Author: Umer O. Thasneem
Publisher: Cambridge Scholars Publishing
ISBN: 1527536556
Category :
Languages : en
Pages : 191
Book Description
This volume marks an exhilarating tour through the mesmerizing and labyrinthine fictional world of the Nobel Prize-winning Turkish author Orhan Pamuk. Despite being ranked alongside Marquez, Cortazar, Calvino, Borges and Eco, Pamuk is yet to receive due critical attention in the Anglophone world, where he has millions of readers. This book takes the reader on a fascinating ride through Pamuk’s novels from The Silent House, written in the early Eighties, to the recently published The Red Haired Woman. The nine novels that form the focus of this study straddle a period of more than three decades that witnessed the emergence of Pamuk as Turkey’s foremost novelist and a master fabulist. The book details the chemistry of the thematics and architectonics of Pamuk’s craft in a style shorn of dry pedantry and jargon trotting. Examining the intricate pattern of his creative topography in the light of theories ranging from psychoanalysis to spectral criticism, it represents a timely and illuminating contribution to the study of contemporary fiction.
Orhan Pamuk and the Poetics of Fiction
Author: Umer O. Thasneem
Publisher: Cambridge Scholars Publishing
ISBN: 1527536556
Category :
Languages : en
Pages : 191
Book Description
This volume marks an exhilarating tour through the mesmerizing and labyrinthine fictional world of the Nobel Prize-winning Turkish author Orhan Pamuk. Despite being ranked alongside Marquez, Cortazar, Calvino, Borges and Eco, Pamuk is yet to receive due critical attention in the Anglophone world, where he has millions of readers. This book takes the reader on a fascinating ride through Pamuk’s novels from The Silent House, written in the early Eighties, to the recently published The Red Haired Woman. The nine novels that form the focus of this study straddle a period of more than three decades that witnessed the emergence of Pamuk as Turkey’s foremost novelist and a master fabulist. The book details the chemistry of the thematics and architectonics of Pamuk’s craft in a style shorn of dry pedantry and jargon trotting. Examining the intricate pattern of his creative topography in the light of theories ranging from psychoanalysis to spectral criticism, it represents a timely and illuminating contribution to the study of contemporary fiction.
Publisher: Cambridge Scholars Publishing
ISBN: 1527536556
Category :
Languages : en
Pages : 191
Book Description
This volume marks an exhilarating tour through the mesmerizing and labyrinthine fictional world of the Nobel Prize-winning Turkish author Orhan Pamuk. Despite being ranked alongside Marquez, Cortazar, Calvino, Borges and Eco, Pamuk is yet to receive due critical attention in the Anglophone world, where he has millions of readers. This book takes the reader on a fascinating ride through Pamuk’s novels from The Silent House, written in the early Eighties, to the recently published The Red Haired Woman. The nine novels that form the focus of this study straddle a period of more than three decades that witnessed the emergence of Pamuk as Turkey’s foremost novelist and a master fabulist. The book details the chemistry of the thematics and architectonics of Pamuk’s craft in a style shorn of dry pedantry and jargon trotting. Examining the intricate pattern of his creative topography in the light of theories ranging from psychoanalysis to spectral criticism, it represents a timely and illuminating contribution to the study of contemporary fiction.
Historicizing Fiction/Fictionalizing History
Author: Nishevita J. Murthy
Publisher: Cambridge Scholars Publishing
ISBN: 1443869147
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
Historicizing Fiction/Fictionalizing History brings together two authors, Umberto Eco and Orhan Pamuk, not frequently studied in comparison. By focusing on their non/fictional works to present a unique study of the methods and concepts of representation, Murthy uses contemporary historical novels to examine fictional depictions of reality, and provides a fresh perspective on representation studies in literature. Written in an accessible style, and tapping into fields as varied as literary and critical theory, the historical novel, postmodernism, and historiography, Historicizing Fiction/Fictionalizing History considers the ways in which reality, as discourse, confronts a text-external reality, and how this confrontation affects the autonomy of the fictional space – topics that remain persistently problematic areas within literary studies. Eco’s The Name of the Rose and Baudolino, and Pamuk’s My Name is Red and Snow, with their topical concerns and methods of representation, promise a rewarding comparative study. This book provides an early critical framework for these four works, placing them within the rubric of the postmodernist historical novel, as creative works that also comment on the process of literary writing through their recreation of historical pasts. In this respect, Historicizing Fiction/Fictionalizing History promises to be an engaging read in literary criticism and historiography, as well as a handy companion for Eco and Pamuk enthusiasts.
