Author: Jonathan Del Mar
Publisher: Boydell & Brewer
ISBN: 1783277327
Category :
Languages : en
Pages : 735
Book Description
A must-have for any conductor, conducting student and orchestral librarian. How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship. Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition. Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike
Orchestral Masterpieces Under the Microscope
Author: Jonathan Del Mar
Publisher: Boydell & Brewer
ISBN: 1783277327
Category :
Languages : en
Pages : 735
Book Description
A must-have for any conductor, conducting student and orchestral librarian. How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship. Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition. Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike
Publisher: Boydell & Brewer
ISBN: 1783277327
Category :
Languages : en
Pages : 735
Book Description
A must-have for any conductor, conducting student and orchestral librarian. How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship. Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition. Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike
Dwight's Journal of Music, a Paper of Art and Literature
Author: John Sullivan Dwight
Publisher: BoD – Books on Demand
ISBN: 3375090471
Category : Fiction
Languages : en
Pages : 430
Book Description
Reprint of the original, first published in 1865.
Publisher: BoD – Books on Demand
ISBN: 3375090471
Category : Fiction
Languages : en
Pages : 430
Book Description
Reprint of the original, first published in 1865.
Dwight's Journal of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1016
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1016
Book Description
The Musician
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 820
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 820
Book Description
The Gramophone
Author:
Publisher:
ISBN:
Category : Audio equipment industry
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category : Audio equipment industry
Languages : en
Pages : 872
Book Description
Dwight's Journal of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Bulletin - National Music Council
Author: National Music Council (U.S.)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 226
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 226
Book Description
The Choral-Orchestral Works of Ralph Vaughan Williams
Author: Stephen Town
Publisher: Rowman & Littlefield
ISBN: 1793606013
Category : Music
Languages : en
Pages : 325
Book Description
The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams’s choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams’s life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician—Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period—Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)—written after Vaughan Williams had found his mature voice. The last cluster—Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the ‘Old 104’ Psalm Tune(1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)—typify the works finished or revisited during the final years of the composer’s life, near the end of the Second World War and immediately before or after his second marriage (1953).
Publisher: Rowman & Littlefield
ISBN: 1793606013
Category : Music
Languages : en
Pages : 325
Book Description
The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams’s choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams’s life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician—Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period—Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)—written after Vaughan Williams had found his mature voice. The last cluster—Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the ‘Old 104’ Psalm Tune(1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)—typify the works finished or revisited during the final years of the composer’s life, near the end of the Second World War and immediately before or after his second marriage (1953).
Musical Opinion and Music Trade Review
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 644
Book Description
21st Century Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 248
Book Description