"On My Way": The Untold Story of Rouben Mamoulian, George Gershwin, and Porgy and Bess PDF Download
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Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 0393240134
Category : Music
Languages : en
Pages : 313
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Book Description
A former New York Times music critic and award-winning author describes the contributions of the stage and film master director to Gershwin's classic American folk opera that originally premiered in 1935.
Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 0393240134
Category : Music
Languages : en
Pages : 313
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Book Description
A former New York Times music critic and award-winning author describes the contributions of the stage and film master director to Gershwin's classic American folk opera that originally premiered in 1935.
Author: DuBose Heyward
Publisher: DigiCat
ISBN:
Category : Social Science
Languages : en
Pages : 109
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Book Description
Porgy is about a crippled street beggar living in the black tenements of Charleston, South Carolina, in the 1920s. You will be humbled by this character based on Charlestonian Samuel Smalls. This is a moving and realistic drama about poor black characters in the 1920s American South.
Author: David Luhrssen
Publisher: University Press of Kentucky
ISBN: 0813136865
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "method" acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983. In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.
Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 9780393057171
Category : History
Languages : en
Pages : 664
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Book Description
An award-winning scholar and leading authority on American symphonic culture argues that classical music in the United States is peculiarly performance-driven, and he traces a musical trajectory rising to its peak at the close of the 19th century and receding after World War I.
Author: DuBose Heyward
Publisher:
ISBN:
Category :
Languages : en
Pages : 147
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Book Description
Author: Jonas Westover
Publisher: Oxford University Press
ISBN: 0190219238
Category : Music
Languages : en
Pages : 321
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Book Description
The Shubert name has been synonymous with Broadway for almost as long as Broadway entertainment itself. In The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals, author Jonas Westover investigates beyond the Shuberts' business empire into their early revues and the centrifugal role they played in developing American theatre as an art form.
Author: Joseph Horowitz
Publisher: Simon & Schuster
ISBN:
Category : Music
Languages : en
Pages : 296
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Book Description
A discussion of music competitions, the author uses the Van Cliburn International piano competition to consider the American fascination with music and competition. The author also looks at the nature of these competitions and how the individual with the most talent is not always the winner.
Author: Geoffrey Holden Block
Publisher: Oxford University Press
ISBN: 0197566197
Category : Performing Arts
Languages : en
Pages : 171
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Book Description
In this Oxford Guide to Film Musicals, renowned author Geoffrey Block introduces scholars, students, and general readers to the remarkable musical film, Love Me Tonight (1932) from a accessible musicological perspective, giving readers of all stripes new ways to hear this classic film.
Author: Anna Harwell Celenza
Publisher: Cambridge University Press
ISBN: 1108423531
Category : Music
Languages : en
Pages : 333
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Book Description
Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.
Author: Joseph Horowitz
Publisher: National Geographic Books
ISBN: 0393881245
Category : Music
Languages : en
Pages : 0
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Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
