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Author: Craig McDonald
Publisher: Macmillan
ISBN: 1429994150
Category : Fiction
Languages : en
Pages : 335
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Book Description
Paris, 1924. A city teeming with would-be poets, writers, and painters. Hector Lassiter, fledgling author and best friend of Ernest Hemingway, is crossing the Pont Neuf when he hears a body fall into the icy Seine — the first in a string of brutal murders of literary magazine editors that throw a shroud over the City of Light. Frantic to stop the killings, Gertrude Stein gathers the most prominent crime and mystery writers in the city, including Hector and the dark, mysterious crime novelist Brinke Devlin. Soon, Hector and Brinke are tangled not only under the sheets, but in a web of murders, each more grisly than the next. As he is drawn deeper into the hunt, Hector finds himself torn between three women with hidden agendas and dark imaginations. When Hector learns that the murders may be the work of a strange cult of writers who are targeting the literary set, Hemingway, Hector, and Brinke must scramble to find the killer before they become the next victims. A Moveable Feast meets The Dante Club in this exquisite mystery that takes readers from the cafés of Montparnasse, through the historic graveyards of Paris, to the smoky backrooms of bookstores and salons. As dark as the shadowy banks of the Seine and as addictive as absinthe, this unforgettable book will grab you and never let go.
Author: Craig McDonald
Publisher: Macmillan
ISBN: 1429994150
Category : Fiction
Languages : en
Pages : 335
Get Book Here
Book Description
Paris, 1924. A city teeming with would-be poets, writers, and painters. Hector Lassiter, fledgling author and best friend of Ernest Hemingway, is crossing the Pont Neuf when he hears a body fall into the icy Seine — the first in a string of brutal murders of literary magazine editors that throw a shroud over the City of Light. Frantic to stop the killings, Gertrude Stein gathers the most prominent crime and mystery writers in the city, including Hector and the dark, mysterious crime novelist Brinke Devlin. Soon, Hector and Brinke are tangled not only under the sheets, but in a web of murders, each more grisly than the next. As he is drawn deeper into the hunt, Hector finds himself torn between three women with hidden agendas and dark imaginations. When Hector learns that the murders may be the work of a strange cult of writers who are targeting the literary set, Hemingway, Hector, and Brinke must scramble to find the killer before they become the next victims. A Moveable Feast meets The Dante Club in this exquisite mystery that takes readers from the cafés of Montparnasse, through the historic graveyards of Paris, to the smoky backrooms of bookstores and salons. As dark as the shadowy banks of the Seine and as addictive as absinthe, this unforgettable book will grab you and never let go.
Author: R. Andrew Wilson
Publisher: Simon and Schuster
ISBN: 1440514151
Category : Reference
Languages : en
Pages : 170
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Book Description
The bad news is: You have to learn to write. The good news is: Learning to write just became easier. In this book, writers learn to write like they were born that way from one of America’s greatest literary geniuses—Ernest Hemingway. Noted writing teacher Dr. R. Andrew Wilson calls writers to an adventure in writing Hemingway himself would love. Along the way they discover what really makes him a Great Writer, and how they can apply those lessons in voice, character, setting, and more to enhance their own writing. Whether agonizing over style, perfecting prose, or puzzling out plot, student writers find the answers they need to write their own masterworks. They’ll also benefit from Papa’s advice to beginning writers, comments on the work of other great authors, and daily writing habits. In this enlightening and informative book, writers find the mentor they need to master the art of writing.
