Author: Aleksandra Semenovna Shatskikh
Publisher: Yale University Press
ISBN: 9780300101089
Category : Art
Languages : en
Pages : 436
Book Description
This book examines the artistic life of Vitebsk during the years 1917-1922, when a great burst of creative experimentation transformed the modest Russian town into one of the most influential gateways to the art of the twentieth century. Spurred by native son Marc Chagall, who returned home after the October Revolution in 1917 to take the position of art commissioner, Vitebsk rose to a pinnacle of fame as an artistic laboratory for the avant-garde. It was here that such luminaries as El Lissitzky, Yuri Pen, Kazimir Malevich, Nikolai Suetin, Mikhail Bakhtin, and others worked, inspired one another, and made distinctive contributions to modernism. Art historian Aleksandra Shatskikh surveys the entire 'Vitebsk phenomenon', drawing on an array of archives in Russia and Amsterdam, many of which have never been open to Western scholars. She discusses Chagall's Academy of Art and its major teachers and students; the founding of the artists' group, UNOVIS; Malevich's architectural experiments; Bakhtin's circle; and important developments in theater and music in Vitebsk. With more than two hundred outstanding illustrations, the book brings Vitebsk to life at a fascinating and transformative moment in art history.
Vitebsk
Author: Aleksandra Semenovna Shatskikh
Publisher: Yale University Press
ISBN: 9780300101089
Category : Art
Languages : en
Pages : 436
Book Description
This book examines the artistic life of Vitebsk during the years 1917-1922, when a great burst of creative experimentation transformed the modest Russian town into one of the most influential gateways to the art of the twentieth century. Spurred by native son Marc Chagall, who returned home after the October Revolution in 1917 to take the position of art commissioner, Vitebsk rose to a pinnacle of fame as an artistic laboratory for the avant-garde. It was here that such luminaries as El Lissitzky, Yuri Pen, Kazimir Malevich, Nikolai Suetin, Mikhail Bakhtin, and others worked, inspired one another, and made distinctive contributions to modernism. Art historian Aleksandra Shatskikh surveys the entire 'Vitebsk phenomenon', drawing on an array of archives in Russia and Amsterdam, many of which have never been open to Western scholars. She discusses Chagall's Academy of Art and its major teachers and students; the founding of the artists' group, UNOVIS; Malevich's architectural experiments; Bakhtin's circle; and important developments in theater and music in Vitebsk. With more than two hundred outstanding illustrations, the book brings Vitebsk to life at a fascinating and transformative moment in art history.
Publisher: Yale University Press
ISBN: 9780300101089
Category : Art
Languages : en
Pages : 436
Book Description
This book examines the artistic life of Vitebsk during the years 1917-1922, when a great burst of creative experimentation transformed the modest Russian town into one of the most influential gateways to the art of the twentieth century. Spurred by native son Marc Chagall, who returned home after the October Revolution in 1917 to take the position of art commissioner, Vitebsk rose to a pinnacle of fame as an artistic laboratory for the avant-garde. It was here that such luminaries as El Lissitzky, Yuri Pen, Kazimir Malevich, Nikolai Suetin, Mikhail Bakhtin, and others worked, inspired one another, and made distinctive contributions to modernism. Art historian Aleksandra Shatskikh surveys the entire 'Vitebsk phenomenon', drawing on an array of archives in Russia and Amsterdam, many of which have never been open to Western scholars. She discusses Chagall's Academy of Art and its major teachers and students; the founding of the artists' group, UNOVIS; Malevich's architectural experiments; Bakhtin's circle; and important developments in theater and music in Vitebsk. With more than two hundred outstanding illustrations, the book brings Vitebsk to life at a fascinating and transformative moment in art history.
Kazimir Malevich and the Art of Geometry
Author: John Milner
Publisher: Yale University Press
ISBN: 9780300064179
Category : Art
Languages : en
Pages : 258
Book Description
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Publisher: Yale University Press
ISBN: 9780300064179
Category : Art
Languages : en
Pages : 258
Book Description
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Kazimir Malevich
Author:
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ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
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Languages : en
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Book Description
Celebrating Suprematism
Author: Christina Lodder
Publisher: BRILL
ISBN: 9004384987
Category : Art
Languages : en
Pages : 330
Book Description
Celebrating Suprematism throws vital new light on Kazimir Malevich’s abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism’s place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich’s theories and statements, various developments at Unovis, Suprematism’s relationship to ether physics, and the impact that Malevich’s style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism’s relationship to Russian Constructivism and avant-garde groups in Poland and Hungary.
