Author: Ouida
Publisher: Wildside Press LLC
ISBN: 1434464873
Category : Fiction
Languages : en
Pages : 362
Book Description
From the author of "Under Two Flags," "Wanda," "Moths," "Tricotrin," Etc.
Othmar
Author: Ouida
Publisher: Wildside Press LLC
ISBN: 1434464873
Category : Fiction
Languages : en
Pages : 362
Book Description
From the author of "Under Two Flags," "Wanda," "Moths," "Tricotrin," Etc.
Publisher: Wildside Press LLC
ISBN: 1434464873
Category : Fiction
Languages : en
Pages : 362
Book Description
From the author of "Under Two Flags," "Wanda," "Moths," "Tricotrin," Etc.
Othmar
Author: Ouida
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
Book Description
Othmar
Author: Louise de La-Ramee
Publisher:
ISBN:
Category :
Languages : en
Pages : 840
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 840
Book Description
Othmar
Author: Louise de la Ramée
Publisher: BoD – Books on Demand
ISBN: 3732689123
Category : Fiction
Languages : en
Pages : 442
Book Description
Reproduction of the original: Othmar by Louise de la Ramée
Publisher: BoD – Books on Demand
ISBN: 3732689123
Category : Fiction
Languages : en
Pages : 442
Book Description
Reproduction of the original: Othmar by Louise de la Ramée
Othmar
Author: Maria Louise Rame
Publisher: Library of Alexandria
ISBN: 1465607617
Category : Fiction
Languages : en
Pages : 783
Book Description
It was a golden August afternoon, towards the close of a day which had been hot, fragrant, full of lovely lights and shadows. Throned on a hill a mighty castle rose, aerial, fantastic, stately, with its colonnades of stone rose-garlanded, and its stone staircases descending into bowers of foliage and foam of flowers. Its steep roofs were as sheets of silver in the sun, its many windows caught the red glow from the west, and its bastions shelved downward to meet smooth-shaven lawns and thickets of oleanders luxuriant with blossom, crimson, white, or blush-colour. In the woods around, the oaks and beeches were heavy with their densest leafage; the deer couched under high canopies of bracken and osmunda; and the wild boars, sunk deep in tangles of wild clematis and beds of meadow-sweet, were too drowsy in the mellow warmth to hear the sounds of human laughter which were wafted to them on the windless air. In the silent sunshiny vine-clad country which stretched around those forests, in 'le pays de rire et de ne rien faire,' from many a steep church-steeple and many a little white chapel on the edge of the great rivers or in the midst of the vast wheat-fields, the vesper-bell was sounding to small townships and tiny hamlets. It was seven o'clock, and the Court of Love was still open; the chamber of council, or throne-room, being a grassy oval, with grassy seats raised around it, like the seats of an amphitheatre; an open space where the forest joined the gardens, with walls, first of clipped bay, and then of dense oak foliage, around it; the turf had been always kept shorn and rolled, and the evergreens always clipped, and a marble fountain in the centre of the grass, of fauns playing with naiads, bore an inscription testifying that, in the summer of the year of grace 1530, the Marguerite des Marguerites had held a Court of Love just there, using those same seats of turf, shadowed by those same oak-boughs. 'Why should we not hold one also? If we have advanced in anything, since the Valois time, it is in the art of intellectual hair-splitting. We ought to be able to argue as many days together as they did. Only, I presume, their advantage was that they meant what they said, and we never or seldom do. They laughed or they sighed, and were sincere in both; but we do neither, we are gouailleurs always, which is not a happy temperament, nor an intellectually productive one.'
