Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 373

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Author: Siegfried Kracauer
Publisher:
ISBN:
Category :
Languages : en
Pages : 440

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Author: Jacques Offenbach
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 208

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Author: Siegfried Kracauer
Publisher:
ISBN: 9780252070716
Category : Composers
Languages : en
Pages : 418

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Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 1108326242
Category : Music
Languages : en
Pages : 371

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Book Description
Offenbach's operas were a significant force for cultural change, both in his own time and in the decades to follow. In this book, Laurence Senelick demonstrates the ways in which this musical phenomenon took hold globally, with Offenbach's work offering an alternative, irreverent, sexualized view of life which audiences found liberating, both personally and socially. In the theatre, the composer also inspired cutting-edge innovations in stagecraft and design, and in this book, he is recognized as a major cultural influence, with an extensive impact on the spheres of literature, art, film, and even politics. Senelick argues that Offenbach's importance spread far beyond France, and that his provocative and entertaining works, often seen as being more style than substance, influenced numerous key artists, writers, and thinkers, and made a major contribution to the development of modern society.

Author: Siegfried Kracauer
Publisher: London : Constable
ISBN:
Category : Composers
Languages : en
Pages : 351

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Author: Cormac Newark
Publisher: Oxford University Press
ISBN: 0197510558
Category : Music
Languages : en
Pages : 456

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Book Description
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.

Author: Naomi Sawelson-Gorse
Publisher: MIT Press
ISBN: 9780262692601
Category : Architecture
Languages : en
Pages : 720

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Book Description
his book is the first to make the case that women's changing role in European and American society was critical to Dada.

Author: Sharon Marcus
Publisher: Univ of California Press
ISBN: 0520922395
Category : History
Languages : en
Pages : 335

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Book Description
In urban studies, the nineteenth century is the "age of great cities." In feminist studies, it is the era of the separate domestic sphere. But what of the city's homes? In the course of answering this question, Apartment Stories provides a singular and radically new framework for understanding the urban and the domestic. Turning to an element of the cityscape that is thoroughly familiar yet frequently overlooked, Sharon Marcus argues that the apartment house embodied the intersections of city and home, public and private, and masculine and feminine spheres. Moving deftly from novels to architectural treatises, legal debates, and popular urban observation, Marcus compares the representation of the apartment house in Paris and London. Along the way, she excavates the urban ghost tales that encoded Londoners' ambivalence about city dwellings; contends that Haussmannization enclosed Paris in a new regime of privacy; and locates a female counterpart to the flâneur and the omniscient realist narrator—the portière who supervised the apartment building.

Author: Nina M. Athanassoglou-Kallmyer
Publisher: University of Chicago Press
ISBN: 9780226423081
Category : Art
Languages : en
Pages : 356

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Book Description
Discusses painter Paul Cézanne's 1886 departure from Paris to his native city, Aix-en-Provence, arguing that it was related to French regionalist politics of the time, and shows how the move affected his art.