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Author: Philip Smallwood
Publisher: Associated University Presse
ISBN: 9780838757420
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
How far does Johnson's mind touch the critical consciousness, and how far is the modern experience of his writings a form of historical knowledge? This title includes essays by British and American scholars who seek to answer these questions from a sequence of argued perspectives.
Author: Philip Smallwood
Publisher: Associated University Presse
ISBN: 9780838757420
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
How far does Johnson's mind touch the critical consciousness, and how far is the modern experience of his writings a form of historical knowledge? This title includes essays by British and American scholars who seek to answer these questions from a sequence of argued perspectives.
Author: John Forster
Publisher:
ISBN:
Category :
Languages : en
Pages : 518
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Book Description
Author: James James Lowry Clifford
Publisher: U of Minnesota Press
ISBN: 9781452911564
Category :
Languages : en
Pages : 704
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Book Description
Author: John Forster (Barrister-at-Law of the Inner Temple.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
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Book Description
Author: John Forster
Publisher:
ISBN:
Category :
Languages : en
Pages : 526
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Book Description
Author: Brian Vickers
Publisher: Psychology Press
ISBN: 0415134080
Category :
Languages : en
Pages : 585
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Book Description
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.
Author: William Thomas Lowndes
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 352
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
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Book Description
Author: Jean I. Marsden
Publisher: University Press of Kentucky
ISBN: 0813185556
Category : Drama
Languages : en
Pages : 283
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Book Description
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
Author: Fiona Ritchie
Publisher: Cambridge University Press
ISBN: 0521898609
Category : Drama
Languages : en
Pages : 469
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Book Description
This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