Author: Harold Bloom
Publisher: Vintage
ISBN: 1984898434
Category : Literary Criticism
Languages : en
Pages : 545
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Book Description
America's most original and controversial literary critic writes trenchantly about forty-eight masterworks spanning the Western tradition—from Don Quixote to Wuthering Heights to Invisible Man—in his first book devoted exclusively to narrative fiction. In this valedictory volume, Yale professor Harold Bloom—who for more than half a century was regarded as America's most daringly original and controversial literary critic—gives us his only book devoted entirely to the art of the novel. With his hallmark percipience, remarkable scholarship, and extraordinary devotion to sublimity, Bloom offers meditations on forty-eight essential works spanning the Western canon, from Don Quixote to Book of Numbers; from Wuthering Heights to Absalom, Absalom!; from Les Misérables to Blood Meridian; from Vanity Fair to Invisible Man. Here are trenchant appreciations of fiction by, among many others, Austen, Balzac, Dickens, Tolstoy, James, Conrad, Lawrence, Le Guin, and Sebald. Whether you have already read these books, plan to, or simply care about the importance and power of fiction, Harold Bloom is your unparalleled guide to understanding literature with new intimacy.
Author: Joe Moran
Publisher: Penguin
ISBN: 0143134345
Category : Language Arts & Disciplines
Languages : en
Pages : 241
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Book Description
“Do you want to write clearer, livelier prose? This witty primer will help.” —The New York Times Book Review An exploration of how the most ordinary words can be turned into verbal constellations of extraordinary grace through the art of building sentences The sentence is the common ground where every writer walks. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Using minimal technical terms and sources ranging from the Bible and Shakespeare to George Orwell and Maggie Nelson, as well as scientific studies of what can best fire the reader's mind, author Joe Moran shows how we can all write in a way that is clear, compelling and alive. Whether dealing with finding the ideal word, building a sentence, or constructing a paragraph, First You Write a Sentence informs by light example: much richer than a style guide, it can be read not only for instruction but for pleasure and delight. And along the way, it shows how good writing can help us notice the world, make ourselves known to others, and live more meaningful lives. It's an elegant gem in praise of the English sentence.
Author: Larry W. Phillips
Publisher: Simon and Schuster
ISBN: 0743237366
Category : Literary Criticism
Languages : en
Pages : 112
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Book Description
A collection of reflections on writing and the nature of the writer from one the greatest American writers of the 20th century. Throughout Hemingway’s career as a writer, he maintained that it was bad luck to talk about writing—that it takes off “whatever butterflies have on their wings and the arrangement of hawk’s feathers if you show it or talk about it.” Despite this belief, by the end of his life he had done just what he intended not to do. In his novels and stories, in letters to editors, friends, fellow artists, and critics, in interviews and in commissioned articles on the subject, Hemingway wrote often about writing. And he wrote as well and as incisively about the subject as any writer who ever lived… This book contains Hemingway’s reflections on the nature of the writer and on elements of the writer’s life, including specific and helpful advice to writers on the craft of writing, work habits, and discipline. The Hemingway personality comes through in general wisdom, wit, humor, and insight, and in his insistence on the integrity of the writer and of the profession itself. —From the Preface by Larry W. Phillips
Author: Ernest Hemingway
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 145
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Book Description
DigiCat Publishing presents to you this special edition of "A Moveable Feast" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Valerie Hemingway
Publisher: Ballantine Books
ISBN: 0345467345
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
A chance encounter in Spain in 1959 brought young Irish reporter Valerie Danby-Smith face to face with Ernest Hemingway. The interview was awkward and brief, but before it ended something had clicked into place. For the next two years, Valerie devoted her life to Hemingway and his wife, Mary, traveling with them through beloved old haunts in Spain and France and living with them during the tumultuous final months in Cuba. In name a personal secretary, but in reality a confidante and sharer of the great man’s secrets and sorrows, Valerie literally came of age in the company of one of the greatest literary lions of the twentieth century. Five years after his death, Valerie became a Hemingway herself when she married the writer’s estranged son Gregory. Now, at last, she tells the story of the incredible years she spent with this extravagantly talented and tragically doomed family. In prose of brilliant clarity and stinging candor, Valerie evokes the magic and the pathos of Papa Hemingway’s last years. Swept up in the wild revelry that always exploded around Hemingway, Valerie found herself dancing in the streets of Pamplona, cheering bullfighters at Valencia, careening around hairpin turns in Provence, and savoring the panorama of Paris from her attic room in the Ritz. But it was only when Hemingway threatened to commit suicide if she left that she realized how troubled the aging writer was–and how dependent he had become on her. In Cuba, Valerie spent idyllic days and nights typing the final draft of A Moveable Feast, even as Castro’s revolution closed in. After Hemingway shot himself, Valerie returned to Cuba with his widow, Mary, to sort through thousands of manuscript pages and smuggle out priceless works of art. It was at Ernest’s funeral that Valerie, then a researcher for Newsweek, met Hemingway’s son Gregory–and again a chance encounter drastically altered the course of her life. Their twenty-one-year marriage finally unraveled as Valerie helplessly watched her husband succumb to the demons that had plagued him since childhood. From lunches with Orson Welles to midnight serenades by mysterious troubadours, from a rooftop encounter with Castro to numbing hospital vigils, Valerie Hemingway played an intimate, indispensable role in the lives of two generations of Hemingways. This memoir, by turns luminous, enthralling, and devastating, is the account of what she enjoyed, and what she endured, during her astonishing years of living as a Hemingway.
