Orpheus Caledonius

Orpheus Caledonius PDF Author: William Thomson
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 378

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Notes on Scottish Song

Notes on Scottish Song PDF Author: Robert Burns
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 206

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Scotish Songs

Scotish Songs PDF Author: Joseph Ritson
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 316

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The Scots Musical Museum

The Scots Musical Museum PDF Author:
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 824

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Illustrations of the lyric poetry and music of Scotland

Illustrations of the lyric poetry and music of Scotland PDF Author: William Stenhouse
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 924

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The Minstrelsy of Scotland: 200 Scottish Songs, Adapted to Their Traditional Airs

The Minstrelsy of Scotland: 200 Scottish Songs, Adapted to Their Traditional Airs PDF Author: Alfred Moffat
Publisher:
ISBN:
Category :
Languages : en
Pages : 308

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The book of Scottish song, collected and illustr. with hist. and critical notices by A. Whitelaw

The book of Scottish song, collected and illustr. with hist. and critical notices by A. Whitelaw PDF Author: Alexander Whitelaw
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 644

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The Book of Scottish Song

The Book of Scottish Song PDF Author: Alexander Whitelaw
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 634

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The Book of Scottish Song; Collected and Illustrated with Historical and Critical Notices

The Book of Scottish Song; Collected and Illustrated with Historical and Critical Notices PDF Author: Alexander WHITELAW (Poetical Antiquary.)
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 644

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Sex and Death in Eighteenth-Century Literature

Sex and Death in Eighteenth-Century Literature PDF Author: Jolene Zigarovich
Publisher: Routledge
ISBN: 1136182365
Category : Literary Criticism
Languages : en
Pages : 337

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Book Description
This book discusses sex and death in the eighteenth-century, an era that among other forms produced the Gothic novel, commencing the prolific examination of the century’s shifting attitudes toward death and uncovering literary moments in which sexuality and death often conjoined. By bringing together various viewpoints and historical relations, the volume contributes to an emerging field of study and provides new perspectives on the ways in which the century approached an increasingly modern sense of sexuality and mortality. It not only provides part of the needed discussion of the relationship between sex, death, history, and eighteenth-century culture, but is a forum in which the ideas of several well-respected critics converge, producing a breadth of knowledge and a diversity of perspectives and methodologies previously unseen. As the contributors demonstrate, eighteenth-century anxieties over mortality, the body, the soul, and the corpse inspired many writers of the time to both implicitly and explicitly embed mortality and sexuality within their works. By depicting the necrophilic tendencies of libertines and rapacious villains, the fetishizing of death and mourning by virtuous heroines, or the fantasy of preserving the body, these authors demonstrate not only the tragic results of sexual play, but the persistent fantasy of necro-erotica. This book shows that within the eighteenth-century culture of profound modern change, underworkings of death and mourning are often eroticized; that sex is often equated with death (as punishment, or loss of the self); and that the sex-death dialectic lies at the discursive center of normative conceptions of gender, desire, and social power.

Edinburgh Companion to Scottish Traditional Literatures

Edinburgh Companion to Scottish Traditional Literatures PDF Author: Sarah Dunnigan
Publisher: Edinburgh University Press
ISBN: 0748645411
Category : Literary Criticism
Languages : en
Pages : 225

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Book Description
This collection of essays explores the historical importance and imaginative richness of Scotland's extensive contribution to modes of traditional culture and expression: ballads, tales and storytelling, and song. Its underlying aim is to bring about a more dynamic and inclusive understanding of Scottish culture. Rooted in literary history and both comparative and interdisciplinary in scope, the volume covers the key aspects and genres of traditional literature, including the Gaelic tradition, from the medieval period to the present. Key theoretical and conceptual issues raised by the historical analysis of Scotland's rich store of ballad, song, and folk narrative are discussed in separate chapters. The volume also explores why and how Scottish literary writers have been inspired by traditional genres, modes, and motifs, and the intermingling of folk and literary traditions in writers such as Burns, Scott, and Hogg. It also uncovers the folkloric and mythopoetic materials of early Scottish literature, and the vitality of neglected aspects of Scottish popular culture.