Publisher: Cambridge Scholars Publishing
ISBN: 1443869147
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
Historicizing Fiction/Fictionalizing History brings together two authors, Umberto Eco and Orhan Pamuk, not frequently studied in comparison. By focusing on their non/fictional works to present a unique study of the methods and concepts of representation, Murthy uses contemporary historical novels to examine fictional depictions of reality, and provides a fresh perspective on representation studies in literature. Written in an accessible style, and tapping into fields as varied as literary and critical theory, the historical novel, postmodernism, and historiography, Historicizing Fiction/Fictionalizing History considers the ways in which reality, as discourse, confronts a text-external reality, and how this confrontation affects the autonomy of the fictional space – topics that remain persistently problematic areas within literary studies. Eco’s The Name of the Rose and Baudolino, and Pamuk’s My Name is Red and Snow, with their topical concerns and methods of representation, promise a rewarding comparative study. This book provides an early critical framework for these four works, placing them within the rubric of the postmodernist historical novel, as creative works that also comment on the process of literary writing through their recreation of historical pasts. In this respect, Historicizing Fiction/Fictionalizing History promises to be an engaging read in literary criticism and historiography, as well as a handy companion for Eco and Pamuk enthusiasts.
Fiction Agonistes
Author: Gregory Jusdanis
Publisher: Stanford University Press
ISBN: 0804773769
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
In this path-breaking new work, Gregory Jusdanis asks why literature matters. Why are we afraid to admit our pleasures of reading, to defend the arts to the school board, to discuss the importance of literature in life? Drawing on a wealth of references from Aristophanes to Eudora Welty, from Fernando Pessoa to Orhan Pamuk, from Cavafy to hypertext stories, Jusdanis reminds us that the arts have always been under attack. Instead of despair, however, he offers a pragmatic defense of literature, arguing that it performs a social function in dramatizing the break between illusion and reality, life and the life-like, permanence and metamorphosis. The ability to distinguish between the actual and the imaginary is essential to human beings. Our capacity to imagine something new, to project ourselves into the mind of another person, and to fight for a new world is based on this distinction. Literature allows us to imagine alternate possibilities of human relationships and political institutions, even in the watery world of the Internet. At once daring and lucid, Fiction Agonistes considers the place of art today with passion and optimism.
Publisher: Stanford University Press
ISBN: 0804773769
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
In this path-breaking new work, Gregory Jusdanis asks why literature matters. Why are we afraid to admit our pleasures of reading, to defend the arts to the school board, to discuss the importance of literature in life? Drawing on a wealth of references from Aristophanes to Eudora Welty, from Fernando Pessoa to Orhan Pamuk, from Cavafy to hypertext stories, Jusdanis reminds us that the arts have always been under attack. Instead of despair, however, he offers a pragmatic defense of literature, arguing that it performs a social function in dramatizing the break between illusion and reality, life and the life-like, permanence and metamorphosis. The ability to distinguish between the actual and the imaginary is essential to human beings. Our capacity to imagine something new, to project ourselves into the mind of another person, and to fight for a new world is based on this distinction. Literature allows us to imagine alternate possibilities of human relationships and political institutions, even in the watery world of the Internet. At once daring and lucid, Fiction Agonistes considers the place of art today with passion and optimism.
Orhan Pamuk
Author: Orhan Pamuk
Publisher: Steidl
ISBN: 9783958296534
Category :
Languages : en
Pages : 184
Book Description
The streetscapes of Istanbul as photographed by Nobel prize-winning novelist Orhan Pamuk in an exquisitely printed clothbound edition The dominant color in Orhan Pamuk's new book of photographs is orange. When the Nobel-Prize-winning novelist is finished with the day's writing, he takes his camera and wanders through Istanbul's various neighborhoods, visiting the backstreets of his town, areas without tourists, spaces that seem neglected and forgotten, spaces with a particular light. This is the orange light of Istanbul's windows and streetlamps that Pamuk knows so well from his childhood--from the Istanbul of 50 years ago, as he mentions in his introduction. But Pamuk also observes that the homely, cosy orange light is slowly being replaced by a new, bright and icy white light from new lightbulbs. His photographs from the backstreets of Istanbul record and preserve the cosy effect of this old, disappearing orange light, as well as the recognition of this new white vision. Whether reflected in well-trodden snow, concentrated as a glaring ball atop a lamppost or subtly present as a diffuse haze, orange literally and aesthetically gives shape to Pamuk's pictures, which reveal to us the unseen corners of his home city.
