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Author: Naomi Reshotko
Publisher: State University of New York Press
ISBN: 143849047X
Category : Philosophy
Languages : en
Pages : 335
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Book Description
In Opining Beauty Itself, Naomi Reshotko examines Plato's discussions of epistemological states that fall short of knowledge. Wary that interpretations of Plato's epistemology often omit a detailed analysis of the way he deploys the epistemological concepts that are inferior to, but often prerequisites for, knowledge, Reshotko argues that we must understand these inferior prerequisite states, especially belief (doxa), before we can understand what Plato thought about knowledge. Examining how recollection provides what is required for inquiry, Reshotko argues that recollection does not afford doxa—let alone what contemporary philosophers call 'true belief.' Rather, recollection is responsible for an ability to refer that is a condition for every kind of doxa and for knowledge. Reshotko concludes that Plato regards doxa as the fabric of all the other epistemic states that fall short of knowledge, and develops a comprehensive view of Plato's deployment of doxa that can serve as a foundation for further interpretation of Plato's epistemology. In the process, Reshotko shows that, for Plato, ordinary people do opine the Forms and can make progress toward knowledge of them, even if that knowledge is never achieved.
Author: Naomi Reshotko
Publisher: State University of New York Press
ISBN: 143849047X
Category : Philosophy
Languages : en
Pages : 335
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Book Description
In Opining Beauty Itself, Naomi Reshotko examines Plato's discussions of epistemological states that fall short of knowledge. Wary that interpretations of Plato's epistemology often omit a detailed analysis of the way he deploys the epistemological concepts that are inferior to, but often prerequisites for, knowledge, Reshotko argues that we must understand these inferior prerequisite states, especially belief (doxa), before we can understand what Plato thought about knowledge. Examining how recollection provides what is required for inquiry, Reshotko argues that recollection does not afford doxa—let alone what contemporary philosophers call 'true belief.' Rather, recollection is responsible for an ability to refer that is a condition for every kind of doxa and for knowledge. Reshotko concludes that Plato regards doxa as the fabric of all the other epistemic states that fall short of knowledge, and develops a comprehensive view of Plato's deployment of doxa that can serve as a foundation for further interpretation of Plato's epistemology. In the process, Reshotko shows that, for Plato, ordinary people do opine the Forms and can make progress toward knowledge of them, even if that knowledge is never achieved.
Author: Richard D. Parry
Publisher: SUNY Press
ISBN: 9780791427316
Category : Political Science
Languages : en
Pages : 288
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Book Description
This book traces the development of Plato's analogy between craft and virtue from Euthydemus and Gorgias through the central books of the Republic. It shows that Plato's middle dialogues develop and extend, rather than reject, philosophical positions taken in the early dialogues.
Author: Peter J. Ahrensdorf
Publisher: SUNY Press
ISBN: 9780791426333
Category : Philosophy
Languages : en
Pages : 252
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Book Description
Shows that the dialogue in Plato's Phaedo is primarily devoted to presenting Socrates' final defense of the philosophical life against the theoretical and political challenge of religion.
Author: Josh Robinson
Publisher: State University of New York Press
ISBN: 1438469853
Category : Philosophy
Languages : en
Pages : 290
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Book Description
Adorno's Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno's writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno's work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno's poetics for literary and critical theory today.
Author: Marina McCoy
Publisher: SUNY Press
ISBN: 1438479131
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Although Plato has long been known as a critic of imagination and its limits, Marina Berzins McCoy explores the extent to which images also play an important, positive role in Plato's philosophical argumentation. She begins by examining the poetic educational context in which Plato is writing and then moves on to the main lines of argument and how they depend upon a variety of uses of the imagination, including paradigms, analogies, models, and myths. McCoy takes up the paradoxical nature of such key metaphysical images as the divided line and cave: on the one hand, the cave and divided line explicitly state problems with images and the visible realm. On the other hand, they are themselves images designed to draw the reader to greater intellectual understanding. The author gives a perspectival reading, arguing that the human being is always situated in between the transcendence of being and the limits of human perspective. Images can enhance our capacity to see intellectually as well as to reimagine ourselves vis-à-vis the timeless and eternal. Engaging with a wide range of continental, dramatic, and Anglo-American scholarship on images in Plato, McCoy examines the treatment of comedy, degenerate regimes, the nature of mimesis, the myth of Er, and the nature of Platonic dialogue itself.
Author: Shannon Sullivan
Publisher: State University of New York Press
ISBN: 0791480038
Category : Social Science
Languages : en
Pages : 284
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Book Description
Offering a wide variety of philosophical approaches to the neglected philosophical problem of ignorance, this groundbreaking collection builds on Charles Mills's claim that racism involves an inverted epistemology, an epistemology of ignorance. Contributors explore how different forms of ignorance linked to race are produced and sustained and what role they play in promoting racism and white privilege. They argue that the ignorance that underpins racism is not a simple gap in knowledge, the accidental result of an epistemological oversight. In the case of racial oppression, ignorance often is actively produced for purposes of domination and exploitation. But as these essays demonstrate, ignorance is not simply a tool of oppression wielded by the powerful. It can also be a strategy for survival, an important tool for people of color to wield against white privilege and white supremacy. The book concludes that understanding ignorance and the politics of such ignorance should be a key element of epistemological and social/political analyses, for it has the potential to reveal the role of power in the construction of what is known and provide a lens for the political values at work in knowledge practices.
