Origins of Modern Sculpture PDF Download
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Author: Albert Edward Elsen
Publisher:
ISBN: 9780714816500
Category : Sculpture
Languages : en
Pages : 179
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Book Description
Author: Albert Edward Elsen
Publisher:
ISBN: 9780714816500
Category : Sculpture
Languages : en
Pages : 179
Get Book Here
Book Description
Author: Albert E. Elsen
Publisher:
ISBN: 9780714818948
Category : Sculpture, European
Languages : en
Pages : 179
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Book Description
Author: Douglas Dreishpoon
Publisher: Univ of California Press
ISBN: 0520969820
Category : Art
Languages : en
Pages : 435
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Book Description
This tapestry of primary sources is an essential primer on sculpture and its makers. Modern Sculpture presents a selection of manifestos, documents, statements, articles, and interviews from more than ninety sculptors, including a diverse selection of contemporary sculptors. With this book, editor Douglas Dreishpoon defers to artists, whose varied points of view illuminate sculpture’s transformation—from object to action, concept to phenomenon—over the course of more than a century. Chapters arranged in chronological sequences highlight dominant stylistic, philosophical, and thematic threads uniting kindred groups. The result is an artist-centric history of sculpture as a medium of consequence and character.
Author: Penelope Curtis
Publisher: Oxford University Press, USA
ISBN: 9780192842282
Category : Art
Languages : en
Pages : 306
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Book Description
This book provides a comprehensive analysis of the significant growth of sculpture as an artistic form in Europe and America from 1900-1945. Using a clearly-defined thematic structure it identifies key issues and developments throughout this important period in the history of art. Individualchapters cover: public sculpture, the monument, the object, image-making, the built environment, the figurative ideal, and different materials. These themes broadly reflect the changing cultural and political climate of a turbulent period which included two world wars, each preceded by widespreadrising nationalism. The practice of sculpture is considered within the wider artistic context of painting and architecture and the development of international art markets. Auguste Rodin, whose ground-breaking exhibition opened in Paris in 1900, serves as the book's point of departure, and as arecurrent point of reference.
Author: William R. Everdell
Publisher: University of Chicago Press
ISBN: 0226224813
Category : Art
Languages : en
Pages : 514
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Book Description
This history of modernism is filled with portraits of genius and intellectual breakthroughs that evoke the "fin-de-siecle" atmosphere of Paris, Vienna, St Louis and St Petersburg. This book offers readers a look at the unfolding of an age.
Author: Ian Chilvers
Publisher: Oxford University Press, USA
ISBN: 0199239657
Category : Art
Languages : en
Pages : 786
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Book Description
This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394336
Category : Art
Languages : en
Pages : 362
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Book Description
A master photographer, Alfred Stieglitz was also a visionary promoter and avid collector of modern American and European art from the first half of the 20th century. This book is the first fully-illustrated catalogue of works in the unparalleled 'Alfred Stieglitz Collection', which was given to the Metropolitan Museum after Stieglitz's death.
Author: Jon Wood
Publisher: Getty Publications
ISBN: 1606061062
Category : Art
Languages : en
Pages : 546
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Book Description
In many anthologies of art, sculpture is given short shrift in relation to other media, if it is treated at all. Modern Sculpture Reader aims to rectify this situation by presenting a collection of important texts that have defined sculpture’s radically changing status and role since the end of the nineteenth century, a time marked by a general reappraisal of the forms and functions of art. From the rigorously theoretical to the experimental and poetic, Modern Sculpture Reader offers a lively discourse on the medium by a range of artists, writers, critics, and poets—Marcel Duchamp, Louise Bourgeois, Claes Oldenberg, André Breton, Ezra Pound, and Clement Greenberg—in a variety of genres: poems, lectures, transcribed interviews, newspaper and magazine articles, and artists’ statements. These diverse text selections offer valuable insight into the development of the critical language of sculpture and its connections to other media in an era of increasingly conceptual artistic practice. Many of the essays highlight key ongoing concerns such as sculpture’s physical properties and conditions of display, both of which have important implications for the viewer’s tactile and emotional interaction with sculptural works.
Author: A. L. Freundlich
Publisher: Universal-Publishers
ISBN: 9781581127102
Category : Art
Languages : en
Pages : 242
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Book Description
Fraser is best known for his End of the Trail and Buffalo Nickel. He also is the most prolific sculptor of Federalist Washington DC. He is represented by the portal figures at the Supreme Court, and others such as facades and pediments at Commerce, National Archives, and Agriculture; The Memorial Bridge, sculptures of Hamilton and Gallatin at Treasury, and major public works in New York, Chicago, and Jefferson City. In the first 5 decades of the 21st Century, Fraser was a leading artistic force. He served on the National Commission of Fine Arts and was President of the National Sculpture Society. He was closely allied with many of the American painters and sculptors including St. Haudens and French who were his early sponsors. He was involved with the Armory Show and The Eight, a close friend of Bellows and E.A. Robinson among many. He was popular in New York society, counting among his students Gertrude Vanderbilt Whitney. Included in this book is Fraser's first Catalogue Raisonnee.
Author: Terrence Heath
Publisher: Douglas & McIntyre
ISBN: 1553652215
Category : Art
Languages : en
Pages : 234
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Book Description
Few contemporary artists have worked in the sheer variety of styles that Joe Fafard has perfected -- and won such acclaim for their efforts. Born in 1942 in a remote farming hamlet in Saskatchewan, the idiosyncratic artist early on chose a radically different direction from the prevailing modernistic aesthetic of the early 1960s, boldly exploring new media and new imagery. Gaining fame initially as a ceramic sculptor of oversize animals and people, in the early 1980s he turned to laser-steel and bronze work, along the way adding painting to his repertoire. This dual biography and critical study features a wealth of illustrations from Fafard's long career, generously sampling both the monumental sculptures done as public and private commissions, and the more intimate studies of people and prairie that reside in museums worldwide and in the private collections of Oprah Winfrey, Bill Cosby, and others.