Publisher: Steidl
ISBN: 9783958296534
Category :
Languages : en
Pages : 184
Book Description
The streetscapes of Istanbul as photographed by Nobel prize-winning novelist Orhan Pamuk in an exquisitely printed clothbound edition The dominant color in Orhan Pamuk's new book of photographs is orange. When the Nobel-Prize-winning novelist is finished with the day's writing, he takes his camera and wanders through Istanbul's various neighborhoods, visiting the backstreets of his town, areas without tourists, spaces that seem neglected and forgotten, spaces with a particular light. This is the orange light of Istanbul's windows and streetlamps that Pamuk knows so well from his childhood--from the Istanbul of 50 years ago, as he mentions in his introduction. But Pamuk also observes that the homely, cosy orange light is slowly being replaced by a new, bright and icy white light from new lightbulbs. His photographs from the backstreets of Istanbul record and preserve the cosy effect of this old, disappearing orange light, as well as the recognition of this new white vision. Whether reflected in well-trodden snow, concentrated as a glaring ball atop a lamppost or subtly present as a diffuse haze, orange literally and aesthetically gives shape to Pamuk's pictures, which reveal to us the unseen corners of his home city.
Literary Secularism
Author: Amardeep Singh
Publisher: Cambridge Scholars Publishing
ISBN: 1443802697
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Literary Secularism: Religion and Modernity in Twentieth-Century Fiction shows the path to secularization in the modern novel in comparative perspective. Writers as diverse as George Eliot, James Joyce, Salman Rushdie, Orhan Pamuk, Taslima Nasrin, and James Wood, have all struggled with religious orthodoxy in their personal lives, and are some of the most important and representative "secular" writers in the modern world canon. But their novels, which are far more than mere anti-religious manifestos, directly reflect the continued power of religious communities and institutions in the modern world. While religion is in a very real sense displaced from epistemological centrality in modernity, all of these writers suggest that religious texts, rituals, and communities have a force that is, in George Eliot's words, “still throbbing” in modern life. In a series of close readings, Literary Secularism argues that the intimate, often deeply ambivalent representation of religion is a key feature of modern writing and is central to the larger intellectual and historical project of modernity. "Literary Secularism" is then a complex literary ethos, which impinges as much on style, language, and novelistic form as on theme. The close readings here of novels such as George Eliot's Daniel Deronda, Rabindranath Tagore's Gora, James Joyce's Ulysses, and Salman Rushdie's The Satanic Verses all hinge on the ambiguity of religious and secular discourses. In some cases, the ambiguity is expressed through the affective and embodied experience of the protagonists, whose private subjectivity often conflicts with their public identities. The conflict between present and private is also explored in a dedicated chapter on secularism and feminism in India, as well as with regard to the global crisis of secularism that has emerged following the terrorist attacks of 9/11. While the particular experiences of the various narratives vary somewhat from author to author, all of the authors in this study are interested in defining a way of being secular that no sociological or ideological formula can fully describe. Correspondingly, while works of literature are certainly artifacts marking key moments in the history of secularisation, literature by itself doesn't produce secularism in either the cultural or the political context. In arguing for the "literary" as a historically-specific social and cultural mode of secularity, Literary Secularism offers a unique perspective on the problem of secularisation that may be of interest to fields such as literary criticism, religious studies, the sociology of religion, and polticial theory.
Publisher: Cambridge Scholars Publishing
ISBN: 1443802697
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Literary Secularism: Religion and Modernity in Twentieth-Century Fiction shows the path to secularization in the modern novel in comparative perspective. Writers as diverse as George Eliot, James Joyce, Salman Rushdie, Orhan Pamuk, Taslima Nasrin, and James Wood, have all struggled with religious orthodoxy in their personal lives, and are some of the most important and representative "secular" writers in the modern world canon. But their novels, which are far more than mere anti-religious manifestos, directly reflect the continued power of religious communities and institutions in the modern world. While religion is in a very real sense displaced from epistemological centrality in modernity, all of these writers suggest that religious texts, rituals, and communities have a force that is, in George Eliot's words, “still throbbing” in modern life. In a series of close readings, Literary Secularism argues that the intimate, often deeply ambivalent representation of religion is a key feature of modern writing and is central to the larger intellectual and historical project of modernity. "Literary Secularism" is then a complex literary ethos, which impinges as much on style, language, and novelistic form as on theme. The close readings here of novels such as George Eliot's Daniel Deronda, Rabindranath Tagore's Gora, James Joyce's Ulysses, and Salman Rushdie's The Satanic Verses all hinge on the ambiguity of religious and secular discourses. In some cases, the ambiguity is expressed through the affective and embodied experience of the protagonists, whose private subjectivity often conflicts with their public identities. The conflict between present and private is also explored in a dedicated chapter on secularism and feminism in India, as well as with regard to the global crisis of secularism that has emerged following the terrorist attacks of 9/11. While the particular experiences of the various narratives vary somewhat from author to author, all of the authors in this study are interested in defining a way of being secular that no sociological or ideological formula can fully describe. Correspondingly, while works of literature are certainly artifacts marking key moments in the history of secularisation, literature by itself doesn't produce secularism in either the cultural or the political context. In arguing for the "literary" as a historically-specific social and cultural mode of secularity, Literary Secularism offers a unique perspective on the problem of secularisation that may be of interest to fields such as literary criticism, religious studies, the sociology of religion, and polticial theory.
