Author:
Publisher:
ISBN:
Category : Food
Languages : en
Pages : 90
Book Description
The Oread
Author:
Publisher:
ISBN:
Category : Food
Languages : en
Pages : 90
Book Description
Publisher:
ISBN:
Category : Food
Languages : en
Pages : 90
Book Description
Greek and Roman Mythology, A to Z
Author: Kathleen N. Daly
Publisher: Infobase Publishing
ISBN: 1438128002
Category : Mythology, Classical
Languages : en
Pages : 177
Book Description
Alphabetically listed entries identify and explain the characters, events, important places, and other aspects of Greek and Roman mythology.
Publisher: Infobase Publishing
ISBN: 1438128002
Category : Mythology, Classical
Languages : en
Pages : 177
Book Description
Alphabetically listed entries identify and explain the characters, events, important places, and other aspects of Greek and Roman mythology.
The Dramatic Festival
Author: Anne Abbot Throop Craig
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 408
Book Description
The Graduate Magazine of the University of Kansas
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 420
Book Description
Calamity of Heaven
Author: Thaddaus Martin
Publisher: Lulu.com
ISBN: 1105311937
Category : Fiction
Languages : en
Pages : 235
Book Description
Forced to live in exile at the hands of their murderous cousin, Daraen and Naomi Abendroth must unravel the mysteries of the Ethereal Prophecy to stop an inhuman entity, known as Hela, from destroying the world of Celestia. With the awakening of preternatural abilities they are delved deeper into a realm of chaos, tragedy, and betrayal for which there is nothing left to fight for except each other. Along the way ancient horrors come alive, dreams become nightmares, fates collide, battles are fought, and something far more precious than any kingdom is held at stake--themselves.
Publisher: Lulu.com
ISBN: 1105311937
Category : Fiction
Languages : en
Pages : 235
Book Description
Forced to live in exile at the hands of their murderous cousin, Daraen and Naomi Abendroth must unravel the mysteries of the Ethereal Prophecy to stop an inhuman entity, known as Hela, from destroying the world of Celestia. With the awakening of preternatural abilities they are delved deeper into a realm of chaos, tragedy, and betrayal for which there is nothing left to fight for except each other. Along the way ancient horrors come alive, dreams become nightmares, fates collide, battles are fought, and something far more precious than any kingdom is held at stake--themselves.
Last Lynching On Mount Oread
Author: Napoleon Crews
Publisher: Fireside Novels
ISBN:
Category : Fiction
Languages : en
Pages : 41
Book Description
One Negro student overcame impossible odds and became the first black man to be admitted to the law school, but he failed to escape the noose of a lynch rope, cutting his college career short. This tale details the universitiy's attempt to cover up the lynching, and the efforts of the city's only Negro police officer to bring the lynchers to justice.
Publisher: Fireside Novels
ISBN:
Category : Fiction
Languages : en
Pages : 41
Book Description
One Negro student overcame impossible odds and became the first black man to be admitted to the law school, but he failed to escape the noose of a lynch rope, cutting his college career short. This tale details the universitiy's attempt to cover up the lynching, and the efforts of the city's only Negro police officer to bring the lynchers to justice.
Rivals and Conspirators
Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 144386370X
Category : Art
Languages : en
Pages : 457
Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Publisher: Cambridge Scholars Publishing
ISBN: 144386370X
Category : Art
Languages : en
Pages : 457
Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Oreads
Author: John F. Lavelle
Publisher: John Hunt Publishing
ISBN: 1785351842
Category : Fiction
Languages : en
Pages : 315
Book Description
At fourteen, Cassie Wolphe’s way of life in Appalachia is being changed by the influx of modernity/postmodernity. She is in love with Jake McCollum, believes she will marry him and constructs her life around this central act, but like her brother, Ben, Jake rejects a life he believes offers nothing but hard work and poverty. Forced to make a decision between her love of Jake and her love of the mountains, Cassie finds she can't leave, a choice which may define her life forever. At once lyrical, emotionally charged, moving and heartbreaking, Oreads is a literary treat that will keep you compelled right to the very last page and beyond.
Publisher: John Hunt Publishing
ISBN: 1785351842
Category : Fiction
Languages : en
Pages : 315
Book Description
At fourteen, Cassie Wolphe’s way of life in Appalachia is being changed by the influx of modernity/postmodernity. She is in love with Jake McCollum, believes she will marry him and constructs her life around this central act, but like her brother, Ben, Jake rejects a life he believes offers nothing but hard work and poverty. Forced to make a decision between her love of Jake and her love of the mountains, Cassie finds she can't leave, a choice which may define her life forever. At once lyrical, emotionally charged, moving and heartbreaking, Oreads is a literary treat that will keep you compelled right to the very last page and beyond.
Encyclopedia of Fairies in World Folklore and Mythology
Author: Theresa Bane
Publisher: McFarland
ISBN: 1476612420
Category : Social Science
Languages : en
Pages : 430
Book Description
Fairies have been revered and feared, sometimes simultaneously, throughout recorded history. This encyclopedia of concise entries, from the A-senee-ki-waku of northeastern North America to the Zips of Central America and Mexico, includes more than 2,500 individual beings and species of fairy and nature spirits from a wide range of mythologies and religions from all over the globe.
Publisher: McFarland
ISBN: 1476612420
Category : Social Science
Languages : en
Pages : 430
Book Description
Fairies have been revered and feared, sometimes simultaneously, throughout recorded history. This encyclopedia of concise entries, from the A-senee-ki-waku of northeastern North America to the Zips of Central America and Mexico, includes more than 2,500 individual beings and species of fairy and nature spirits from a wide range of mythologies and religions from all over the globe.
Selections from American Literature
Author: Leonidas Warren Payne
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1056
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1056
Book Description