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Author: Claus Clüver
Publisher: Rodopi
ISBN: 9789042019669
Category : Architecture
Languages : en
Pages : 380
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Book Description
Based on papers presented at the Fifth Triennial Conference of the International Association of Word and Image Studies (IAWIS/AERTI) held in 2002 in Hamburg, the twenty-two essays in this volume cover a wide array of intermedial relations and a great variety of media, from medieval architecture to interactive digital art. They have been arranged in sections labeled "History and Identity," "Cultural Memory," "Texts and Photographs: Cultural Anthropology and Cultural Memory," "Mixed-Media Texts: Cartography in Contemporary Art and Fiction," "Mixed-Media Texts: 'Yellow-Cover Books', Artists' Books, and Comics," "Intermedia Texts: Logotypes," and "Space, Spatialization, Virtual Space." Displaying a range of methods and interests, these contributions by scholars from Europe, the United States, and South America working in different disciplines confirm the impression voiced by IAWIS president Charlotte Schoell-Glass in her introduction that "the influence of Visual and Cultural Studies has changed the outlook of many who study the interactions of texts and images".
Author: Claus Clüver
Publisher: Rodopi
ISBN: 9789042019669
Category : Architecture
Languages : en
Pages : 380
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Book Description
Based on papers presented at the Fifth Triennial Conference of the International Association of Word and Image Studies (IAWIS/AERTI) held in 2002 in Hamburg, the twenty-two essays in this volume cover a wide array of intermedial relations and a great variety of media, from medieval architecture to interactive digital art. They have been arranged in sections labeled "History and Identity," "Cultural Memory," "Texts and Photographs: Cultural Anthropology and Cultural Memory," "Mixed-Media Texts: Cartography in Contemporary Art and Fiction," "Mixed-Media Texts: 'Yellow-Cover Books', Artists' Books, and Comics," "Intermedia Texts: Logotypes," and "Space, Spatialization, Virtual Space." Displaying a range of methods and interests, these contributions by scholars from Europe, the United States, and South America working in different disciplines confirm the impression voiced by IAWIS president Charlotte Schoell-Glass in her introduction that "the influence of Visual and Cultural Studies has changed the outlook of many who study the interactions of texts and images".
Author: Catriona MacLeod
Publisher: Rodopi
ISBN: 9042026189
Category : Art
Languages : en
Pages : 422
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Book Description
This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today's word and image studies. The essays were first presented in 2005 at an international conference.
Author: Theo d'. Haen
Publisher: Rodopi
ISBN: 9042021187
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Cultural Identity and Postmodern Writing seeks to ascertain the relationship obtaining between the specific form postmodernism assumes in a given culture, and the national narrative in which that culture traditionally recognizes itself. Theo D'haen provides a general introduction to the issue of "cultural identity and postmodern writing." Jos Joosten and Thomas Vaessens take a look at Dutch literature, and particular Dutch poetry, in relation to "postmodernism." Robert Haak and Andrea Kunne do the same with regard to, respectively, German and Austrian literature, while Roel Daamen turns to Scottish literature. Patricia Krus discusses postmodernism in relation to Caribbean literature, and Kristian van Haesendonck and Nanne Timmer turn their attention to Puerto Rican and Cuban literature, while Adriana Churampi deals with Peruvian literature. Finally, Markha Valenta investigates the roots of the postmodernism debate in the United States. This volume is of interest to all students and scholars of modern and contemporary literature, and to anyone interested in issues of identity as linked to matters of culture.
Author:
Publisher: BRILL
ISBN: 900429872X
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies.
Author: Claire Raymond
Publisher: Springer Nature
ISBN: 3030284972
Category : Photography
Languages : en
Pages : 329
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Book Description
This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book’s historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.
Author: Vicki Bruce
Publisher: Psychology Press
ISBN: 9780863774508
Category : Psychology
Languages : en
Pages : 454
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Book Description
This edition contains over 460 additional references and the treatment of visual psychology in the early chapters has been extensively revised.
Author: Sally Bushell
Publisher: Cambridge University Press
ISBN: 1108487459
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
This book explores the power of the map in fiction and its centrality to meaning, from Treasure Island to Winnie-the-Pooh.
Author: Troy R Lovata
Publisher: Routledge
ISBN: 1315416115
Category : Social Science
Languages : en
Pages : 318
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Book Description
This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway cars to messages left in library bathrooms. In total, the authors legitimize the study of graffiti as a multidisciplinary pursuit that can produce useful knowledge of individuals, cultures, and nations. The chapters-represent 20 authors from six countries; -offer perspectives of disciplines as diverse as archaeology, history, art history, museum studies, and sociology;-elicit common themes of authority and its subversion, the identity work of subcultures and countercultures, and presentation of privilege and status.
Author: Jean Epstein
Publisher: U of Minnesota Press
ISBN: 1937561399
Category : Philosophy
Languages : en
Pages : 82
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Book Description
The advent of the cinema radically altered our comprehension of time, space, and reality. With his experience as a pioneering avant-garde filmmaker, Jean Epstein uses the universes created by the cinematograph to deconstruct our understanding of how time and space, reality and unreality, continuity and discontinuity, determinism and randomness function both inside and outside the cinema. Time, he says, should be regarded as the first, not the fourth, dimension—and the cinematograph allows us, for the first time, to manipulate it in directions and speeds of our choosing. The theoretical work of Jean Epstein greatly influenced later generations of cinema philosophers, notably Gilles Deleuze and Jacques Rancière, but the bulk of his work remains unpublished. The Intelligence of a Machine, his first major title published in English, is one of the earliest philosophies of cinema.
Author: Scott Krig
Publisher: Springer
ISBN: 3319337629
Category : Computers
Languages : en
Pages : 653
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Book Description
Based on the successful 2014 book published by Apress, this textbook edition is expanded to provide a comprehensive history and state-of-the-art survey for fundamental computer vision methods and deep learning. With over 800 essential references, as well as chapter-by-chapter learning assignments, both students and researchers can dig deeper into core computer vision topics and deep learning architectures. The survey covers everything from feature descriptors, regional and global feature metrics, feature learning architectures, deep learning, neuroscience of vision, neural networks, and detailed example architectures to illustrate computer vision hardware and software optimization methods. To complement the survey, the textbook includes useful analyses which provide insight into the goals of various methods, why they work, and how they may be optimized. The text delivers an essential survey and a valuable taxonomy, thus providing a key learning tool for students, researchers and engineers, to supplement the many effective hands-on resources and open source projects, such as OpenCV and other imaging and deep learning tools.
