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Author:
Publisher:
ISBN:
Category : Art
Languages : cs
Pages : 202
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : cs
Pages : 202
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Book Description
Author: Maria Alessia Rossi
Publisher: Taylor & Francis
ISBN: 1003844898
Category : History
Languages : en
Pages : 428
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Book Description
This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.
Author:
Publisher: Wydawnictwo UJ
ISBN: 8323328218
Category :
Languages : en
Pages : 80
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Book Description
Author: Katerina Hornícková
Publisher: Rowman & Littlefield
ISBN: 1666905879
Category : History
Languages : en
Pages : 429
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Book Description
This collection examines how the Society of Jesus used art and architecture in its missionary efforts in the Lands of the Bohemian Crown from the sixteenth century to the eighteenth. The Jesuits used a variety of visual media to re-invigorate the cult of miraculous images, saints, and local Catholic customs in the Central European region, where a tradition of religious dissent went back to the legendary Hussites of the 15th century. Jesuit art is seen as resulting from the transfer, local adaptation, and visualization of ideas about image theology, the order's global mission, its self-promotion, and the construction of the religious past. Examining the architecture, statues, images, murals, and decorative programs of Jesuit complexes and other visual media (devotional prints, medieval images), the essays here demonstrate how the Jesuit Order cultivated the subjects and functions of art to promote concepts of Catholic piety as they grew into one of the most successful agents of Catholic Reform in the Bohemian kingdom.
Author: Anu Mänd
Publisher: Cambridge Scholars Publishing
ISBN: 1527515710
Category : History
Languages : en
Pages : 326
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Book Description
This volume examines the relationship between medieval cults of saints and regional and national identity formation in Europe both during and, to some extent, beyond the Middle Ages. It studies how collective identities have been expressed through saints’ cults and their appropriations in texts, visual representations, and music. Attention is given to various aspects of the role of medieval saints’ cults in European identity formation, as saints were used in the service of both religious and political agendas. Focusing on a range of European regions, this volume uses cults of medieval saints and their religious, cultural and political appropriations over time as a vehicle for studying changing cultural and social values. The articles here report research carried out under the European Science Foundation’s collaborative EuroCORECODE project: Symbols that Bind and Break Communities: Saints’ Cults as Stimuli and Expressions of Local, Regional, National and Universalist Identities (2010–2013/14), an international, interdisciplinary research venture funded by the National Research Councils of five countries: Austria, Denmark, Estonia, Hungary, and Norway.
Author:
Publisher: BRILL
ISBN: 9004501908
Category : History
Languages : en
Pages : 412
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Book Description
This collection explores multiple artefactual, visual, textual and conceptual adaptations, developments and exchanges across the medieval world in the context of their contemporary and subsequent re-appropriations.
Author: Benjamin Anderson
Publisher: Penn State Press
ISBN: 027109589X
Category : Art
Languages : en
Pages : 221
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Book Description
Is Byzantine Studies a colonialist discipline? Rather than provide a definitive answer to this question, this book defines the parameters of the debate and proposes ways of thinking about what it would mean to engage seriously with the field’s political and intellectual genealogies, hierarchies, and forms of exclusion. In this volume, scholars of art, history, and literature address the entanglements, past and present, among the academic discipline of Byzantine Studies and the practice and legacies of European colonialism. Starting with the premise that Byzantium and the field of Byzantine studies are simultaneously colonial and colonized, the chapters address topics ranging from the material basis of philological scholarship and its uses in modern politics to the colonial plunder of art and its consequences for curatorial practice in the present. The book concludes with a bibliography that serves as a foundation for a coherent and systematic critical historiography. Bringing together insights from scholars working in different disciplines, regions, and institutions, Is Byzantine Studies a Colonialist Discipline? urges practitioners to reckon with the discipline’s colonialist, imperialist, and white supremacist history. In addition to the editors, the contributors to this volume include Andrea Myers Achi, Nathanael Aschenbrenner, Bahattin Bayram, Averil Cameron, Stephanie R. Caruso, Şebnem Dönbekci, Hugh G. Jeffery, Anthony Kaldellis, Matthew Kinloch, Nicholas S. M. Matheou, Maria Mavroudi, Zeynep Olgun, Arietta Papaconstantinou, Jake Ransohoff, Alexandra Vukovich, Elizabeth Dospěl Williams, and Arielle Winnik.
Author: Tomáš Valeš
Publisher: Masarykova univerzita
ISBN: 8021076461
Category : Art
Languages : en
Pages : 116
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Book Description
Publikace „Work in Progress“ představuje příspěvky doktorských studentů Semináře dějin umění FF MU v Brně, zaměřené na umění od středověku po současnost.
Author: Atria Larson
Publisher: BRILL
ISBN: 9004315284
Category : History
Languages : en
Pages : 424
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Book Description
A Companion to the Medieval Papacy brings together an international group of experts on various aspects of the medieval papacy. Each chapter provides an up-to-date introduction to and scholarly interpretation of topics of crucial importance to the development of the papacy’s thinking about its place in the medieval world and of its institutional structures. Topics covered include: the Papal States; the Gregorian Reform; papal artistic self-representation; hierocratic theory; canon law; decretals; councils; legates and judges delegate; the apostolic camera, chancery, penitentiary, and Rota; relations with Constantinople; crusades; missions. The volume includes an introductory chapter by Thomas F.X. Noble on the historiographical challenges of writing medieval papal history. Contributors are: Sandro Carocci, Atria A. Larson, Andrew Louth, Jehangir Malegam, Andreas Meyer, Harald Müller, Thomas F.X. Noble, Francesca Pomarici, Rebecca Rist, Kirsi Salonen, Felicitas Schmieder, Keith Sisson, Danica Summerlin, and Stefan Weiß.
Author:
Publisher: BRILL
ISBN: 9004711287
Category : Art
Languages : en
Pages : 418
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Book Description
This volume, edited by Éva Forgács, with contributions from art historians from across Europe and the Americas, analyzes the artistic initiatives of the short time span between the end of World War II and the onset of the Cold War. In this moment, a new internationalism was anticipated by retrieving pre-war modernism, as well as creating the new era's new artistic lingua franca. The chapters include in-depth case studies that analyze the complex, often interconnected, projects throughout the world—South America and Eastern and Western Europe—that were soon ended by the Cold War.
