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Author: Olivier Mosset
Publisher: Patrick Frey Edition
ISBN: 9783906803548
Category : Motorcycles in art
Languages : en
Pages : 224
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Book Description
When the young minimalist painter Olivier Mosset (b. 1944) bought his first motorcycle, a USArmy issued Harley-Davidson, in Paris in the late 1960s, he helped start up a subculture still wholly unknown in europe: the motorcycle club. The young painters Paris studio doubled as a hub of radical paintingconceptually reduced black circles on a white canvasand a hangout for the first Marxist-influenced motorcycle club. WHEELS is an in-depth survey that retraces Mossets career from his involvement with the minimalist art group BMPT to his interplay between motor vehicles and painting. In the mid 1970s, Mosset worked and lived in new York, where he became the founding member of the nY Radical Painting Group before eventually moving to Arizona. Art critic elisabeth Wetterwald interviews Mosset and American artist vincent Szarek, who often collaborates with Mosset, discussing the interface between art and motorcycles. Art historian Philip Ursprung analyzes the importance of technology, culture, and nature. Mosset is represented by Gagosian Gallery, and his work appears in the collections of MoMA, new York, and Centre Georges Pompidou, Paris, among others.
Author: Olivier Mosset
Publisher: Patrick Frey Edition
ISBN: 9783906803548
Category : Motorcycles in art
Languages : en
Pages : 224
Get Book
Book Description
When the young minimalist painter Olivier Mosset (b. 1944) bought his first motorcycle, a USArmy issued Harley-Davidson, in Paris in the late 1960s, he helped start up a subculture still wholly unknown in europe: the motorcycle club. The young painters Paris studio doubled as a hub of radical paintingconceptually reduced black circles on a white canvasand a hangout for the first Marxist-influenced motorcycle club. WHEELS is an in-depth survey that retraces Mossets career from his involvement with the minimalist art group BMPT to his interplay between motor vehicles and painting. In the mid 1970s, Mosset worked and lived in new York, where he became the founding member of the nY Radical Painting Group before eventually moving to Arizona. Art critic elisabeth Wetterwald interviews Mosset and American artist vincent Szarek, who often collaborates with Mosset, discussing the interface between art and motorcycles. Art historian Philip Ursprung analyzes the importance of technology, culture, and nature. Mosset is represented by Gagosian Gallery, and his work appears in the collections of MoMA, new York, and Centre Georges Pompidou, Paris, among others.
Author: Olivier Mosset
Publisher: 5 Continents Editions
ISBN: 9788874390571
Category : Art
Languages : fr
Pages : 144
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Book Description
Voici une rétrospective de la production d'Olivier Mosset, de 1966 à 2003. Le livre propose de nouvelles lectures en mettant l'accent sur certaines lignes de force qui sous-tendent l'oeuvre de Mosset (l'appropriation et la question de la signature, la répétition et la désublimation du monochrome, etc.).
Author: Olivier Mosset
Publisher: Snoeck Publishing Company
ISBN: 9783864422959
Category : Art, Abstract
Languages : en
Pages : 0
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Book Description
La problématique d'Olivier est centrée autour de la peinture et comment elle fonctionne : c'est ainsi qu'il a créé une œuvre variée de monochromes et tableaux abstraits géométriques qui échappe à toute attribution mystifiante. L'exposition et le livre offrent un large aperçu des créations de l'artiste, des cercles noirs aux bandes bicolores ou aux étoiles et toiles monochromes exécutées sans le moindre trait personnel. La boucle s'achève avec ses travaux récents, comme celui de 2013 qui donne son titre à l'ouvrage TUTU, et qui fait référence au dessin d'un autre artiste, une ballerine de Marcel Duchamp.
Author: John Armleder
Publisher: Contemporary Art Museum, St. Louis
ISBN:
Category : Art, Abstract
Languages : en
Pages : 66
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Book Description
Introduction by Anthony Huberman. Conversation between John Armleder, Oliver Mosset.
