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Author: C. Jean Campbell
Publisher:
ISBN: 9781907372865
Category : Decoration and ornament
Languages : en
Pages : 0
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Book Description
The work of Carlo Crivelli (c.1435-c.1495), one of the most original artists of the Italian Renaissance, is well represented in the art museums of North America. Although much admired by collectors, artists, and designers in the 19th and early 20th centuries, he has until recently been largely written out of the history of early Renaissance art, is little known to the public, and outside of some rare instances in Italy, has never been the focus of a monographic exhibition. The book, accompanying an exhibition at the Isabella Stewart Gardner Museum, Boston, will reevaluate Crivelli s provincial status, presenting him as an experimental artist who provided an alternative to the influential new models of modern painting associated with Florence. He was an artist who aimed to dazzle through a repertoire of spectacular pictorial effects that combined luxuriant ornamental display with bravura illusionism the latter entailing a sophisticated, witty, and sometimes unsettling play with the limits of frames and fictive space.
Author: C. Jean Campbell
Publisher:
ISBN: 9781907372865
Category : Decoration and ornament
Languages : en
Pages : 0
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Book Description
The work of Carlo Crivelli (c.1435-c.1495), one of the most original artists of the Italian Renaissance, is well represented in the art museums of North America. Although much admired by collectors, artists, and designers in the 19th and early 20th centuries, he has until recently been largely written out of the history of early Renaissance art, is little known to the public, and outside of some rare instances in Italy, has never been the focus of a monographic exhibition. The book, accompanying an exhibition at the Isabella Stewart Gardner Museum, Boston, will reevaluate Crivelli s provincial status, presenting him as an experimental artist who provided an alternative to the influential new models of modern painting associated with Florence. He was an artist who aimed to dazzle through a repertoire of spectacular pictorial effects that combined luxuriant ornamental display with bravura illusionism the latter entailing a sophisticated, witty, and sometimes unsettling play with the limits of frames and fictive space.
Author: J.Nicholas Napoli
Publisher: Routledge
ISBN: 1351544780
Category : Art
Languages : en
Pages : 430
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Book Description
The Carthusian monks at San Martino began a series of decorative campaigns in the 1580s that continued until 1757, transforming the church of their monastery, the Certosa di San Martino, into a jewel of marble revetment, painting, and sculpture. The aesthetics of the church generate a jarring moral conflict: few religious orders honored the ideals of poverty and simplicity so ardently yet decorated so sumptuously. In this study, Nick Napoli explores the terms of this conflict and of how it sought resolution amidst the social and economic realities and the political and religious culture of early modern Naples. Napoli mines the documentary record of the decorative campaigns at San Martino, revealing the rich testimony it provides relating to both the monks? and the artists? expectations of how practice and payment should transpire. From these documents, the author delivers insight into the ethical and economic foundations of artistic practice in early modern Naples. The first English-language study of a key monument in Naples and the first to situate the complex within the cultural history of the city, The Ethics of Ornament in Early Modern Naples sheds new light on the Neapolitan baroque, industries of art in the age before capitalism, and the relation of art, architecture, and ornament.
Author: Gülru Necipoğlu
Publisher: Princeton University Press
ISBN: 0691167281
Category : Architecture
Languages : en
Pages : 464
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Book Description
This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).
Author: John Lamm
Publisher: Motorbooks International
ISBN:
Category : Business & Economics
Languages : en
Pages : 168
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Book Description
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 680
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Book Description
Author: Creative Publishing International
Publisher:
ISBN: 9781589230118
Category : Crafts & Hobbies
Languages : en
Pages : 64
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Book Description
Discover the origins of Christmas traditions, and learn to create them anew.
Author: Ashley Elston
Publisher: Taylor & Francis
ISBN: 1000429822
Category : Art
Languages : en
Pages : 191
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Book Description
This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time. The varied approaches in the volume to theories of hybridity reflect the increased presence in art historical scholarship of interdisciplinary frameworks that extend art historical inquiry beyond the single time or material. The essays engage with what happens when an object is considered beyond the point of origin or as a legend of information, the implications of the juxtaposition of disparate media, how the meaning of an object alters over time, and what the conspicuous use of out-of-date styles means for the patron, artist, and/or viewer. Essays examine both canonical and lesser-known works produced by European artists in Italy, northern Europe, and colonial Peru, ca. 1400–1600. The book will be of interest to art historians, visual culture historians, and early modern historians.
Author: Claire J. Farago
Publisher: U of Minnesota Press
ISBN: 9781452906157
Category : Art and history
Languages : en
Pages : 260
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Book Description
Author:
Publisher: Wordsworth Editions
ISBN: 9781853263026
Category : Reference
Languages : en
Pages : 400
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Book Description
Arranged in alphabetical form, the entries in this thesaurus are suited to home, office and student use and are designed to provide the word being sought quickly. It contains over 150,000 entries with cross-referencing and both British and American English.
Author: Clare Lapraik Guest
Publisher: BRILL
ISBN: 9004302085
Category : History
Languages : en
Pages : 708
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Book Description
In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.
