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Author: Charles McCormick
Publisher:
ISBN:
Category : Eye
Languages : en
Pages : 186
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Book Description
Author: Charles McCormick
Publisher:
ISBN:
Category : Eye
Languages : en
Pages : 186
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Book Description
Author: Brad Honeycutt
Publisher: Imagine Publishing
ISBN: 9781936140718
Category : Art
Languages : en
Pages : 0
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Book Description
While even the simplest of illusions please, this stunning volume showcases over 200 of the finest images from around the world. Artists include Rafael Olbinski, Rob Gonsalves, Octavio Ocampo, David MacDonald, Gene Levine and M.C Escher. From the most classic optical illusions to complex graphic and painterly designs.
Author:
Publisher:
ISBN:
Category : Optics
Languages : en
Pages : 236
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Book Description
Author: David C. Lindberg
Publisher: Oxford University Press
ISBN: 9780198239925
Category : Biography & Autobiography
Languages : en
Pages : 528
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Book Description
David Lindberg presents the first critical edition of the text of Roger Bacon's classic work Perspectiva, prepared from Latin manuscripts, accompanied by a facing-page English translation, critical notes, and a full study of the text. Also included is an analysis of Bacon's sources, influence, and role in the emergence of the discipline of perspectiva.
Author: Andrea Goulet
Publisher: University of Pennsylvania Press
ISBN: 0812202058
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Andrea Goulet takes the study of the novel into the realm of the visual by situating it in the context of nineteenth-century scientific and philosophical discourse about the nature of sight. She argues that French realism, detective fiction, science fiction, and literature of the fantastic from 1830 to 1910 reflected competition between two modern visual modes: a not-yet-outdated idealism and an empiricism that located truth in the body. More specifically, the book argues that key narrative forms of the nineteenth century were shaped by a set of scientific debates: between idealism and materialism in Honoré Balzac's Comédie humaine, between deduction and induction in early French detective fiction, and between objective vision and subjective vision in the "optogram" fictions of Jules Verne and others. Goulet aims to revise critical views on the modern novel in a number of ways. For instance, although many literary studies focus on the impact of cinema, photography, and painting, Optiques asserts the materialist bases of realism by establishing a genealogy of popular fictional genres as fundamentally optical, that is, as articulated according to bodily notions of sight. With its chronological and interdisciplinary scope, Optiques stands to contribute an important chapter to the study of literary modernity in its scientific context.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 630
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Author: Karen Jacobs
Publisher: Cornell University Press
ISBN: 1501725815
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships. This important reconception of modernism draws upon American, British, and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understandings of race and gender inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze. The Eye's Mind addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf, and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston, and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the changing visual cultures of the twentieth century.
Author:
Publisher:
ISBN:
Category : Optics
Languages : en
Pages : 1848
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Book Description
Author: John Fiske
Publisher:
ISBN:
Category :
Languages : en
Pages : 418
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Book Description
Author: John Fiske
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
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Book Description
