Author: Esme Cleall
Publisher: Cambridge University Press
ISBN: 1108833918
Category : History
Languages : en
Pages : 313
Book Description
The first monograph on the construction and treatment of disability across Britain and its Empire from 1800 to 1914.
Colonising Disability
Author: Esme Cleall
Publisher: Cambridge University Press
ISBN: 1108833918
Category : History
Languages : en
Pages : 313
Book Description
The first monograph on the construction and treatment of disability across Britain and its Empire from 1800 to 1914.
Publisher: Cambridge University Press
ISBN: 1108833918
Category : History
Languages : en
Pages : 313
Book Description
The first monograph on the construction and treatment of disability across Britain and its Empire from 1800 to 1914.
British Museum Catalogue of printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 742
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 742
Book Description
Victorian Poetry
Author: Isobel Armstrong
Publisher: Routledge
ISBN: 1134970668
Category : Literary Collections
Languages : en
Pages : 554
Book Description
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
Publisher: Routledge
ISBN: 1134970668
Category : Literary Collections
Languages : en
Pages : 554
Book Description
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
Women’s Poetry, Late Romantic to Late Victorian
Author: I. Armstrong
Publisher: Springer
ISBN: 1349270210
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
The first collection to make a comprehensive study of nineteenth-century women's poetry from late Romantic to late Victorian 'new woman' writers. Eighteen essays consider the gendered codes and genres developed by sophisticated poets. The feminine subject and marketing, a woman's tradition, lesbian desire, war, race, colonial experience, religion and science are themes of the collection, featuring, as well as the familiar Christina Rossetti and Elizabeth Barrett Browning, other poets such as 'L.E.L.', Felicia Hemans, Amy Levy and Augusta Webster.
Publisher: Springer
ISBN: 1349270210
Category : Literary Criticism
Languages : en
Pages : 419
Book Description
The first collection to make a comprehensive study of nineteenth-century women's poetry from late Romantic to late Victorian 'new woman' writers. Eighteen essays consider the gendered codes and genres developed by sophisticated poets. The feminine subject and marketing, a woman's tradition, lesbian desire, war, race, colonial experience, religion and science are themes of the collection, featuring, as well as the familiar Christina Rossetti and Elizabeth Barrett Browning, other poets such as 'L.E.L.', Felicia Hemans, Amy Levy and Augusta Webster.
Victorian Glassworlds
Author: Isobel Armstrong
Publisher: OUP Oxford
ISBN: 0191607126
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Publisher: OUP Oxford
ISBN: 0191607126
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
On the education of the Imbecile. Reprinted from the North British Review, ... and edited for the Royal Albert Idiot Asylum, Lancaster
Author: Dora Greenwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 58
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 58
Book Description
The British Museum Catalogue of Printed Books, 1881-1900
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 940
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 940
Book Description
Nineteenth-Century British Women Writers
Author: Abigail B. Bloom
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 480
Book Description
British women writers of the 19th century were a remarkably talented, diverse, and prolific group. Some, such as Jane Austen and George Eliot, significantly contributed to the evolution of the English novel, while others, such as Elizabeth Barrett Browning and Christina Rossetti, are known for their poetry. And some, such as Marie Corelli, were enormously popular during their lifetimes but are now known primarily by scholars. This reference book is a guide to the lives and achievements of women writers of the period. Included are alphabetically arranged entries for more than 90 British women writers of the 19th century, ranging from the famous to the obscure. Each entry is written by an expert contributor and provides a brief biography, a discussion of major works and themes, an overview of the critical response to the writer's works, and a bibliography of primary and secondary sources, including web sites. The volume closes with a selected bibliography of anthologies and critical works.
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 480
Book Description
British women writers of the 19th century were a remarkably talented, diverse, and prolific group. Some, such as Jane Austen and George Eliot, significantly contributed to the evolution of the English novel, while others, such as Elizabeth Barrett Browning and Christina Rossetti, are known for their poetry. And some, such as Marie Corelli, were enormously popular during their lifetimes but are now known primarily by scholars. This reference book is a guide to the lives and achievements of women writers of the period. Included are alphabetically arranged entries for more than 90 British women writers of the 19th century, ranging from the famous to the obscure. Each entry is written by an expert contributor and provides a brief biography, a discussion of major works and themes, an overview of the critical response to the writer's works, and a bibliography of primary and secondary sources, including web sites. The volume closes with a selected bibliography of anthologies and critical works.
Nineteenth Century Short Title Catalogue. Series II, Phase I, 1816-1870
Author: Avero Publications Limited
Publisher:
ISBN: 9780907977346
Category : Reference
Languages : en
Pages : 604
Book Description
Publisher:
ISBN: 9780907977346
Category : Reference
Languages : en
Pages : 604
Book Description
General Catalogue of Printed Books
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 472
Book Description