Valor
Author: Murathan Mungan
Publisher: Northwestern University Press
ISBN: 0810145251
Category : Fiction
Languages : en
Pages : 298
Book Description
Winner of the 2021 Global Humanities Translation Prize Among Murathan Mungan’s signature works, Cenk Hikâyeleri (Valor: Stories) has long been considered a milestone of twentieth-century Turkish literature. The six short stories in the collection reflect the author’s multiethnic background (which includes Kurdish, Arab, and Turkish heritage) and represent his lush poetics, literary breadth, and sociopolitical commitments. Valor reimagines Shahmaran, a mythical half‐human, half‐snake figure that commonly appears in the folklore of Turkey’s southeastern provinces. Legend interweaves with the contemporary realities of ethnicity, religious dogma, gender, and sexuality. Uncovering hidden narratives within a rich and complicated culture, Mungan’s stories depict self-realization and sexual awakening as they showcase one of Turkey’s most popular literary voices.
Publisher: Northwestern University Press
ISBN: 0810145251
Category : Fiction
Languages : en
Pages : 298
Book Description
Winner of the 2021 Global Humanities Translation Prize Among Murathan Mungan’s signature works, Cenk Hikâyeleri (Valor: Stories) has long been considered a milestone of twentieth-century Turkish literature. The six short stories in the collection reflect the author’s multiethnic background (which includes Kurdish, Arab, and Turkish heritage) and represent his lush poetics, literary breadth, and sociopolitical commitments. Valor reimagines Shahmaran, a mythical half‐human, half‐snake figure that commonly appears in the folklore of Turkey’s southeastern provinces. Legend interweaves with the contemporary realities of ethnicity, religious dogma, gender, and sexuality. Uncovering hidden narratives within a rich and complicated culture, Mungan’s stories depict self-realization and sexual awakening as they showcase one of Turkey’s most popular literary voices.
Cultural Identity in Arabic Novels of Immigration
Author: Wessam Elmeligi
Publisher: Rowman & Littlefield
ISBN: 1793600988
Category : Literary Criticism
Languages : en
Pages : 171
Book Description
Cultural Identity in Arabic Novels of Immigration: A Poetics of Return offers a new perspective of migration studies that views the concept of migration in Arabic as inherently embracing the notion of return. Starting the study with the significance of the Islamic hijra as the quintessential migrant narrative in Arabic culture, Elmeligi offers readings of Arabic narratives as early as Ibn Tufayl’s Hayy ibn Yaqzan and as recent asMiral Al-Tahawy’s 2010 Brooklyn Heights, and asvaried as Egyptian novelist Naguib Mahfouz’s short story adaptation of the ancient Egyptian Tale of Sinuhe and Yemeni novelist Mohammed Abdl Wali’s They Die Strangers, includingnovels that have not been translated in English before, such as Sonallah Ibrahim’s Amrikanli and Suhayl Idris’ The Latin Quarter. To contextualize these narratives, Elmeligi employs studies of cultural identity and their features that are most impacted by migration. In this study, Elmeligi analyzes the different manifestations of return, whether physical or psychological, commenting not only on the decisions that the characters take in the novels, but also the narrative choices that the writers make, thus viewing narrativity as a form of performativity of cultural identity as well. The book addresses fresh angles of migration studies, identity theory, and Arabic literary analysis that are of interest to scholars and students.
