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Author: Robert Lachmann
Publisher: A-R Editions, Inc.
ISBN: 0895797763
Category : History
Languages : en
Pages : 184
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Book Description
Includes CD of the broadcasts (2-disc set) Book URL: https://www.areditions.com/rr/rrotm/otm010.html The ethnomusicologist Robert Lachmann (1892¿1939) wrote and presented twelve radio programs entitled Oriental Music, which were transmitted by the Palestine Broadcasting Service between November 1936 and April 1937. The programs, which formed part of Lachmann¿s pioneering project to establish an ¿Oriental music archive¿ at the Hebrew University of Jerusalem, included live performances of traditional music representing the different ethnic and religious communities of Palestine, performances which were simultaneously recorded onto metal disc. This edition presents Lachmann¿s scripts with musical transcriptions of performances, transcriptions and translations of the sung texts, and selected digitally restored musical recordings (provided on the accompanying set of compact discs). The introduction and editorial commentaries explore Lachmann¿s radio lectures as they relate to his body of research on ¿Oriental music¿ and to wider concerns of scholarship, politics, and ideology. This edition will appeal to scholars of Middle Eastern cultural history and ethnomusicology, and especially to those interested in the history of sound archives, recording and broadcasting, the intellectual history of ethnomusicology, and the history, theory, and aesthetics of Middle Eastern music.
Author: Robert Lachmann
Publisher: A-R Editions, Inc.
ISBN: 0895797763
Category : History
Languages : en
Pages : 184
Get Book Here
Book Description
Includes CD of the broadcasts (2-disc set) Book URL: https://www.areditions.com/rr/rrotm/otm010.html The ethnomusicologist Robert Lachmann (1892¿1939) wrote and presented twelve radio programs entitled Oriental Music, which were transmitted by the Palestine Broadcasting Service between November 1936 and April 1937. The programs, which formed part of Lachmann¿s pioneering project to establish an ¿Oriental music archive¿ at the Hebrew University of Jerusalem, included live performances of traditional music representing the different ethnic and religious communities of Palestine, performances which were simultaneously recorded onto metal disc. This edition presents Lachmann¿s scripts with musical transcriptions of performances, transcriptions and translations of the sung texts, and selected digitally restored musical recordings (provided on the accompanying set of compact discs). The introduction and editorial commentaries explore Lachmann¿s radio lectures as they relate to his body of research on ¿Oriental music¿ and to wider concerns of scholarship, politics, and ideology. This edition will appeal to scholars of Middle Eastern cultural history and ethnomusicology, and especially to those interested in the history of sound archives, recording and broadcasting, the intellectual history of ethnomusicology, and the history, theory, and aesthetics of Middle Eastern music.
Author: Małgorzata Grajter
Publisher: Cambridge Scholars Publishing
ISBN: 1527510263
Category : Music
Languages : en
Pages : 239
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Book Description
“OM”, a fundamental meditation sound present in the cultures of Buddhism, is a syllable full of philosophical and transcendental meanings. The category of the Orient, as contrasted, antithetical and complementary to the Occident (West) and its culture, appears to be one of the most interesting and long-lasting issues discussed in the humanities. European fascination with Oriental cultures has found multifaceted manifestations in science, art, fashion and beliefs. Music, as an important element of cultural communication, has always been well suited for transitions and inspirations. The relationship between the Orient and Western music encompasses a wide and fascinating scope of problems, a field of various multidimensional influences which brings an opportunity not only to study particular questions, but also to search for universal and fundamental values. This collection of essays is a result of an International Conference titled “OM: Orient in Music – Music of the Orient”, held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, in March 2016. The volume provides insight into the many ways in which the music of the East and West can be understood and treated by both Western and Eastern scholars.
