Organists and Organ Playing in Nineteenth-Century France and Belgium PDF Download
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Author: Orpha Ochse
Publisher: Indiana University Press
ISBN: 9780253214232
Category : Music
Languages : en
Pages : 292
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Book Description
The art of the organist in nineteenth-century France and Belgium is a rags-to-riches story full of extraordinary problems and changes. Devastated by the French Revolution, the organ profession rose from desperate circumstances to a period of remarkable brilliance. By the end of the nineteenth century, organ playing was enthusiastically applauded and had been thoroughly integrated in the musical life of Paris. This account is not just a record of stellar events and famous names: it includes failures, all-but-forgotten musicians, and unexpected encounters. In a carefully documented study that is both scholarly and engaging. Orpha Ochse traces three major aspects of the organist's art: the development of the secular recital, the organist as church musician, and the education of organists. In addition to presenting a comprehensive view of the organ profession in France and Belgium throughout the period, she offers a new perspective on nineteenth-century music in general.
Author: Orpha Ochse
Publisher: Indiana University Press
ISBN: 9780253214232
Category : Music
Languages : en
Pages : 292
Get Book Here
Book Description
The art of the organist in nineteenth-century France and Belgium is a rags-to-riches story full of extraordinary problems and changes. Devastated by the French Revolution, the organ profession rose from desperate circumstances to a period of remarkable brilliance. By the end of the nineteenth century, organ playing was enthusiastically applauded and had been thoroughly integrated in the musical life of Paris. This account is not just a record of stellar events and famous names: it includes failures, all-but-forgotten musicians, and unexpected encounters. In a carefully documented study that is both scholarly and engaging. Orpha Ochse traces three major aspects of the organist's art: the development of the secular recital, the organist as church musician, and the education of organists. In addition to presenting a comprehensive view of the organ profession in France and Belgium throughout the period, she offers a new perspective on nineteenth-century music in general.
Author: Douglas Bush
Publisher: Routledge
ISBN: 1135947961
Category : Art
Languages : en
Pages : 694
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Book Description
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
Author: Dudley Buck
Publisher: A-R Editions, Inc.
ISBN: 9780895796301
Category : Music
Languages : en
Pages : 132
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Book Description
One of Victorian America's most beloved and respected composers, Dudley Buck played a crucial role in the coming of age of American music following the Civil War. This volume of his most popular organ works is the first scholarly edition of these pieces. A conductor, organist, and teacher, Buck was the first American to write professional, accessible, and popular organ music, as well as a wealth of choral music, including anthems, cantatas, and partsongs. (See also MU 14 for a selection of these works.) N. Lee Orr's careful, authoritative edition presents Buck's two organ sonatas and four concert variations, introduced by an informative essay on Buck's life and the development of American organs and organ music.
Author: Caroline Potter
Publisher: Routledge
ISBN: 1351566466
Category : Music
Languages : en
Pages : 500
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Book Description
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author: James E. Frazier
Publisher: University Rochester Press
ISBN: 9781580462273
Category : Biography & Autobiography
Languages : en
Pages : 420
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Book Description
Drawing on the accounts of those who knew Duruflé personally as well as on Frazier's own detailed research, this new biography offers a broad sketch of this modest and elusive man, widely recognized today for having created some of the greatest works in the organ repertory - and the masterful Requiem. Frazier also examines the career and contributions of Duruflé's wife, the formidable organist Marie-Madeleine Duruflé-Chevalier.
Author: Dudley Buck
Publisher: A-R Editions, Inc.
ISBN: 0895795736
Category : Music
Languages : en
Pages : 354
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Book Description
This MUSA volume makes an important contribution to American music studies by presenting a scholarly edition of selected choral works by Dudley Buck (18391909). Buck was arguably the finest composer of choral music among the group of musicians who had come of age by the end of the Civil War. The works chosen for this volume, some of which became icons of American Victorian culture, represent the three most popular choral genres during the Guilded Age: the anthem, the sacred and secular cantata, and the partsong. All of the works included here found immediate publication and stayed in print well into the twentieth century. Buck's works became the standards, not only by their intrinsic merit, but owing to their widespread performance throughout the country. His services, canticles, anthems, and hymnsmusically engaging, well-crafted, and often genuinely movingwere considerably more professional than the homegrown music in use when he began his work. Included here are three works, a hymn anthem ("Rock of Ages"), a liturgical text ("Festival Te Deum No. 7 in E-flat"), and a late, through-composed work ("Grant to Us Thy Grace"). Buck's sacred and secular cantatas along with his partsongs also enjoyed widespread success among the growing number of church choirs and community choral groups. The two partsongs come from his earliest and latest periods. "In Absence" represents the early Victorian partsong, and the second, "The Signal Resounds from Afar" is both Buck's longest partsong and the one showing the greatest contrapuntal complexity. Both The Centennial Meditation of Columbia, written for the 1876 Centennial Exhibition, and the Forty-Sixth Psalm, from 1872, are in full score and typify some of the finest cantata writing in Victorian America.
Author: Douglas Earl Bush
Publisher: Psychology Press
ISBN: 0415941741
Category : Organ (Musical instrument)
Languages : en
Pages : 696
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Book Description
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Author: Russell Stinson
Publisher: Oxford University Press
ISBN: 0198027621
Category : Music
Languages : en
Pages : 186
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Book Description
On the 250th anniversary of the composer's death, this volume offers an in-depth look at the "Great Eighteen" organ chorales, among the most celebrated works for organ, and a milestone in the history of the chorale. Addressed to organists, scholars, and general listeners alike, this lucid and engaging book examines the music from a wide spectrum of historical and analytical perspectives. Stinson examines the models used by Bach in conceiving the original pieces, his subsequent compilation of these works into a collection, and his compositional process as preserved by the autograph manuscript. Himself an accomplished organist, Stinson also considers various issues of performance practice and concludes with a discussion of the music's reception--its dissemination in manuscript and printed form, its performance history, and its influence on later composers. Completely up-to-date and presenting a wealth of new material, much of it translated into English for the first time, this study will open up fresh perspectives on some of the composer's greatest creations.
Author: Edward R. Phillips
Publisher: Taylor & Francis
ISBN: 1135838976
Category : Music
Languages : en
Pages : 408
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Book Description
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
Author: Eric F. Clarke
Publisher: Oxford University Press
ISBN: 0190905646
Category : Music
Languages : en
Pages : 385
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Book Description
Creative practice in music, particularly in traditional concert culture, is commonly understood in terms of a rather stark division of labour between composer and performer. But this overlooks the distributed and interactive nature of the creative processes on which so much contemporary music depends. The incorporation of two features-improvisation and collaboration-into much contemporary music suggests that the received view of the relationship between composition and performance requires reassessment. Improvisation and collaborative working practices blur the composition/performance divide and, in doing so, provide important new perspectives on the forms of distributed creativity that play a central part in much contemporary music. Distributed Creativity: Collaboration and Improvisation in Contemporary Music explores the different ways in which collaboration and improvisation enable and constrain creative processes. Thirteen chapters and twelve shorter Interventions offer a range of perspectives on distributed creativity in music, on composer/performer collaborations and on contemporary improvisation practices. The chapters provide substantial discussions of a variety of conceptual frameworks and particular projects, while the Interventions present more informal contributions from a variety of practitioners (performers, composers, improvisers), giving insights into the pleasures and perils of working creatively in collaborative and improvised ways.
