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Author: Peter Chametzky
Publisher: MIT Press
ISBN: 0262365278
Category : Art
Languages : en
Pages : 359
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Book Description
The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German. With a title that echoes Peter Gay's 1978 collection of essays, Freud, Jews and Other Germans, this book, like Gay's, rejects the idea of "us" and "them" in German culture. Discussing artworks in a variety of media that both critique and expand notions of identity and community, Chametzky offers a counternarrative to the fiction of an exclusively white, Christian German culture, arguing for a cosmopolitan Germanness. He considers works that deploy critical, confrontational, and playful uses of language, especially German and Turkish; that assert the presence of "foreign bodies" among the German body politic; that grapple with food as a cultural marker; that engage with mass media; and that depict and inhabit spaces imbued with the element of time. American discussions of German contemporary art have largely ignored the emergence of non-ethnic Germans as some of Germany's most important visual artists. Turks, Jews, and Other Germans in Contemporary Art fills this gap.
Author: Peter Chametzky
Publisher: MIT Press
ISBN: 0262365278
Category : Art
Languages : en
Pages : 359
Get Book Here
Book Description
The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German. With a title that echoes Peter Gay's 1978 collection of essays, Freud, Jews and Other Germans, this book, like Gay's, rejects the idea of "us" and "them" in German culture. Discussing artworks in a variety of media that both critique and expand notions of identity and community, Chametzky offers a counternarrative to the fiction of an exclusively white, Christian German culture, arguing for a cosmopolitan Germanness. He considers works that deploy critical, confrontational, and playful uses of language, especially German and Turkish; that assert the presence of "foreign bodies" among the German body politic; that grapple with food as a cultural marker; that engage with mass media; and that depict and inhabit spaces imbued with the element of time. American discussions of German contemporary art have largely ignored the emergence of non-ethnic Germans as some of Germany's most important visual artists. Turks, Jews, and Other Germans in Contemporary Art fills this gap.
Author: Mira Beth Wasserman
Publisher: University of Pennsylvania Press
ISBN: 0812294084
Category : Religion
Languages : en
Pages : 327
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Book Description
In Jews, Gentiles, and Other Animals, Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Talmud's most scandalous tractate, to uncover the hidden architecture of this classic work of Jewish religious thought. She proposes a new way of reading the Talmud that brings it into conversation with the humanities, including animal studies, the new materialisms, and other areas of critical theory that have been reshaping the understanding of what it is to be a human being. Even as it comments on the the rabbinic laws that govern relations between Jews and non-Jews, Avoda Zara is also an attempt to reflect on what all people share in common, and on how humans fit into a larger universe of animals and things. As is typical of the Talmud in general, it proceeds by incorporating a vast and confusing array of apparently digressive materials, but Wasserman demonstrates that there is a whole greater than the sum of the parts, a sustained effort to explore human identity and difference. In centuries past, Avoda Zara has been a flashpoint in Jewish-Christian relations. It was partly due to its content that the Talmud was subject to burning and censorship by Christian authorities. Wasserman develops a twenty-first-century reading of the tractate that aims to reposition it as part of a broader quest to understand what connects human beings to each other and to the world around them.
Author: Till van Rahden
Publisher: Univ of Wisconsin Press
ISBN: 9780299226947
Category : History
Languages : en
Pages : 492
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Book Description
Examines the integration of Jews into German society between 1860-1925, taking as an example the city of Breslau (then Germany, now Wrocław, Poland). Questions whether there was a continuous line from the German treatment of Jews before World War I to Nazi antisemitism. During and after World War I, relations between Jews and non-Jews worsened and the high level of Jewish integration eroded between 1916-25. Although the constitution of the Weimar Republic accorded Jews equality, they experienced acts of violence and discrimination. Argues that antisemitism became stronger as the economic situation of the Jews deteriorated, due to inflation and the emigration to Germany of 4,273 impoverished Jews from Poland and Russia between 1919-23. Concludes, nevertheless, that no direct line can be drawn between the antisemitism in Imperial Germany and that of the Nazi period.