Author: C. Victor Fung
Publisher: Oxford University Press
ISBN: 0190234466
Category : Juvenile Nonfiction
Languages : en
Pages : 241
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Book Description
Moving back through Dewey, Heidegger, Nietzsche, and Rousseau, the lineage of Western music education finds its origins in Plato and Pythagoras. Yet theories not rooted in the ancient Greek tradition are all but absent. A Way of Music Education provides a much-needed intervention, integrating ancient Chinese thought into the canon of music education in a structured, systematized, and philosophical way. The book's three central sources - the Yijing (The Book of Changes), Confucianism, and Daoism - inform author C. Victor Fung's argument: that the human being exists as an entity at the center of an organismic world in which all things and events, including music and music education, are connected. Fung ultimately proposes a new educational philosophy based on three key ideas in Chinese thought: change, balance, and liberation. A unique work, A Way of Music Education offers a universal approach engrained in a specific and ancient cultural tradition.
Author: Bennett Zon
Publisher: Routledge
ISBN: 1351557580
Category : Music
Languages : en
Pages : 590
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Book Description
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.
Author: George Dimitri Sawa
Publisher: BRILL
ISBN: 9004465499
Category : History
Languages : en
Pages : 373
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Book Description
Ḥāwī l-Funūn (Encompasser of the Arts) of Ibn al-Ṭaḥḥān (d. ca. 1057) is a medieval Arabic music dictionary that complements other sources because of the practical knowledge of the author: an accomplished singer, lutenist and composer.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 744
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Book Description
Author: Henry George Farmer
Publisher:
ISBN:
Category : Arabs
Languages : ar
Pages : 738
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Book Description
Author: Gerald Abraham
Publisher: Faber & Faber
ISBN: 0571307280
Category : Music
Languages : en
Pages : 222
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Book Description
First published in 1939, On Russian Music was conceived by Gerald Abraham as a sequel to his earlier Studies in Russian Music (1935, also in Faber Finds), and complements the previous work in many useful respects. Glinka moves to the forefront via close study of both of his operas. A historical account of the composition of Borodin's Prince Igor enriches the critical study made in the first book. And chapters on Mlada and Tsar Saltan round out Abraham's appreciations of the major operas of Rimsky-Korsakov. There are also critical and historical essays on works by Mussorgsky, Dargomïzhsky, Tchaikovsky and other composers, and analyses that, in their time, threw new light on the programmatic meaning of such well-known compositions as Scheherazade and the Path étique symphony. The book is superbly illustrated with music examples throughout.
Author: Roy M. Prendergast
Publisher: W. W. Norton & Company
ISBN: 9780393308747
Category : History
Languages : en
Pages : 356
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Book Description
The expanded, updated, and revised edition of Film Music brings together the experience and insights of the professional film music editor with the scholarship and concerns of the film critic and historian. In this pioneering work, film music--from its beginnings to the present day--is analyzed both as composition and as an integral element of cinematic expression. Beginning with an extensive historical overview, the author recreates the process by which film music composers developed their own forms out of typical screen action. The techniques and achievements of filmmakers from the silent and early sound film eras to the 1990s are examined, including the unique demands of music for the rapidly changing images of cartoons and animated films. A new chapter about music for television has been added to the very informative discussion of techniques for synchronizing music to picture. And the latest technological advances are described in an entirely new section dealing with contemporary methods and tools, including video post-production, the advent of digital audio, and the pervasive influence of the music synthesizer. Replete with music examples drawn from actual film scores, this comprehensive study concludes with an extensive and up-to-date bibliography of related reference works.
Author: Lutfi Sunar
Publisher: Routledge
ISBN: 1317100115
Category : Social Science
Languages : en
Pages : 224
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Book Description
The Orient was central to the work of Marx and Weber, both figures building their theories around the question of why modernity appeared to emerge only in the West. While Marx’s account focused on the accumulation of capital in the West, Weber’s explanation for this phenomenon centred on Western rationalization. Extending recent work comparing the social theories of Marx and Weber, this book examines their approaches to Oriental societies, showing how, in spite of the differences in their respective theorizations of the historical and political development of the West, their work on the form of modern society in the Orient converges, each complementing the other. Fully conversant with recent scholarly work on Marx and Weber, this comprehensive re-examination of the points of convergence and departure in their work requires us to re-evaluate both their positions in the history of sociology and their relevance to contemporary social questions. As such, it will appeal to scholars of social and political theory and classical sociology.
