" is a speech about the principles, mistakes, and trends of financial markets given in 1916. The author of this book, Otto H. Kahn, addresses the need for professionals in the Finance Industry to be just that: professional. He urges those in the field to act with morality and in an ethical fashion. He recognizes that the positive transformation of the character of financial professionals will be essential in restoring the image and worth of private finance in the eyes of the public.
Author: John Kobler
Publisher: Macmillan Reference USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
Author: Otto H. Kahn
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 204
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Book Description
Author: Joan Cergol
Publisher: Arcadia Publishing
ISBN: 0738592420
Category : Biography & Autobiography
Languages : en
Pages : 130
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Book Description
Constructed in 1919, OHEKA CASTLE, Long Island's largest Gold Coast mansion, was once described by the New York Times as the finest country house in America. Enrico Caruso sang in its grand ballroom, and Arturo Toscanini lifted his baton to its soaring ceiling. Appearing as the mysterious mountaintop castle in the opening scenes of the film classic Citizen Kane, its majestic edifice and meticulous grounds continue to dazzle the screens of major Hollywood movies and television shows. It was a playground for the rich and famous of the Gilded Era, when heads of state, royalty, stage and screen stars, great comedians, and bohemians alike cavorted about its great halls. In subsequent years, it became home to an eclectic array of occupants, including New York City sanitation workers, World War II radio trainees, military school cadets, and eventually vandals and squatters. After its abandonment and descent into unrecognizable ruin, a Long Island developer with an appreciation for history reversed the adverse effects of time and neglect, transforming OHEKA into the largest restored home in America.
Author: Frank Lloyd Wright
Publisher: Princeton University Press
ISBN: 0691232539
Category : Architecture
Languages : en
Pages : 214
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Book Description
Modern Architecture is a landmark text--the first book in which America's greatest architect put forth the principles of a fundamentally new, organic architecture that would reject the trappings of historical styles while avoiding the geometric abstraction of the machine aesthetic advocated by contemporary European modernists. One of the most important documents in the development of modern architecture and the career of Frank Lloyd Wright, Modern Architecture is a provocative and profound polemic against America's architectural eclecticism, commercial skyscrapers, and misguided urban planning. The book is also a work of savvy self-promotion, in which Wright not only advanced his own concept of an organic architecture but also framed it as having anticipated by decades--and bettered--what he saw as the reductive modernism of his European counterparts. Based on the 1931 original, for which Wright supplied the cover illustration, this beautiful edition includes a new introduction that puts Modern Architecture in its broader architectural, historical, and intellectual context for the first time. The subjects of these lively lectures--from "Machinery, Materials and Men" to "The Tyranny of the Skyscraper" and "The City"--move from a general statement of the conditions of modern culture to particular applications in the fields of architecture and urbanism at ever broadening scales. Wright's vision in Modern Architecture is ultimately to equate the truly modern with romanticism, imagination, beauty, and nature--all of which he connects with an underlying sense of American democratic freedom and individualism.
Author: Allyson Hobbs
Publisher: Harvard University Press
ISBN: 067436810X
Category : Biography & Autobiography
Languages : en
Pages : 395
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Book Description
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
Author: Nader Vossoughian
Publisher: NAI/D.A.P. Distributed Art Publishers
ISBN: 9789056627980
Category : Architecture
Languages : en
Pages : 0
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Book Description
The story of a long-neglected giant in the history of the information age. Otto Neurath was a philosopher who wanted to supersede philosophy, a museum administrator who despised convention museums, a sociologist who distrusted sociological methods and a citty planner who was critical of the city.
Author: Wayne Craven
Publisher: W. W. Norton & Company
ISBN: 9780393067545
Category : Architecture
Languages : en
Pages : 396
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Book Description
The Gilded Age (1865-1918) saw the sudden rise of America's first High Society, including such prominent families as the Astors, Whitneys, and Vanderbilts. As an aristocracy based on fortunes recently acquired, these families endeavored to live like Europe's blue-blooded nobility, shedding Puritan restraint as they joyously flaunted their new wealth--especially where their homes were concerned. They erected French chateaus and Italian palazzos on New York's Fifth Avenue, at Newport, and elsewhere, often taking inspiration from Parisian styles of the Second Empire. They rejected more modest American styles just as they rejected middle-class society, and for interior decoration they turned to such artisans as Tiffany, Herter Brothers, and Allard's of Paris. Immensely readable and illuminated with 250 stunning color and black-and-white illustrations, this is the fascinating story of America's first millionaire society, the way they lived and partied, and the lush artistic and cultural legacy they established.
