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Author: Philip Marchand
Publisher: The Porcupine's Quill
ISBN: 9780889841963
Category : History
Languages : en
Pages : 204
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Book Description
Ripostes is a collection of essays on some salient features of the Canadian literary landscape, a number of which were first published in the Toronto Star, many of which appear in these pages for the first time. Included are essays on Atwood, Findley, Ondaatje and Margaret Laurence, as well as thematic explorations of Canadian literature such as an account of the demise of the Survival school of Canadian writing, a look at the recent history of the Writers' Union of Canada, an examination of the role of fathers in Canadian fiction, a study of the strange attraction of many of our writers to the occult, and so on. The tone is considered, and critical rather than celebratory, although the essays are respectful of the genuine achievements of Canadian literature in the past few decades. They try to clear the air, as it were, of boosterism, political correctness, and other attitudes which hinder the appreciation and reception of good writing. This is an honest re-appraisal of Canadian literature, undertaken at a time when we need no longer be overcome with relief and euphoria over the fact that some of our authors are now world famous, or at least world famous in Hoboken, New Jersey.
Author: Philip Marchand
Publisher: The Porcupine's Quill
ISBN: 9780889841963
Category : History
Languages : en
Pages : 204
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Book Description
Ripostes is a collection of essays on some salient features of the Canadian literary landscape, a number of which were first published in the Toronto Star, many of which appear in these pages for the first time. Included are essays on Atwood, Findley, Ondaatje and Margaret Laurence, as well as thematic explorations of Canadian literature such as an account of the demise of the Survival school of Canadian writing, a look at the recent history of the Writers' Union of Canada, an examination of the role of fathers in Canadian fiction, a study of the strange attraction of many of our writers to the occult, and so on. The tone is considered, and critical rather than celebratory, although the essays are respectful of the genuine achievements of Canadian literature in the past few decades. They try to clear the air, as it were, of boosterism, political correctness, and other attitudes which hinder the appreciation and reception of good writing. This is an honest re-appraisal of Canadian literature, undertaken at a time when we need no longer be overcome with relief and euphoria over the fact that some of our authors are now world famous, or at least world famous in Hoboken, New Jersey.
Author: Cynthia Conchita Sugars
Publisher: Oxford University Press
ISBN: 0199941866
Category : History
Languages : en
Pages : 993
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Book Description
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.
Author: Faye Hammill
Publisher: Edinburgh University Press
ISBN: 0748629521
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
An important critical study of Canadian literature, placing internationally successful anglophone Canadian authors in the context of their national literary history. While the focus of the book is on twentieth-century and contemporary writing, it also charts the historical development of Canadian literature and discusses important eighteenth- and nineteenth-century authors. The chapters focus on four central topics in Canadian culture: Ethnicity, Race, Colonisation; Wildernesses, Cities, Regions; Desire; and Histories and Stories. Each chapter combines case studies of five key texts with a broad discussion of concepts and approaches, including postcolonial and postmodern reading strategies and theories of space, place and desire. Authors chosen for close analysis include Margaret Atwood, Michael Ondaatje, Alice Munro, Leonard Cohen, Thomas King and Carol Shields.
Author: W. J. Keith
Publisher: The Porcupine's Quill
ISBN: 9780889842830
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
When "Canadian Literature in English" was first published by Longman in 1985 it was described (in the "Modern Language Review") as a standard reference work on the subject' and the best critical account of its subject that we possess so far'. The book was released in London and New York, as such things were done at the time, but never distributed particularly well in Canada, where it faded, rapidly, from view. W. J. Keith, writing in the Preface to the Revised Edition, admits his first inclination was to embark on a total rewrite of the Longman edition. On further consideration, however, Keith came to realize that the 1985 publication was completed at the close of a major phase in the Canadian literary tradition' and that the remarkable flowering that began to manifest itself in the middle of the twentieth century had run its course by the beginning of the new millennium.' That being the case, Keith would argue that a number of writers who had already achieved [ considerable stature further developed their reputations' (in the period 1985-2005) but only a few extended them'. Keith is also quick to admit that he has chosen to ignore utterly the popular' at the one extreme (Robert Service, Lucy Maud Montgomery) as well as the avant-garde' (bpnichol, Anne Carson) at the other, in favour of those authors whose style lends itself to the simple pleasure of reading, and to that end he dedicates his history to all those (including the general reading public whose endangered status is much lamented in the Polemical Conclusion'') who recognize and celebrate the dance of words.'
Author: Eva-Marie Kröller
Publisher: Cambridge University Press
ISBN: 1107159628
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
Author: Carl F. Klinck
Publisher: University of Toronto Press
ISBN: 1487590997
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume 3 has been newly written for this edition of the History, and covers the years from about 1960 to 1974. The contributors to this volume are Claude Bissell, Desmond Pacey, Lauriat Lane, jr, Michael S. Cross, Thomas A. Goudge, John Webster Grant, John H. Chapman, William E. Swinton, Henry B. Mayo, Malcolm Ross, Brandon Conron, Clara Thomas, Sheila A. Egoff, John Ripley, William H. New, George Woodcock, and Northrop Frye.
Author: Carl F. Klinck
Publisher: University of Toronto Press
ISBN: 1487590970
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume I comprises Parts I to III of the original edition, and covers the years from the beginning of Canadian literature in English to about 1920. The contributors to this volume are David Galloway, Victor G. Hopwood, Alfred G. Bailey, Fred Cogswell, James and Ruth Talman, Carl F. Klinck, Edith Gordon Roper, Rupert Schieder, S. Ross Beharriell, Brandon Conron, Elizabeth Waterston, Alec Lucas, John A. Irving, A.H. Johnson, A. Vibert Douglas, and Frank W. Watt.
Author: Margaret Atwood
Publisher: M & S
ISBN:
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
When first published in 1972, Survival was considered the most startling book ever written about Canadian literature. Since then, it has continued to be read and taught, and it continues to shape the way Canadians look at themselves. Distinguished, provocative, and written in effervescent, compulsively readable prose, Survival is simultaneously a book of criticism, a manifesto, and a collection of personal and subversive remarks. Margaret Atwood begins by asking: “What have been the central preoccupations of our poetry and fiction?” Her answer is “survival and victims.” Atwood applies this thesis in twelve brilliant, witty, and impassioned chapters; from Moodie to MacLennan to Blais, from Pratt to Purdy to Gibson, she lights up familiar books in wholly new perspectives.
Author: William H. New
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773525979
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
"New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts." Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how – from early records of oral tales to the writing strategies of the early twenty-first century – writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers representations of the "real," whether in documentary, fantasy, or satire; historical romance and the social construction of Nature and State; and ironic subversions of power, the politics of cultural form, and the relevance of the media to a representation of community standard and individual voice. New suggests some ways in which writers of the later twentieth century codified such issues as history, gender, ethnicity, and literary technique itself. In this second edition, he adds a lengthy chapter that considers how writers at the turn of the twenty-first century have reimagined their society and their roles within it, and an expanded chronology and bibliography. Some of these writers have spoken from and about various social margins (dealing with issues of race, status, ethnicity, and sexuality), some have sought emotional understanding through strategies of history and memory, some have addressed environmental concerns, and some have reconstructed the world by writing across genres and across different media. All genres are represented, with examples chosen primarily, but not exclusively, from anglophone and francophone texts. A chronology, plates, and a series of tables supplement the commentary.
Author: William Herbert New
Publisher: New Amsterdam Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