Publisher: Rowman & Littlefield
ISBN: 1793600988
Category : Literary Criticism
Languages : en
Pages : 171
Book Description
Cultural Identity in Arabic Novels of Immigration: A Poetics of Return offers a new perspective of migration studies that views the concept of migration in Arabic as inherently embracing the notion of return. Starting the study with the significance of the Islamic hijra as the quintessential migrant narrative in Arabic culture, Elmeligi offers readings of Arabic narratives as early as Ibn Tufayl’s Hayy ibn Yaqzan and as recent asMiral Al-Tahawy’s 2010 Brooklyn Heights, and asvaried as Egyptian novelist Naguib Mahfouz’s short story adaptation of the ancient Egyptian Tale of Sinuhe and Yemeni novelist Mohammed Abdl Wali’s They Die Strangers, includingnovels that have not been translated in English before, such as Sonallah Ibrahim’s Amrikanli and Suhayl Idris’ The Latin Quarter. To contextualize these narratives, Elmeligi employs studies of cultural identity and their features that are most impacted by migration. In this study, Elmeligi analyzes the different manifestations of return, whether physical or psychological, commenting not only on the decisions that the characters take in the novels, but also the narrative choices that the writers make, thus viewing narrativity as a form of performativity of cultural identity as well. The book addresses fresh angles of migration studies, identity theory, and Arabic literary analysis that are of interest to scholars and students.
Terrorist
Author: John Updike
Publisher: Penguin UK
ISBN: 0141921803
Category : Fiction
Languages : en
Pages : 275
Book Description
In his extraordinary and highly charged new novel, John Updike tackles one of America's most burning issues – the threat of Islamist terror from within. Set in contemporary New Jersey, Terrorist traces the journey of one young man, from radicalism to fundamentalism to terrorism, against the backdrop of a fraying urban landscape and an increasingly fragmented community. In beautiful prose, Updike dramatizes the logic of the fundamentalist terrorist – but also suggests ways in which we can counter it, in our words and our actions . . .
Publisher: Penguin UK
ISBN: 0141921803
Category : Fiction
Languages : en
Pages : 275
Book Description
In his extraordinary and highly charged new novel, John Updike tackles one of America's most burning issues – the threat of Islamist terror from within. Set in contemporary New Jersey, Terrorist traces the journey of one young man, from radicalism to fundamentalism to terrorism, against the backdrop of a fraying urban landscape and an increasingly fragmented community. In beautiful prose, Updike dramatizes the logic of the fundamentalist terrorist – but also suggests ways in which we can counter it, in our words and our actions . . .
Anarchist's Guide to Historic House Museums
Author: Franklin D Vagnone
Publisher: Left Coast Press
ISBN: 1629581712
Category : Art
Languages : en
Pages : 263
Book Description
This book offers a step-by-step guide to historic house museums to make them more informative and sustainable through an inclusive, visitor-centered paradigm of the shared experience of human habitation.
Publisher: Left Coast Press
ISBN: 1629581712
Category : Art
Languages : en
Pages : 263
Book Description
This book offers a step-by-step guide to historic house museums to make them more informative and sustainable through an inclusive, visitor-centered paradigm of the shared experience of human habitation.
Displacing Fictions of Orhan Pamuk
Author: Hande Gürses
Publisher: Rowman & Littlefield
ISBN: 1793625778
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Displacing Fictions of Orhan Pamuk: Beyond the Bridge questions the prevailing relevance and violence of the bridge metaphor for literature through new readings of Orhan Pamuk. This book argues that despite its association with connection, dialogue, and reconciliation, the bridge is an inherently violent structure that controls movement by regulating it. Drawing on deconstruction and Derrida, the author argues for a rethinking of the intrinsic connection between the bridge and the writings of Orhan Pamuk. Exploring Pamuk’s significance as an author of the world literature canon, this book investigates the history and theory of the discipline as a bridge. Identifying new metaphors in Pamuk’s work, Hande Gürses shows the political potential of moving beyond the bridge. As people, lands, and ideas keep moving, Displacing Fictions of Orhan Pamuk argues for an urgent need for new metaphors to understand and represent the realities of our contemporary world.
Publisher: Rowman & Littlefield
ISBN: 1793625778
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Displacing Fictions of Orhan Pamuk: Beyond the Bridge questions the prevailing relevance and violence of the bridge metaphor for literature through new readings of Orhan Pamuk. This book argues that despite its association with connection, dialogue, and reconciliation, the bridge is an inherently violent structure that controls movement by regulating it. Drawing on deconstruction and Derrida, the author argues for a rethinking of the intrinsic connection between the bridge and the writings of Orhan Pamuk. Exploring Pamuk’s significance as an author of the world literature canon, this book investigates the history and theory of the discipline as a bridge. Identifying new metaphors in Pamuk’s work, Hande Gürses shows the political potential of moving beyond the bridge. As people, lands, and ideas keep moving, Displacing Fictions of Orhan Pamuk argues for an urgent need for new metaphors to understand and represent the realities of our contemporary world.