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Author: Gavin Lambert
Publisher:
ISBN: 9789080038974
Category :
Languages : en
Pages : 276
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Book Description
Author: Gavin Lambert
Publisher:
ISBN: 9789080038974
Category :
Languages : en
Pages : 276
Get Book Here
Book Description
Author: Patrick McGilligan
Publisher:
ISBN: 9780816680382
Category : ART
Languages : en
Pages : 0
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Book Description
One of the highest-paid studio contract directors of his time and dubbed the "women's director", George Cukor was five times nominated for an Academy Award as Best Director; and he was a homosexual--a rarity among the top echelon. Patrick McGilligan's biography reveals how Cukor persevered within a system fraught with bigotry while becoming one of Hollywood's consummate filmmakers.
Author: George Cukor
Publisher: Univ. Press of Mississippi
ISBN: 9781578063871
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Collected interviews with the director of such films as The Philadelphia Story, Adam's Rib, A Star Is Born, and My Fair Lady
Author: Emanuel Levy
Publisher: William Morrow
ISBN:
Category : Performing Arts
Languages : en
Pages : 472
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Book Description
With access to Cukor's personal correspondence dating from the 1930s and in-depth interviews with over 100 legendary Hollywood figures--including Katharine Hepburn, Claudette Colbert, and Rex Harrison--Levy has compiled the definitive biography of the award-winning director of My Fair Lady, A Star is Born and other acclaimed films. Photos. Filmography.
Author: Joseph McBride
Publisher: Columbia University Press
ISBN: 0231558619
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
The director of classic films such as Sylvia Scarlett, The Philadelphia Story, Gaslight, Adam’s Rib, A Star Is Born, and My Fair Lady, George Cukor is widely admired but often misunderstood. Reductively stereotyped in his time as a “woman’s director”—a thinly veiled, disparaging code for “gay”—he brilliantly directed a wide range of iconic actors and actresses, including Cary Grant, Greta Garbo, Spencer Tracy, Joan Crawford, Marilyn Monroe, and Maggie Smith. As Katharine Hepburn, the star of ten Cukor films, told the director, “All the people in your pictures are as goddamned good as they can possibly be, and that’s your stamp.” In this groundbreaking, lavishly illustrated critical study, Joseph McBride provides insightful and revealing essayistic portraits of Cukor’s actors in their most memorable roles. The queer filmmaker gravitated to socially adventurous, subversively rule-breaking, audacious dreamers who are often sexually transgressive and gender fluid in ways that seem strikingly modern today. McBride shows that Cukor’s seemingly self-effacing body of work is characterized by a discreet way of channeling his feelings through his actors. He expertly cajoled actors, usually gently but sometimes with bracing harshness, to delve deeply into emotional areas they tended to keep safely hidden. Cukor’s wry wit, his keen sense of psychological and social observation, his charm and irony, and his toughness and resilience kept him active for more than five decades in Hollywood. George Cukor’s People gives him the in-depth, multifaceted examination his rich achievement deserves.
Author: Murray Pomerance
Publisher: Edinburgh University Press
ISBN: 147440362X
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
George Cukor is one of the studio era's most famous and admired directors, with many of the American cinema's most beloved classics to his credit, including The Women, Gaslight, Adam's Rib, A Star is Born, and My Fair Lady to his credit. Not himself a scriptwriter, he was particularly adept at choosing which properties to adapt and then managing the adaptation process with verve and effectiveness. What makes for a good adapter, for a talented master of ceremonies who knows where to put everything and everybody (including the camera)? Who knows how to make a property his own even while enhancing the value it has as belonging to someone else? The essays in this volume provide a series of complementary answers to those questions. Though many of his films are celebrated, Cukor has hitherto not received appropriate critical attention. Cukor's interest in the various forms of indoor cinema lacked the generic focus of Ford's westerns and Hitchcock's thrillers. His style was theatricality writ large, a successful transference to the screen of what he had learned from his successful Broadway career, including the outsized, often flamboyant handling of emotionality. Yet Cukor was also a man of the cinema, fascinated by the ever-developing potentials of his adopted medium, as shown by the more than fifty films he directed in a career that endured from the early sound era into the 1970s.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Author: Patrick McGilligan
Publisher: U of Minnesota Press
ISBN: 081668488X
Category : Biography & Autobiography
Languages : en
Pages : 612
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Book Description
One of the highest-paid studio contract directors of his time, George Cukor was nominated five times for an Academy Award as Best Director. In publicity and mystique he was dubbed the “women’s director” for guiding the most sensitive leading ladies to immortal performances, including Greta Garbo, Ingrid Bergman, Judy Garland, and—in ten films, among them The Philadelphia Story and Adam’s Rib—his lifelong friend and collaborator Katharine Hepburn. But behind the “women’s director” label lurked the open secret that set Cukor apart from a generally macho fraternity of directors: he was a homosexual, a rarity among the top echelon. Patrick McGilligan’s biography reveals how Cukor persevered within a system fraught with bigotry while becoming one of Hollywood’s consummate filmmakers.
Author: Elyce Rae Helford
Publisher: University Press of Kentucky
ISBN: 0813179327
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
During the early Hollywood sound era, studio director George Cukor produced nearly fifty films in as many years, famously winning the Best Director Oscar at the 1964 Academy Awards for My Fair Lady. His collaborations with so-called difficult actresses such as Katharine Hepburn, Judy Garland, and Marilyn Monroe unsettled producers even as his ticket sales lined their pockets. Fired from Gone with the Wind for giving Vivien Leigh more screen time than Clark Gable, Cukor quickly earned a double-sided reputation as a "woman's director." While the label celebrated his ability to help actresses deliver their best performances, the epithet also branded the gay director as suitable only for work on female-centered movies such as melodramas and romantic comedies. Desperate for success after a failed drag film nearly ended his career, Cukor swore to work within Hollywood's constraints. Nevertheless, What Price Hollywood? Gender and Sex in the Films of George Cukor finds that Cukor continued to explore gender and sexuality on-screen. Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor's award-winning films—titles including My Fair Lady and The Philadelphia Story—as well as his lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, What Price Hollywood? tells the story of a once-in-a-generation director who produced some of the best films in history.
Author: Gavin Lambert
Publisher: Rizzoli International Publications
ISBN:
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
"The heart of the book remains intact. In an unusually candid series of taped interviews with Lambert in the early 1970s, one of Hollywood's finest directors shared some revealing and intimate thoughts on his craft.