Publisher: BRILL
ISBN: 9004384987
Category : Art
Languages : en
Pages : 330
Book Description
Celebrating Suprematism throws vital new light on Kazimir Malevich’s abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism’s place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich’s theories and statements, various developments at Unovis, Suprematism’s relationship to ether physics, and the impact that Malevich’s style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism’s relationship to Russian Constructivism and avant-garde groups in Poland and Hungary.
Malevich and Film
Author: Margarita Tupitsyn
Publisher: Yale University Press
ISBN: 0300094590
Category : Art
Languages : en
Pages : 198
Book Description
"The book begins with a re-evaluation of Malevich's most famous painting, Black Square, a work whose meaning and function was in constant flux. Through Black Square Malevich began to cross the bridge from the painting medium to mechanically generated production, ultimately influencing the post-revolutionary phase of his Suprematism and leading to his abandonment of abstraction in the late 1920s.
Publisher: Yale University Press
ISBN: 0300094590
Category : Art
Languages : en
Pages : 198
Book Description
"The book begins with a re-evaluation of Malevich's most famous painting, Black Square, a work whose meaning and function was in constant flux. Through Black Square Malevich began to cross the bridge from the painting medium to mechanically generated production, ultimately influencing the post-revolutionary phase of his Suprematism and leading to his abandonment of abstraction in the late 1920s.
Black Square
Author: Aleksandra Shatskikh
Publisher: Yale University Press
ISBN: 0300162294
Category : Art
Languages : en
Pages : 470
Book Description
Kazimir Malevich’s painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich’s contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art—which he called Suprematism—and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting.
Publisher: Yale University Press
ISBN: 0300162294
Category : Art
Languages : en
Pages : 470
Book Description
Kazimir Malevich’s painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich’s contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art—which he called Suprematism—and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting.
Narrating Architecture
Author: James Madge
Publisher: Routledge
ISBN: 1134189664
Category : Architecture
Languages : en
Pages : 621
Book Description
This anthology brings together the best and most interesting papers from the first ten years of The Journal of Architecture, published together for the first time in a single volume. Covering a wide range of topics of central importance to architecture today, the papers also address the related topics to which architecture and architectural studies are inextricably linked. The invited authors draw on sociology, philosophy, cultural studies and the sciences to round out the collection and highlight the breadth and vitality of modern architectural studies, offering perspectives from different disciplines as well as different corners of the globe.
Publisher: Routledge
ISBN: 1134189664
Category : Architecture
Languages : en
Pages : 621
Book Description
This anthology brings together the best and most interesting papers from the first ten years of The Journal of Architecture, published together for the first time in a single volume. Covering a wide range of topics of central importance to architecture today, the papers also address the related topics to which architecture and architectural studies are inextricably linked. The invited authors draw on sociology, philosophy, cultural studies and the sciences to round out the collection and highlight the breadth and vitality of modern architectural studies, offering perspectives from different disciplines as well as different corners of the globe.
Daniil Kharms
Author: Branislav Jakovljevic
Publisher: Northwestern University Press
ISBN: 0810125536
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
The "texts" of Russian artist and thinker Daniil Kharms (1905-1942) were so many and varied and often unique (narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical) that they defied categorization—and, thus, thorough study or appreciation—through much of the twentieth century. This book, the first in English to view Kharms’s oeuvre in its entirety, is also the first to offer a complete, inclusive, and coherent understanding of the overall project of this artist and writer now considered a major figure in the modernist canon of Europe.
Publisher: Northwestern University Press
ISBN: 0810125536
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
The "texts" of Russian artist and thinker Daniil Kharms (1905-1942) were so many and varied and often unique (narrative, dramatic, philosophical, poetic, mathematical, pictographic, diagrammatic, musical, biographical) that they defied categorization—and, thus, thorough study or appreciation—through much of the twentieth century. This book, the first in English to view Kharms’s oeuvre in its entirety, is also the first to offer a complete, inclusive, and coherent understanding of the overall project of this artist and writer now considered a major figure in the modernist canon of Europe.