Author: Ryan Gander
Publisher:
ISBN: 9781907908170
Category : Cocktails in art
Languages : en
Pages : 91
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Book Description
Author: Samuel Gross
Publisher: Jrp Ringier
ISBN: 9783037645475
Category :
Languages : en
Pages : 64
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Book Description
Published on the occasion of his solo exhibition at the Manoir de la Ville de Martigny (February - May 2018), this publication is the first monograph on Swiss painter Sylvain Croci-Torti.Organized around an extensive photographic documentation of his Martigny show, but encompassing the last six years of his practice, the book offers an insight into the artist's idiosyncratic approach to contemporary painting.Informed by the Swiss tradition of geometric abstraction and monochrome - from Olivier Mosset, John M Armleder, Christian Floquet to Francis Baudevin, Philippe Decrauzat, and Stephane Dafflon (as well as by a decisive interest in the relationships between painting and architecture, i.e. how we perceive and experience two-dimensional works in three-dimensional environments) -- Croci-Torti is building a cogent body of works dealing with and renewing the eternal parameters of painting--colours, forms, proportions, perspectives, and structures.Edited by Manoir de la Ville de Martigny curator Anne Jean-Richard Largey, this publication brings together essays by curator Samuel Gross, MAMCO Geneva Chief Curator Julien Fronsacq, American artist Blair Thurman, as well as a conversation with the artist.Born in 1984 in Monthey, Sylvain Croci-Torti lives and works between Lausanne and Martigny. He graduated from ECAL in 2013.Published with the Manoir de la Ville de Martigny.
Author: Mathieu Copeland
Publisher: Jrp Ringier
ISBN:
Category : Art
Languages : en
Pages : 534
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Book Description
Edited by Matthieu Copeland, Clive Phillpot, John Armleder, Mai-Thu Perret.
Author: Paul Gold
Publisher:
ISBN: 9780578745756
Category :
Languages : en
Pages : 256
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Book Description
In 1968, ten families scraped up $1,000 each for the down payment on an old guest ranch in Oracle, Arizona. What began as a bunch of hippies with a 1960s vision of living in a place to "do their own thing" would eventually evolve into a magical aperture, a place through which a great many artists and poets would pass. The families and individuals that live in Rancho Linda Vista today are the descendants of the original idealists that followed RLV founder Charles Littler into the desert, north of Tucson, Arizona.Paul Gold has written an eclectically researched homage to the dreams of a community, people who shaped their own lives, broken away from their parents' lifestyles and conventions. The oneness of the Rancho Linda Vista community is reflected in its past and future, described by its people. Bend in the Wash sheds light on generations of nonconformists who created a sustained way of living, weaving art into life.
Author: Jean Baudrillard
Publisher: SAGE
ISBN: 9780761965312
Category : Social Science
Languages : en
Pages : 172
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Book Description
Jean Baudrillard is generally recognized as one of the most important and provocative contemporary social theorists. But in the English speaking world, his reputation is largely based on books published after the 1960s, as he moved towards becoming the premier commentator on postmodernism. This wide ranging and expertly edited book examines the work of the young Baudrillard, it deepens our understanding of his seminal work on consumer culture by presenting his early essays on McLuhan, Lefebvre and Marcuse. The influence of German traditions of thought are clearly revealed, and Baudrillard's neglected and out of print writing on aesthetics is rediscovered and reprinted. Extracts from his political diaries and commentaries o
Author: Robert Nickas
Publisher: Jrp Ringier
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 72
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Book Description
For one year, respected critic and curator Bob Nickas put his money where his eyes are: he decided to become a collector, someone who takes art off gallery walls instead of hanging it there. His ground rules dictated that he would buy one work per month from an artist he had never written about or exhibited before. In this fascinating diary of his year on the market, he tracks the changes in his relation to art, when the commitment becomes one of the wallet and not just the mind and words. "It has affected the way I look at art," he writes. "On the one hand, if I am unwilling to part with my hard-earned money, how worthy can the art really be? On the other, there are certainly works far above my humble means... For this project, I have had to pay to have my say."
