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Author: Roberto Illiano
Publisher: Brepols Publishers
ISBN: 9782503552477
Category : Conducting
Languages : en
Pages : 0
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Book Description
The nineteenth century witnessed the birth of the public figure of the orchestral conductor. Like composers and performers, orchestral conductors registered the transformed concept of the 'musical work'. Whilst the Industrial Revolution generated new types of profession, the orchestral conductor's career emerged, as an outcome of the greater consideration that was devoted to the act of 'performance'. In the present volume nineteen scholars explore historical and sociological phenomena connected to the nineteenth-century system of performance and musical production in which the orchestral conductor worked. A number of chapters investigate the musical performances of famous orchestral conductors; conducting by renowned composers (including Berlioz, Bottesini, Charpentier, Liszt, Mendelssohn, Paganini and Rolla) and orchestral treatises for military bands. The authors featured are: Fabrizio Ammetto, Maria Teresa Arfini, Remy Campos, Paola Cannas, Antonio Carlini, Claudia Colombati, Mariateresa Dellaborra, Gilles Demonet, Elisa Grossato, Emmanuel Herve, Etienne Jardin, Walter Kurt Kreyszig, Naomi Matsumoto, Michela Niccolai, Fiona M. Palmer, Rudolf Rasch, Renato Ricco, Gesine Schroder, Ruben Vernazza.
Author: Roberto Illiano
Publisher: Brepols Publishers
ISBN: 9782503552477
Category : Conducting
Languages : en
Pages : 0
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Book Description
The nineteenth century witnessed the birth of the public figure of the orchestral conductor. Like composers and performers, orchestral conductors registered the transformed concept of the 'musical work'. Whilst the Industrial Revolution generated new types of profession, the orchestral conductor's career emerged, as an outcome of the greater consideration that was devoted to the act of 'performance'. In the present volume nineteen scholars explore historical and sociological phenomena connected to the nineteenth-century system of performance and musical production in which the orchestral conductor worked. A number of chapters investigate the musical performances of famous orchestral conductors; conducting by renowned composers (including Berlioz, Bottesini, Charpentier, Liszt, Mendelssohn, Paganini and Rolla) and orchestral treatises for military bands. The authors featured are: Fabrizio Ammetto, Maria Teresa Arfini, Remy Campos, Paola Cannas, Antonio Carlini, Claudia Colombati, Mariateresa Dellaborra, Gilles Demonet, Elisa Grossato, Emmanuel Herve, Etienne Jardin, Walter Kurt Kreyszig, Naomi Matsumoto, Michela Niccolai, Fiona M. Palmer, Rudolf Rasch, Renato Ricco, Gesine Schroder, Ruben Vernazza.
Author: Elliott W. Galkin
Publisher: Pendragon Press
ISBN: 9780918728470
Category : Conducting
Languages : en
Pages : 944
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Book Description
Although the bibliography of literature about personalities in the conducting world is extensive, a comprehensive, scholarly study of the history of conducting has been sorely lacking. Georg Schünemann's respected study, published in 1913, was brief and restricted to the procedures of time-beating. No work has attempted to examine the role of the orchestral conductor and to document the evolution of his art from historical, technical, and aesthetic perspectives. Dr. Elliott W. Galkin, musicologist, conductor, and critic-twice winner of the Deems Taylor award for distinguished writing about music-has produced such a work in A History of Orchestral Conducting. The central historical section of the book, which examines chronologically the theories and functions of time-beating and interpretative concepts of performance, is preceded by discussions of rhythm, development of the orchestral medium, and the evolving characteristics of orchestration. Conductors of unusual pivotal influence are examined in depth, as is the increasingly complex psychology of the podium. Critical writings since the time of Monteverdi and the birth of the orchestra are surveyed and compared. Analyses of conducting as an art and craft by musicians from Berlioz to Bernstein and commentators from Mattheson, Bernard Shaw, and Thomas Mann to Jacques Barzun, are described and discussed. A fascinating collection of engravings, wood cuts, photographs and caricatures contributes to the richness of this work.
Author: Daniel J. Koury
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
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Book Description
Author: Jonathan D. Green
Publisher: Scarecrow Press
ISBN: 9780810860469
Category : Music
Languages : en
Pages : 356
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Book Description
This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.
Author: Adam Carse
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
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Book Description
Author: John Spitzer
Publisher: University of Chicago Press
ISBN: 0226769763
Category : History
Languages : en
Pages : 504
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Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Author: Ilia Musin
Publisher:
ISBN: 9780773400511
Category : Music
Languages : en
Pages : 701
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Book Description
An English translation of the conducting methodolgy of Professor Ilia Musin, the creator of the Leningrad/St Petersburg school of conducting. It offers English-speaking conducting students, pedagogues, and professional conductors access to Ilia Musin's legacy.
Author: Leonard Slatkin
Publisher:
ISBN: 9781538187180
Category : Music
Languages : en
Pages : 0
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Book Description
Leonard Slatkin delves into eight of the most beloved orchestral pieces of the nineteenth century and tackles problems conductors face before stepping onto the podium, providing tips that will help bring these works to life on the stage. He covers works by Mussorgsky, Berlioz, Brahms, Dvořák, Sibelius, Beethoven, Rimsky-Korsakov, and Tchaikovsky.
Author: Fiona M. Palmer
Publisher: Boydell & Brewer
ISBN: 1783271450
Category : Music
Languages : en
Pages : 322
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Book Description
Shows how the work of orchestral conductors was shaped by and enriched cultural life in Britain from the late Victorian era to World War I.
Author: Tina K. Ramnarine
Publisher: Oxford University Press
ISBN: 019065726X
Category : Music
Languages : en
Pages : 352
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Book Description
Offering innovative approaches to thinking about orchestras, Global Perspectives on Orchestras: Collective Creativity and Social Agency adopts ethnographic, historical and comparative perspectives on a variety of traditions, including symphony, Caribbean steel, Indonesian gamelan, Indian film and Vietnamese court examples. The volume presents compelling analyses of orchestras in their socio-historical, economic, intercultural and postcolonial contexts, while emphasizing the global and historical connections between musical traditions. By drawing on new ethnographic and historical data, the essays describe orchestral creative processes and the politics shaping performance practices. Each essay considers how musicians work together in ensembles, focusing on issues such as training, rehearsal, creative choices, compositional processes, and organizational infrastructures. Testimonies of orchestral musicians highlight practitioners' views into the diverse world of orchestras. As a whole, the volume discusses the creative roles of performers, arrangers, composers and arts agencies, as well as the social environments supporting musical collaborations. With contributions from an international team of researchers, Global Perspectives on Orchestras offers critical insights gained from the study of orchestras, collective creativity and social agency, and the connections between orchestral performances, colonial histories, postcolonial practices, ethnographic writings and comparative theorizations.
