Author: Karen McAulay
Publisher: Routledge
ISBN: 1317084756
Category : Music
Languages : en
Pages : 314
Book Description
One of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.
Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era
Author: Karen McAulay
Publisher: Routledge
ISBN: 1317084756
Category : Music
Languages : en
Pages : 314
Book Description
One of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.
Publisher: Routledge
ISBN: 1317084756
Category : Music
Languages : en
Pages : 314
Book Description
One of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.
A Second Supplement to the Catalogue of Books in the Signet Library. 1882-1887
Author: Signet Library (Great Britain)
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 630
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 630
Book Description
Cheap Print and Popular Song in the Nineteenth Century
Author: Paul Watt
Publisher: Cambridge University Press
ISBN: 1107159911
Category : Art
Languages : en
Pages : 265
Book Description
This is the first book to detail the musical and cultural significance of the songster.
Publisher: Cambridge University Press
ISBN: 1107159911
Category : Art
Languages : en
Pages : 265
Book Description
This is the first book to detail the musical and cultural significance of the songster.
Ancient Scotish Melodies
Author: William Dauney
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 416
Book Description
Stokes' Encyclopedia of Music and Musicians
Author: Leander Jan De Bekker
Publisher: New York ; A. Stokes Company
ISBN:
Category : Music
Languages : en
Pages : 766
Book Description
Publisher: New York ; A. Stokes Company
ISBN:
Category : Music
Languages : en
Pages : 766
Book Description
A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951
Author: Karen E. McAulay
Publisher: Taylor & Francis
ISBN: 1040216501
Category : History
Languages : en
Pages : 221
Book Description
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.
Publisher: Taylor & Francis
ISBN: 1040216501
Category : History
Languages : en
Pages : 221
Book Description
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.
Ancient Scotish Melodies from a Manuscript of the Reign of King James VI
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385605865
Category : Fiction
Languages : en
Pages : 410
Book Description
Reprint of the original, first published in 1838.
Publisher: BoD – Books on Demand
ISBN: 3385605865
Category : Fiction
Languages : en
Pages : 410
Book Description
Reprint of the original, first published in 1838.
Black's Dictionary of Music & Musicians
Author: Leander Jan De Bekker
Publisher: London : A. & C. Black, Limited
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 784
Book Description
Publisher: London : A. & C. Black, Limited
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 784
Book Description
Thomson's National Melodies Harmonised by Haydn and Beethoven
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
Book Description
Ancient Scotish Melodies
Author: Maitland club, Glasgow
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 430
Book Description