Author: Louise Erdrich
Publisher: HarperCollins
ISBN: 0062671146
Category : Fiction
Languages : en
Pages : 299
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Book Description
"Dazzling. . . . A hard-won love letter to readers and to booksellers, as well as a compelling story about how we cope with pain and fear, injustice and illness. One good way is to press a beloved book into another's hands. Read The Sentence and then do just that."—USA Today, Four Stars In this New York Times bestselling novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman's relentless errors. Louise Erdrich's latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer. Flora dies on All Souls' Day, but she simply won't leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading "with murderous attention," must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. The Sentence begins on All Souls' Day 2019 and ends on All Souls' Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.
Author: Ed Gleason
Publisher: Cider Mill Press
ISBN: 1604338873
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
An examination of how The Kansas City Star’s style guide shaped Hemingway’s unmistakable writing style. Acclaimed for his lean, succinct prose, Write Like Hemingway connects the dots between Ernest Hemingway’s earliest writing job and his most memorable fiction. After graduating high school, and before heading to Italy to drive an ambulance during World War I, “Papa” spent about 6 months over the course of 1917 and 1918 writing police reports for The Kansas City Star. Following the paper’s style guide, with rules like “Use short sentences,” and approximately 100 more similarly exacting ones, Hemingway learned how to write, and carried these lessons of narrative economy with him for the rest of his life.
Author: Robert Paul Lamb
Publisher: LSU Press
ISBN: 0807147443
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In The Hemingway Short Story: A Study in Craft for Writers and Readers, Robert Paul Lamb delivers a dazzling analysis of the craft of this influential writer. Lamb scrutinizes a selection of Hemingway's exemplary stories to illuminate the author's methods of construction and to show how craft criticism complements and enhances cultural literary studies. The Hemingway Short Story, the highly anticipated sequel to Lamb's critically acclaimed Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story, reconciles the creative writer's focus on art with the concerns of cultural critics, establishing the value that craft criticism holds for all readers. Beautifully written in clear and engaging prose, Lamb's study presents close readings of representative Hemingway stories such as "Soldier's Home," "A Canary for One," "God Rest You Merry, Gentlemen," and "Big Two-Hearted River." Lamb's examination of "Indian Camp," for instance, explores not only its biographical contexts -- showing how details, incidents, and characters developed in the writer's mind and notebook as he transmuted life into art -- but also its original, deleted opening and the final text of the story, uncovering otherwise unseen aspects of technique and new terrains of meaning. Lamb proves that a writer is not merely a site upon which cultural forces contend, but a professional in his or her craft who makes countless conscious decisions in creating a literary text. Revealing how the short story operates as a distinct literary genre, Lamb provides the meticulous readings that the form demands -- showing Hemingway practicing his craft, offering new inclusive interpretations of much debated stories, reevaluating critically neglected stories, analyzing how craft is inextricably entwined with a story's cultural representations, and demonstrating the many ways in which careful examinations of stories reward us.