Author: Martin McAvoy
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 352
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Book Description
The Profession of Ignorance provides a readable discussion in dialogue form of the philosophy of "ignorance" as practiced by Socrates, who claimed a kind of knowledge of ignorance as human wisdom. Martin McAvoy shows that understanding this profession of ignorance is essential to understanding the character of Plato's Socrates. He begins by explaining that to comprehend this concept, Socrates' repeated claim that he is ignorant must be believed. In claiming this ignorance, Socrates claims a kind of knowledge. This knowledge of ignorance is the central paradox of Socrates' wisdom, generating his mission and elenchus. McAvoy presents the concept of thinking as a dialogue between knowledge and ignorance. In this dialogue, one asks as if ignorant, and one answers as if knowing. This very form questions the reality of knowledge. McAvoy questions the nature of knowledge, since it appears that one can not be sure exactly what is knowledge, but can recognize that it exists, though always ignorant of precisely what it is. He acknowledges and utilizes the presence of a double irony, that in an important sense, makes the profession of ignorance sincere. The use of the dialogue form reflects this double irony, and exhibits McAvoy's profession of ignorance as a claim to knowledge, just as in the case of Plato's.
Author: Nicholas D. Smith
Publisher: Oxford University Press
ISBN: 0192580612
Category : Philosophy
Languages : en
Pages : 328
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Book Description
Nicholas D. Smith presents an original interpretation of the Republic, considering it to be a book about knowledge and education. Over the course of Summoning Knowledge in Plato's Republic, he argues for four main theses. Firstly, the Republic is not just a work that has a lot to say about education; it is a book that depicts Socrates as attempting to engage his interlocutors in such a way as to help to educate them and also engages us, the readers, in a way that helps to educate us. Secondly, Plato does not suppose that education, properly understood, should have as its primary aim putting knowledge into souls that do not already have it. Instead, the education Plato discusses, represents occurring between Socrates and his interlocutors, and hopes to achieve in his readers is one that aims to arouse the power of knowledge in us and then to begin to train that power always to engage with what is more real, rather than what is less real. Thirdly, Plato's conception of knowledge is not the one typically presented in contemporary epistemology. It is, rather, the power of conceptualization by the use of exemplars. And finally, Plato engages this power of knowledge in the Republic in a way he represents as only a kind of second-best way to engage knowledge - and not as the best way, which would be dialectic. Instead, Plato uses images that summon the power of knowledge to begin the process by which the power may become fully realized.
Author: Scott Berman
Publisher: Bloomsbury Publishing
ISBN: 1350080225
Category : Philosophy
Languages : en
Pages : 193
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Book Description
What are the objects of science? Are they just the things in our scientific experiments that are located in space and time? Or does science also require that there be additional things that are not located in space and time? Using clear examples, these are just some of the questions that Scott Berman explores as he shows why alternative theories such as Nominalism, Contemporary Aristotelianism, Constructivism, and Classical Aristotelianism, fall short. He demonstrates why the objects of scientific knowledge need to be not located in space or time if they are to do the explanatory work scientists need them to do. The result is a contemporary version of Platonism that provides us with the best way to explain what the objects of scientific understanding are, and how those non-spatiotemporal things relate to the spatiotemporal things of scientific experiments, as well as everything around us, including even ourselves.
Author: Dr. Madhur Lata Bhatnagar
Publisher: Jai Bharat
ISBN:
Category : Philosophy
Languages : en
Pages : 222
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Book Description
The book entitled “Aesthetics of Fine Arts” is written by Dr. Madhur Lata Bhatnagar. Learned Madam, Padama vibhushan Dr. Kapila Vatsayayan has been considerate to the write her precious comments on the book. In the area of arts Architecture, Sculpture, Painting, Poetry and Music are considered to be Fine Arts. In this book common traits of beauty and inherent relation among the arts is pondered over – such as Beauty, Completeness, Rhythm, Balance, Organization, Uniqueness, Divinity etc. – The traits of beauty laid within the arts are discussed upon. ‘Aesthetics’, inspite being part of Philosophy is different from it and other subjects is clarified. The attributes of the artists and the art-lovers are verily discussed upon. Importance of presentation of the arts in suitable atmosphere is told to be supporting for better aesthetic experience. The comparative study of the thoughts of Western and Indian philosophers are also mentioned to ascertain the scope of the subject ‘Aesthetics’. What is aesthetic experience — the levels of concern are also described. Some suggestions are also given to utilize the arts for social welfare. In this age of technology arts are also affected in technique and presentation. This aspect is also dealt with social and cultural concern. The subject of ‘Aesthetics’ is centre of attraction in Academics all over and popular among the general readers also. I hope this book will be liked by E-book readers at large. The book entitled “Aesthetics of Indian Music” is written by Dr. Madhur Lata Bhatnagar. This book deals with traits of beauty in Indian Music as enshrined in the scriptures. Nad, Shruti, Swar, Gram, Moorchchhana, Raga, Tal etc. terms have been discussed with aesthetic approach. The adornment of singing and instrument playing using Gamak(s), Sthaya(s), etc. have been discussed with the angle – as used or to be used in present day music. The rules underlying the compositions are also discussed upon. Various types of compositions which are prevalent today are minutely focused upon to enhance their beauty. The use of good lyrics in the making of compositions has been stressed upon. Traits of artistes, accompanists are also described. Attributes and attitude of the music listeners are also told important to enjoy music better. Aesthetic experience through music and its spiritual aspect is also mentioned importantly. Some suggestions are also given to use music for social messages. In view of modern technology the preservation of music in Audio/Video recordings is also told significant for true and fine development of music deeply and widely. This book is referable in music departments of higher education, so is useful for teachers and scholars as well.
