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Author: Anne Leahy
Publisher: Scarecrow Press
ISBN: 0810881810
Category : Music
Languages : en
Pages : 327
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Book Description
In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach's personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales simply reflect a randomgathering of compositions or is there a common theme in setting? How critical is the order of the chorales and what is the theological significance of that order? Were the chorales a unified collection, and if so, which parts were to be included and whichnot? Indeed, were the chorales themselves part of a possibly larger corpus? As Leahy makes evident, there are no simple answers, which is why she considers critical the relationship the texts of the hymns to the chorales and to one another, outlining atheological pattern that is vital to fully grasping the guiding philosophy of these compositions. J. S. Bach's "Leipzig" Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricateconnections between text and music in the composition of religious music.
Author: Anne Leahy
Publisher: Scarecrow Press
ISBN: 0810881810
Category : Music
Languages : en
Pages : 327
Get Book Here
Book Description
In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach's personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales simply reflect a randomgathering of compositions or is there a common theme in setting? How critical is the order of the chorales and what is the theological significance of that order? Were the chorales a unified collection, and if so, which parts were to be included and whichnot? Indeed, were the chorales themselves part of a possibly larger corpus? As Leahy makes evident, there are no simple answers, which is why she considers critical the relationship the texts of the hymns to the chorales and to one another, outlining atheological pattern that is vital to fully grasping the guiding philosophy of these compositions. J. S. Bach's "Leipzig" Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricateconnections between text and music in the composition of religious music.
Author: Anne Leahy
Publisher: Scarecrow Press
ISBN: 0810881829
Category : Music
Languages : en
Pages : 327
Get Book Here
Book Description
In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahy's dissertation research forms the basis for this original study of the preludes to Bach's Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bach's compositions have been a source of some puzzlement. As Leahy notes, "the original intentions of Bach and the possible purpose of this collection might be regarded as speculative." Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bach's personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales simply reflect a random gathering of compositions or is there a common theme in setting? How critical is the order of the chorales and what is the theological significance of that order? Were the chorales a unified collection, and if so, which parts were to be included and which not? Indeed, were the chorales themselves part of a possibly larger corpus? As Leahy makes evident, there are no simple answers, which is why she considers critical the relationship the texts of the hymns to the chorales and to one another, outlining a theological pattern that is vital to fully grasping the guiding philosophy of these compositions. J. S. Bach's "Leipzig" Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricate connections between text and music in the composition of religious music.
Author: Alexandre Guilmant
Publisher: Courier Corporation
ISBN: 0486416860
Category : Music
Languages : en
Pages : 242
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Book Description
Originally published: New York: G. Schirmer, 1889.
Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521814164
Category : Music
Languages : en
Pages : 510
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Book Description
This is a completely revised 2003 edition of volumes I and II of The Organ Music of J. S. Bach (1980), a bestselling title, which has subsequently become a classic text. This edition takes account of Bach scholarship of the 25 years prior to publication. Peter Williams's piece-by-piece commentary puts the musical sources of the organ works in context, describing the form and content of each work and relating them to other music, German and non-German. He summarises the questions about the history, authenticity, chronology, function and performance of each piece, and points out important details of style and musical quality. The study follows the order of the Bach catalogue (BWV), beginning with the sonatas, then the 'free works', followed by chorales and ending with the doubtful works, including the 'newly discovered chorales' of 1985.
Author: Christoph Wolff
Publisher: W. W. Norton & Company
ISBN: 0393651797
Category : Music
Languages : en
Pages : 427
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Book Description
A concentrated study of Johann Sebastian Bach’s creative output and greatest pieces, capturing the essence of his art. Throughout his life, renowned and prolific composer Johann Sebastian Bach articulated his views as a composer in purely musical terms; he was notoriously reluctant to write about his life and work. Instead, he methodically organized certain pieces into carefully designed collections. These benchmark works, all of them without parallel or equivalent, produced a steady stream of transformative ideas that stand as paradigms of Bach’s musical art. In this companion volume to his Pulitzer Prize–finalist biography, Johann Sebastian Bach: The Learned Musician, leading Bach scholar Christoph Wolff takes his cue from his famous subject. Wolff delves deeply into the composer’s own rich selection of collected music, cutting across conventional boundaries of era, genre, and instrument. Emerging from a complex and massive oeuvre, Bach’s Musical Universe is a focused discussion of a meaningful selection of compositions—from the famous Well-Tempered Clavier, violin and cello solos, and Brandenburg Concertos to the St. Matthew Passion, Art of Fugue, and B-minor Mass. Unlike any study undertaken before, this book details Bach’s creative process across the various instrumental and vocal genres. This array of compositions illustrates the depth and variety at the essence of the composer’s musical art, as well as his unique approach to composition as a process of imaginative research into the innate potential of his chosen material. Tracing Bach’s evolution as a composer, Wolff compellingly illuminates the ideals and legacy of this giant of classical music in a new, refreshing light for everyone, from the amateur to the virtuoso.
Author: Russell Stinson
Publisher: Oxford University Press, USA
ISBN: 0195116666
Category : Music
Languages : en
Pages : 186
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Book Description
This work explores Bach's great eighteen organ chorales - among Bach's most celebrated works for organ - from a wide range of historical and analytical perspectives, including the models used by Bach in conceiving the individual pieces.
Author: David Yearsley
Publisher: Cambridge University Press
ISBN: 0521199018
Category : History
Languages : en
Pages : 313
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Book Description
Yearsley explores the cultural significance of making music with hands and feet, a mode of performance unique to the organ.
Author: Peter Williams
Publisher: CUP Archive
ISBN: 9780521317009
Category : Music
Languages : en
Pages : 372
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Book Description
Bach's organ works--the best-known of all music ever written for the instrument--have been the subject of a great variety of interpretations, all too often based on subjective opinion and conjecture. What the author does in this piece-by-piece commentary is to combine a performer's insight and experience with the fruits of scholarly research. He is concerned throughout to reconstruct for the modern performer and listener the original context of the work: its sources and history; its place in the composer's development; the implications of contemporary instruments and performing practice, and of the musical and aesthetic theories of the time; and the background which shaped Bach's view of the original chorale melodies. Each of the collections of organ chorales is examined as an entity in a preliminary essay. Then for each piece the author discusses the important sources and their relationship; quotes the underlying chorale melody and one or more verses of the text (with a literal translation) and describes its importance in the life of Bach's church; and analyses the form and style of the organ setting, with many musical examples and frequent allusions to the views of other commentators.
Author: John Butt
Publisher: Cambridge University Press
ISBN: 9780521587808
Category : Music
Languages : en
Pages : 348
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Book Description
The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.
Author: Jean M. Perreault
Publisher: Scarecrow Press
ISBN: 9780810849709
Category : Music
Languages : en
Pages : 440
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Book Description
An essay on authorities examines the controversies over the authenticity of Pachelbel's manuscripts." "Meticulously compiled with copious notes and comments, this unique volume will be invaluable to those already familiar with Pachelbel's compositions and will create new interest among those who were aware only of the universally loved canon movement of his Canon and Gigue in D."--BOOK JACKET.
