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Author: Dana Amir
Publisher: Routledge
ISBN: 1317553594
Category : Psychology
Languages : en
Pages : 117
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Book Description
On the Lyricism of the Mind: Psychoanalysis and Literature explores the lyrical dimension (or the lyricism) of the psychic space. It is not presented as an artistic disposition, but rather as a universal psychic quality which enables the recovery and recuperation of the self. The specific nature of human lyricism is defined as the interaction as well as the integration of two psychic modes of experience originally defined by the psychoanalyst Wilfred Bion: The emergent and the continuous principles of the self. Dana Amir elaborates Bion's general notion of an interaction between the emergent and the continuous principles of the self, offering a discussion of the specific function of each principle and of the significance of the various types of interaction between them as the basis for mental health or pathology. The author applies these theoretical notions in her analytic work by means of literary illustrations showing how the lyrical dimension may be used to teach psychoanalytic readings of literature and explore the connection between psychoanalytic and literary languages. On the Lyricism of the Mind presents a new psychoanalytic understanding of the capacity to heal, to grieve, to love and to know, using literary illustrations but also literary language in order to extract a new formulation out of the classic psychoanalytic language of Winnicott and Bion. This book will appear to a wide audience to include psychoanalysts, psychotherapists and art therapists. It is also extremely relevant to literary scholars, including students of literary criticism, philosophers of language and philosophers of mind, novelists, poets, and to the wide educated readership in general.
Author: Dana Amir
Publisher: Routledge
ISBN: 1317553594
Category : Psychology
Languages : en
Pages : 117
Get Book Here
Book Description
On the Lyricism of the Mind: Psychoanalysis and Literature explores the lyrical dimension (or the lyricism) of the psychic space. It is not presented as an artistic disposition, but rather as a universal psychic quality which enables the recovery and recuperation of the self. The specific nature of human lyricism is defined as the interaction as well as the integration of two psychic modes of experience originally defined by the psychoanalyst Wilfred Bion: The emergent and the continuous principles of the self. Dana Amir elaborates Bion's general notion of an interaction between the emergent and the continuous principles of the self, offering a discussion of the specific function of each principle and of the significance of the various types of interaction between them as the basis for mental health or pathology. The author applies these theoretical notions in her analytic work by means of literary illustrations showing how the lyrical dimension may be used to teach psychoanalytic readings of literature and explore the connection between psychoanalytic and literary languages. On the Lyricism of the Mind presents a new psychoanalytic understanding of the capacity to heal, to grieve, to love and to know, using literary illustrations but also literary language in order to extract a new formulation out of the classic psychoanalytic language of Winnicott and Bion. This book will appear to a wide audience to include psychoanalysts, psychotherapists and art therapists. It is also extremely relevant to literary scholars, including students of literary criticism, philosophers of language and philosophers of mind, novelists, poets, and to the wide educated readership in general.
Author: Lawrence Ferlinghetti
Publisher: New Directions Publishing
ISBN: 9780811200417
Category : Literary Criticism
Languages : en
Pages : 100
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Book Description
Twenty-nine poems from the 1950's.
Author: Diana Senechal
Publisher: Rowman & Littlefield
ISBN: 1538115174
Category : Language Arts & Disciplines
Languages : en
Pages : 198
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Book Description
Too often our use of language has become lazy, frivolous, and even counterproductive. We rely on clichés and bromides to communicate in such a way that our intentions are lost or misinterpreted. In a culture of “takeaways” and buzzwords, it requires study and cunning to keep language alive. In Mind over Memes: Passive Listening,Toxic Talk, and Other Modern Language Follies, Diana Senechal examines words, concepts, and phrases that demand reappraisal. Targeting a variety of terms, the author contends that a “good fit” may not always be desirable; delivers a takedown of the adjective “toxic”; and argues that “social justice” must take its place among other justices. This book also includes a critique of our modern emphasis on quick answers and immediate utility. By scrutinizing words and phrases that serve contemporary fads and follies, this book stands up against the excesses of language and offers engaging alternatives. Drawing on literature, philosophy, social sciences, music, and technology, Senechal offers a rich framework to make fresh connections between topics. Combining sharp criticism, lyricism, and wit, Mind over Memes argues for judicious and imaginative speech.
Author: John Trudell
Publisher: Fulcrum Publishing
ISBN: 1555918735
Category : Poetry
Languages : en
Pages : 301
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Book Description
Lines from a Mined Mind brings together lyrics and musings from the twenty-five-year recording career of John Trudell, an internationally acclaimed poet, musician, and leader of the American Indian Movement. More than a simple anthology, this collection goes deeper, revealing the incendiary intersection of music and activism.
Author: Burt Kimmelman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637906
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Through special attention to his uniquely elegant style, this study demonstrates how Bronk has brought together earlier American poetics and philosophy with modern and postmodern notions of being, emptiness, and nothingness.