Author: Howard M. Lenhoff
Publisher: Gefen Publishing House Ltd
ISBN: 9789652293657
Category : Biography & Autobiography
Languages : en
Pages : 356
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Book Description
Seldom has a small grassroots organization polarized American Jewry as did the American Association for Ethiopian Jews (AAEJ) and seldom has a grassroots organization been so successful. How were five governments persuaded that it was to their interest to allow the threatened Jews of Ethiopia to fulfill their dream of rejoining their brethren in Israel? From 1974 through 1991, active AAEJ members demonstrated that it was possible to rescue black Jews from Africa. They enlisted the support of college students, American Rabbis, editors of the Jewish press and other Zionists. Lenhoff's memoir provides many untold stories behind this historic drama: How Israeli Ethiopian Jews and Americans Jews worked secretly to rescue over 1,000 Ethiopian Jews. How Jerry Weaver masterminded Operation Moses - the first mass exodus of black Africans as free people - not as slaves. How two gutsy American women set up a situation allowing Israel to rescue 14,000 Ethiopian Jews in one day of Operation Solomon. There is more: the intrigues in Israel between the politics of religion and the Law of Return; the daring heroic adventures of courageous Ethiopian Jews as they trekked from Ethiopia to Sudan. These are the stories of activists who challenged the establishment and won! Black Jews, Jews, and Other Heroes is written from the first-hand experiences of one of the AAEJ's three Presidents, scholar-activist Howard Lenhoff. Lenhoff and Gefen Publishing House are especially pleased to present also as part of this book, the untold story of "righteous gentile," Jerry Weaver.
Author: Jonathan Boyarin
Publisher: U of Minnesota Press
ISBN: 9780816627509
Category : Social Science
Languages : en
Pages : 436
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Book Description
Author: Jerome Rothenberg
Publisher:
ISBN:
Category : History
Languages : en
Pages : 292
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Book Description
Author: Yair Auron
Publisher: Berghahn Books
ISBN: 085745305X
Category : History
Languages : en
Pages : 259
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Book Description
The question of identity is one of present-day Israel's cardinal and most pressing issues. In a comprehensive examination of the identity issue, this study focuses on attitudes toward the Jewish people in Israel and the Diaspora; the Holocaust and its repercussions on identity; attitudes toward the state of Israel and Zionism; and attitudes toward Jewish religion. Israeli Arab students (Israeli Palestinians) and Jewish Israeli students were asked corresponding questions regarding their identity. It was found that, rather than lessening its impact over the years, the Holocaust has become a major factor, at times the paramount factor in Jewish identity. Similarly, among Palestinians the Naqba has become a major factor in Palestinian-Israeli identity. However, the overall results show that the identity of a Jewish citizen of Israel is not purely Israeli, nor is it purely Jewish. It is, to varying degrees, a synthesis of Jewish and Israeli components, depending on the particular sub-groups or sub-identities. The same holds for Israeli-Arabs or Israeli-Palestinians who have neither a purely Israeli identity nor a purely Palestinian (or Arab) one.
Author: Ella Shohat
Publisher:
ISBN: 9781786800497
Category :
Languages : en
Pages :
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Book Description
Author: George Stokes
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 188
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Book Description
Author: Peter Gay
Publisher: Oxford University Press, USA
ISBN: 9780195024937
Category : History
Languages : en
Pages : 324
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Book Description
A collection of essays dealing with the integration of Jewish intellectuals in German culture and society during the 19th-20th centuries, and the self-hatred expressed by some of them. The introduction surveys 19th-century antisemitism in Germany, raising the question whether it should be considered an opening phase of the Holocaust. Discusses the ambivalent relations between Wagner and the Jewish conductor Hermann Levi, and the contribution of Max Liebermann (whose Jewish origins were emphasized by art critics) to modern art.