Publisher: Library of Alexandria
ISBN: 1465607617
Category : Fiction
Languages : en
Pages : 783
Book Description
It was a golden August afternoon, towards the close of a day which had been hot, fragrant, full of lovely lights and shadows. Throned on a hill a mighty castle rose, aerial, fantastic, stately, with its colonnades of stone rose-garlanded, and its stone staircases descending into bowers of foliage and foam of flowers. Its steep roofs were as sheets of silver in the sun, its many windows caught the red glow from the west, and its bastions shelved downward to meet smooth-shaven lawns and thickets of oleanders luxuriant with blossom, crimson, white, or blush-colour. In the woods around, the oaks and beeches were heavy with their densest leafage; the deer couched under high canopies of bracken and osmunda; and the wild boars, sunk deep in tangles of wild clematis and beds of meadow-sweet, were too drowsy in the mellow warmth to hear the sounds of human laughter which were wafted to them on the windless air. In the silent sunshiny vine-clad country which stretched around those forests, in 'le pays de rire et de ne rien faire,' from many a steep church-steeple and many a little white chapel on the edge of the great rivers or in the midst of the vast wheat-fields, the vesper-bell was sounding to small townships and tiny hamlets. It was seven o'clock, and the Court of Love was still open; the chamber of council, or throne-room, being a grassy oval, with grassy seats raised around it, like the seats of an amphitheatre; an open space where the forest joined the gardens, with walls, first of clipped bay, and then of dense oak foliage, around it; the turf had been always kept shorn and rolled, and the evergreens always clipped, and a marble fountain in the centre of the grass, of fauns playing with naiads, bore an inscription testifying that, in the summer of the year of grace 1530, the Marguerite des Marguerites had held a Court of Love just there, using those same seats of turf, shadowed by those same oak-boughs. 'Why should we not hold one also? If we have advanced in anything, since the Valois time, it is in the art of intellectual hair-splitting. We ought to be able to argue as many days together as they did. Only, I presume, their advantage was that they meant what they said, and we never or seldom do. They laughed or they sighed, and were sincere in both; but we do neither, we are gouailleurs always, which is not a happy temperament, nor an intellectually productive one.'
Othmar. Vol. 1
Author: Ouida
Publisher:
ISBN:
Category :
Languages : en
Pages : 854
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 854
Book Description
Othmar Schoeck
Author: Chris Walton
Publisher: University Rochester Press
ISBN: 1580463002
Category : Biography & Autobiography
Languages : en
Pages : 470
Book Description
Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works.
Publisher: University Rochester Press
ISBN: 1580463002
Category : Biography & Autobiography
Languages : en
Pages : 470
Book Description
Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works.
Othmar, by Ouida
Author: Marie Louise De la Ramée
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
Book Description
Seeing Through Paintings
Author: Andrea Kirsh
Publisher: Yale University Press
ISBN: 9780300094084
Category : Art
Languages : en
Pages : 348
Book Description
This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. “An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together.”—John Walsh, former director, J. Paul Getty Museum “Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . [It is] the essential book on its subject.”—Kenneth Baker, San Francisco Examiner & Chronicle “A long overdue book with direct relevance for modern students of the history of art.”—Libby Sheldon, Burlington Magazine
Publisher: Yale University Press
ISBN: 9780300094084
Category : Art
Languages : en
Pages : 348
Book Description
This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. “An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together.”—John Walsh, former director, J. Paul Getty Museum “Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . [It is] the essential book on its subject.”—Kenneth Baker, San Francisco Examiner & Chronicle “A long overdue book with direct relevance for modern students of the history of art.”—Libby Sheldon, Burlington Magazine
The Symbolism of the Biblical World
Author: Othmar Keel
Publisher: Eisenbrauns
ISBN: 9781575060149
Category : History
Languages : en
Pages : 454
Book Description
When Othmar Keel's book first appeared in Germany in 1972, it was a pioneering study, the first to compare systematically the conceptual world of a biblical book with that of ancient Near Eastern iconography. First translated into English in 1978, the book has proven its lasting value for exegesis of the Psalms, the comparative study of the Bible and its world, and the study of ancient Near Eastern art and iconography.
Publisher: Eisenbrauns
ISBN: 9781575060149
Category : History
Languages : en
Pages : 454
Book Description
When Othmar Keel's book first appeared in Germany in 1972, it was a pioneering study, the first to compare systematically the conceptual world of a biblical book with that of ancient Near Eastern iconography. First translated into English in 1978, the book has proven its lasting value for exegesis of the Psalms, the comparative study of the Bible and its world, and the study of ancient Near Eastern art and iconography.