Author: Robert P. Glick
Publisher: Rowman & Littlefield
ISBN: 1566997046
Category : Religion
Languages : en
Pages : 201
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Book Description
The worship terrain has changed, but a consensus has yet to emerge even about what worship is, let alone how we should worship. Increasingly, however, people are hungry not just to know about God, but to experience God with all they they are—mind, heart, body, and soul. Worship must engage all of the senses. Recalling the biblical and early church's witness regarding worship and denominational worship traditions, Robert Glick examines the place of words, songs, sacraments, and symbols in worship—in light of what we now know about the complexities of the human brain. He also examines roadblocks to more balanced worship and identifies the characteristics of a “well-tempered worship service.” Glick expresses how our understanding of the wonders of our God-given brains can lead us to worship that is fuller, richer, and more truthful, and thus more receptive to the Spirit.
Author: Barton R. Friedman
Publisher: Princeton University Press
ISBN: 0691656428
Category : Drama
Languages : en
Pages : 166
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Book Description
Barton Freidman demonstrates that, as a cycle, the Cuchulain plays form a paradigm of Yeats's dramatic career. They trace his progress, the author contends, toward finding a genuine dramatic mode, and examination of this process reveals much about a playwright whose work is simultaneously great literature and extaordinarily effective theater. In his interpretation of the Cuchulain cycle the author concentrates upon dramatic method. He examines first the evolution of Yeats's dramatic aesthetic and his attempts to translate it into practice. He then treats each play of the cycle in order of composition, moving from On Baile's Strand, of which the first version was begun in 1901, to The Death of Cuchulain completed in 1939. Deirdre is included, since it demonstrably belongs to the cycle. Professor Freidman discusses not only the plays in their final form but, in crucial instances, Yeats's revisions of them, which frequently illuminate his dramatic designs. In the cases of The Green Helmet and The Only Jealous of Emer, he considers as well as their alternative versions, The Golden Helmet and Fighting the Waves. The analysis draws on Yeats's poetry and his theories of history, mythology, and art, and it shows that Yeats succeeds where his Romantic precursors had failed, in finding ways of staging "the deeps of the mind." Barton R. Friedman is Associate Professor of English at the University of Wisconsin. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: William Elford Rogers
Publisher: Princeton University Press
ISBN: 1400856671
Category : Poetry
Languages : en
Pages : 289
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Book Description
William Elford Rogers proposes a genre-theory that will clarify what we mean when we speak of literary works as dramatic, epic, or lyric. Focusing on lyric poetry, this book maintains that the broad genre-concepts need not be discarded but can be preserved by a new interpretive model that gives us conceptual knowledge not about works but about interpretation. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Nikki Skillman
Publisher: Harvard University Press
ISBN: 0674970098
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Exploration of our inner life—perception, thought, memory, feeling—once seemed a privileged domain of lyric poetry. Scientific discoveries, however, have recently supplied physiological explanations for what was once believed to be transcendental; the past sixty years have brought wide recognition that the euphoria of love is both a felt condition and a chemical phenomenon, that memories are both representations of lived experience and dynamic networks of activation in the brain. Caught between a powerful but reductive scientific view of the mind and traditional literary metaphors for consciousness that have come to seem ever more naive, American poets since the sixties have struggled to articulate a vision of human consciousness that is both scientifically informed and poetically truthful. The Lyric in the Age of the Brain examines several contemporary poets—Robert Lowell, A. R. Ammons, Robert Creeley, James Merrill, John Ashbery, Jorie Graham, and experimentalists such as Harryette Mullen and Tan Lin—to discern what new language, poetic forms, and depictions of selfhood this perplexity forces into being. Nikki Skillman shows that under the sway of physiological conceptions of mind, poets ascribe ever less agency to the self, ever less transformative potential to the imagination. But in readings that unravel factional oppositions in contemporary American poetry, Skillman argues that the lyric—a genre accustomed to revealing expansive aesthetic possibilities within narrow formal limits—proves uniquely positioned to register and redeem the dispersals of human mystery that loom in the age of the brain.
Author: Simon Rennie
Publisher: Routledge
ISBN: 1317198581
Category : Foreign Language Study
Languages : en
Pages : 226
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Book Description
As the last leader of the Chartist movement, Ernest Charles Jones (1819-69) is a significant historical figure, but he is just as well-known for his political verse. His prison-composed epic The New World lays claim to being the first poetic exploration of Marxist historical materialism, and his caustic short lyric ‘The Song of the Low’ appears in most modern anthologies of Victorian poetry. Despite the prominence of Jones’s verse in Labour history circles, and several major inclusions in critical discussions of working-class Victorian literature, this volume represents the first full-length study of his poetry. Through close analysis and careful contextualization, this work traces Jones’s poetic development from his early German and British Romantic influences through his radicalization, imprisonment, and years of leadership. The poetry of this complex and controversial figure is here fully mapped for the first time.