Art and Future
Author: Peter Stupples
Publisher: Cambridge Scholars Publishing
ISBN: 1527509532
Category : Art
Languages : en
Pages : 221
Book Description
This selection of essays examines the future of art in a changing world. In particular, contributors discuss the agency of art in conditions of ecological threats to the natural world, to climate change and the effects of globalisation, neoliberal economics and mass tourism. Following the lead of Chicago-based Frances Whitehead, whose essay is a key text, some contributors take positions on working with local government agencies to embed art-thinking within development projects, going back to the art-thinking at the centre of Kazimir Malevich’s work in Vitebsk one hundred years ago in Russia. Other papers highlight small-scale art interventions that bring ecological issues to public notice and suggest positive responses, whilst others discuss large-scale problems brought about by the social, economic and laissez-faire history of the emerging Anthropocene with possible dystopic outcomes.
Publisher: Cambridge Scholars Publishing
ISBN: 1527509532
Category : Art
Languages : en
Pages : 221
Book Description
This selection of essays examines the future of art in a changing world. In particular, contributors discuss the agency of art in conditions of ecological threats to the natural world, to climate change and the effects of globalisation, neoliberal economics and mass tourism. Following the lead of Chicago-based Frances Whitehead, whose essay is a key text, some contributors take positions on working with local government agencies to embed art-thinking within development projects, going back to the art-thinking at the centre of Kazimir Malevich’s work in Vitebsk one hundred years ago in Russia. Other papers highlight small-scale art interventions that bring ecological issues to public notice and suggest positive responses, whilst others discuss large-scale problems brought about by the social, economic and laissez-faire history of the emerging Anthropocene with possible dystopic outcomes.
El Lissitzky on Paper
Author: Samuel Johnson
Publisher: University of Chicago Press
ISBN: 022652423X
Category : Architecture
Languages : en
Pages : 249
Book Description
"The artist and architect El Lissitzky (1890-1941) is celebrated for his contributions to painting, architecture, photography, and graphic design, and for his role in disseminating Russian and Soviet avant-garde art in Europe during the 1920s. Though he worked in a diversity of media, Lissitzky nonetheless produced the majority of his work on paper in the form of innovative photomontages, architectural drawings, lithographs, typography, books, and photo magazines. This monograph--the first career-spanning archival study of Lissitzky since 1968--reveals that the artist's multiple pursuits arose from his deep commitment to print as the premier medium of public exchange in the young and turbulent twentieth century. Samuel Johnson demonstrates that paper and print media were preoccupations that shaped Lissitzky's worldview, values, politics, and production in ways that have never been fully appreciated. Probing Lissitzky's stance on the problems of distribution and reception, this book offers a compelling and nuanced portrait of Lissitzky as experimenter, visionary designer, technocrat, and propagandist-the very prototype of the twentieth-century artist, with a legacy that remains largely on paper"--
Publisher: University of Chicago Press
ISBN: 022652423X
Category : Architecture
Languages : en
Pages : 249
Book Description
"The artist and architect El Lissitzky (1890-1941) is celebrated for his contributions to painting, architecture, photography, and graphic design, and for his role in disseminating Russian and Soviet avant-garde art in Europe during the 1920s. Though he worked in a diversity of media, Lissitzky nonetheless produced the majority of his work on paper in the form of innovative photomontages, architectural drawings, lithographs, typography, books, and photo magazines. This monograph--the first career-spanning archival study of Lissitzky since 1968--reveals that the artist's multiple pursuits arose from his deep commitment to print as the premier medium of public exchange in the young and turbulent twentieth century. Samuel Johnson demonstrates that paper and print media were preoccupations that shaped Lissitzky's worldview, values, politics, and production in ways that have never been fully appreciated. Probing Lissitzky's stance on the problems of distribution and reception, this book offers a compelling and nuanced portrait of Lissitzky as experimenter, visionary designer, technocrat, and propagandist-the very prototype of the twentieth-century artist, with a legacy that remains largely on paper"--