Operatic Reform at Turin's Teatro Regio

Operatic Reform at Turin's Teatro Regio PDF Author: Margaret Ruth Butler
Publisher: LIM
ISBN:
Category : Performing Arts
Languages : en
Pages : 394

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Book Description

Operatic Reform at Turin's Teatro Regio

Operatic Reform at Turin's Teatro Regio PDF Author: Margaret Ruth Butler
Publisher: LIM
ISBN:
Category : Performing Arts
Languages : en
Pages : 394

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Book Description


Musical Theater in Eighteenth-century Parma

Musical Theater in Eighteenth-century Parma PDF Author: Margaret Ruth Butler
Publisher:
ISBN: 1580469019
Category : Drama
Languages : en
Pages : 198

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Book Description
How do you create a style of opera that speaks to everyone, when no one agrees on what it should say -- or how? French and Italian varieties of opera have intermingled and informed one another from the genre's first decades onward. Yet we still have only a hazy view of why and how those intersections occurred and what they meant to a givenopera's creators and audiences. Margaret Butler's Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform tackles these issues, examining performance, spectatorship, and politics in the Bourbon-controlled, northern Italian city of Parma in the mid-eighteenth century. Reconstructing the French context for Tommaso Traetta's Italian operas that consciously set out to fuse French and Italian elements, Butler explores Traetta's operas and recreations in Parma of operas and ballets by Jean-Philippe Rameau and other French composers. She shows that Parma's brand of entertainment is one in which Traetta's operas occupy points along a continuum representing a long and rich tradition of adaptation and generic play. Such a reading calls into question the very notion of operatic reform, showing the need for a more flexible conception of a volatile moment in opera's history. The book elucidates the complicated circumstances in which entertainments were created that spoke not only to Parma's multicultural audiences but also to an increasingly cosmopolitan Europe. MARGARET R. BUTLER is Associate Professor at the University of Wisconsin-Madison.

The Cambridge Companion to Eighteenth-Century Opera

The Cambridge Companion to Eighteenth-Century Opera PDF Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 1139828177
Category : Music
Languages : en
Pages : 343

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Book Description
Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.

Italian Opera in the Age of the American Revolution

Italian Opera in the Age of the American Revolution PDF Author: Pierpaolo Polzonetti
Publisher: Cambridge University Press
ISBN: 0521897084
Category : Music
Languages : en
Pages : 397

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Book Description
Polzonetti reveals how revolutionary America inspired eighteenth-century European audiences, and how it can still inspire and entertain us.

Essays on Opera, 1750-1800

Essays on Opera, 1750-1800 PDF Author: JohnA. Rice
Publisher: Routledge
ISBN: 1351567888
Category : Music
Languages : en
Pages : 580

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Book Description
The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.

Opera in the Age of Rousseau

Opera in the Age of Rousseau PDF Author: David Charlton
Publisher: Cambridge University Press
ISBN: 0521887607
Category : Music
Languages : en
Pages : 437

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Book Description
A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.

Feasting and Fasting in Opera

Feasting and Fasting in Opera PDF Author: Pierpaolo Polzonetti
Publisher: University of Chicago Press
ISBN: 022680495X
Category : Cooking
Languages : en
Pages : 336

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Book Description
Convivial beginnings. The symposium and the birth of opera ; The Renaissance banquet as multimedia art ; Orpheus at the cardinal's table ; Eating at the opera house -- "Tastes funny" : tragic and comic meals from Monteverdi to Mozart ; Comedy as embodiment in Monteverdi and Mozart ; The insatiable : tyrants and libertines ; Indulging in comic opera : gastronomy as identity -- The effects of feasting and fasting ; Coffee and chocolate from Bach to Puccini ; Verdi and the laws of gastromusicology ; The Callas diet.

Turin and the British in the Age of the Grand Tour

Turin and the British in the Age of the Grand Tour PDF Author: Paola Bianchi
Publisher: Cambridge University Press
ISBN: 1107147700
Category : History
Languages : en
Pages : 517

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Book Description
This is an international publication exploring early modern cultural exchange between Britain and Savoy, including political, diplomatic, social, religious and artistic trends.

J.C. Bach

J.C. Bach PDF Author: Paul Corneilson
Publisher: Routledge
ISBN: 135156188X
Category : History
Languages : en
Pages : 557

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Book Description
This volume of essays brings together the best of recent scholarship on Johann Christian Bach, the youngest son of J.S. Bach and a friend and mentor of Mozart. J.C. Bach had a cosmopolitan career, beginning in Berlin as a pupil of his half-brother, C.P.E. Bach, then a sojourn to Italy where he studied with Padre Martini in Bologna; after making his successful debut with operas for Turin and Naples he moved to London, where he became a leading composer and impresario. The articles selected for this volume represent the principal themes of scholarly research and writing over the past fifty years. The introduction provides a survey of J.C. Bach‘s career and an overview of recent literature. The collection includes English translations of two articles first published in German in the Bach-Jahrbuch, as well as one article published as recently as 2015. An appendix lists the complete contents of The Collected Works of Johann Christian Bach, using the Warburton catalogue numbers.

The The Theoretical-Practical Elements of Music, Parts III and IV

The The Theoretical-Practical Elements of Music, Parts III and IV PDF Author: Francesco Galeazzi
Publisher: University of Illinois Press
ISBN: 0252094182
Category : Music
Languages : en
Pages : 434

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Book Description
A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.