Art in Cinema

Art in Cinema PDF Author: Scott MacDonald
Publisher: Temple University Press
ISBN: 9781592134274
Category : Performing Arts
Languages : en
Pages : 332

Get Book Here

Book Description
Fascinating documentation of one of the most important film societies in American history.

Art in Cinema

Art in Cinema PDF Author: Scott MacDonald
Publisher: Temple University Press
ISBN: 9781592134274
Category : Performing Arts
Languages : en
Pages : 332

Get Book Here

Book Description
Fascinating documentation of one of the most important film societies in American history.

On the Art of the Cinema

On the Art of the Cinema PDF Author: Kim Jong Il
Publisher:
ISBN: 9780898756135
Category : Performing Arts
Languages : en
Pages : 329

Get Book Here

Book Description
In his preface the author states: "The cinema is now one of the main objects on which efforts should be concentrated in order to conduct the revolution in art and literature. The cinema occupies an important place in the overall development of art and literature. As such it is a powerful ideological weapon for the revolution and construction. Therefore, concentrating efforts on the cinema, making breakthroughs and following up success in all areas of art and literature is the basic principle that we must adhere to in revolutionizing art and literature."Kim Jong Il (1942- ) is leader of North Korea (1994- ). Kim Jong Il succeeded his father, Kim Il Sung, who had ruled North Korea since 1948.

Du Cinématographe

Du Cinématographe PDF Author: Jean Cocteau
Publisher: Marion Boyars Publishers
ISBN: 9780714529745
Category : Performing Arts
Languages : en
Pages : 224

Get Book Here

Book Description
This posthumous collection of writings illuminates Cocteau's own work for the cinema with detailed discussions of his aims, responses to criticism and his reflections on the relationship between poetry, theatre and film. He also comments on the movie stars he admires - Marlene Dietrich, James Dean, Brigitte Bardot - together with such great directors as Charlie Chaplin and Orson Welles.

The Great Art of Light and Shadow

The Great Art of Light and Shadow PDF Author: Laurent Mannoni
Publisher:
ISBN:
Category : History
Languages : en
Pages : 584

Get Book Here

Book Description
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'. Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.

Positioning Art Cinema

Positioning Art Cinema PDF Author: Geoff King
Publisher: Bloomsbury Publishing
ISBN: 1786735563
Category : Performing Arts
Languages : en
Pages : 341

Get Book Here

Book Description
Art cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most 'heavyweight' status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and 'exploitation' elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established.

The Cinema of Ken Loach

The Cinema of Ken Loach PDF Author: Jacob Leigh
Publisher: Wallflower Press
ISBN: 9781903364314
Category : Performing Arts
Languages : en
Pages : 230

Get Book Here

Book Description
"The Cinema of Ken Loach: Art in the Service of the People examines the linking of art and politics that distinguishes the work of this leading British film director. Loach's films manifest recurrent themes over a long period of working with various collaborators, yet his handling of those themes has changed throughout his career. This book examines those changes as a way of reaching an understanding of Loach's style and meaning. It evaluates how Loach incorporates his political beliefs and those of his writers into his work and augments this thematic interpretation with contextual information gleaned from original archive research and new interviews."--BOOK JACKET.

The Cinema of Economic Miracles

The Cinema of Economic Miracles PDF Author: Angelo Restivo
Publisher: Duke University Press
ISBN: 9780822327998
Category : Performing Arts
Languages : en
Pages : 228

Get Book Here

Book Description
DIVA sophisticated theoretical treatment of post-war Italian Cinema./div

Cinema of Theo Angelopoulos

Cinema of Theo Angelopoulos PDF Author: Angelos Koutsourakis
Publisher: Edinburgh University Press
ISBN: 0748697969
Category : Performing Arts
Languages : en
Pages : 338

Get Book Here

Book Description
Bringing together established and emerging scholars from multiple disciplines, the collection's unique contribution is to show how Angelopoulos created singularly intricate forms whose aesthetic contours invite us to think critically about modern history.

The Cinema of the Coen Brothers

The Cinema of the Coen Brothers PDF Author: Jeffrey Adams
Publisher: Columbia University Press
ISBN: 0231850816
Category : Performing Arts
Languages : en
Pages : 432

Get Book Here

Book Description
The films of the Coen brothers have become a contemporary cultural phenomenon. Highly acclaimed and commercially successful, over the years their movies have attracted increasingly larger audiences and spawned a subculture of dedicated fans. Shunning fame and celebrity, Ethan and Joel Coen remain maverick filmmakers, producing and directing independent films outside the Hollywood mainstream in a unique style combining classic genres like film noir with black comedy to tell off-beat stories about America and the American Dream. This study surveys Oscar-winning films, such as Fargo (1996) and No Country for Old Men (2007), as well as cult favorites, including O Brother, Where Art Thou? (2000) and The Big Lebowski (1998). Beginning with Blood Simple (1984), it examines major themes and generic constructs and offers diverse approaches to the Coens' enigmatic films. Pointing to the pulp fiction of Dashiell Hammett, James M. Cain, and Raymond Chandler, the study appreciates the postmodern aesthetics of the Coens' intertextual creativity.

The Cinema of Agnès Varda

The Cinema of Agnès Varda PDF Author: Delphine Benezet
Publisher: Columbia University Press
ISBN: 0231850611
Category : Performing Arts
Languages : en
Pages : 169

Get Book Here

Book Description
Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.