Author: Helen Smith
Publisher:
ISBN: 0374281122
Category : Biography & Autobiography
Languages : en
Pages : 449
Get Book Here
Book Description
"I know you've made me." Some of the most illustrious writers of the early twentieth century would recognize and endorse the sentiments contained in Joseph Conrad's letter to his literary mentor and friend Edward Garnett, the renowned publisher, critic, and editor. Over a career spanning half a century, from 1887 to 1937, Garnett wheedled, coaxed, and cajoled great books into being. Aside from having exquisite taste, he was also considered a mentor by many writers, including Joseph Conrad, D. H. Lawrence, Edward Thomas, John Galsworthy, Henry Green, and T. E. Lawrence.To be mentored by Garnett was to enter into a relationship as much personal as it was professional. In this fascinating biography, Helen Smith charts his relationships with legendary authors, from his early days with Joseph Conrad and his battles with D. H. Lawrence to his nurturing of a later generation of talent. He was instrumental in bringing Russian literature to a British readership and enthusiastically advocated the work of American and Australian authors, including Stephen Crane, Sarah Orne Jewett, Robert Frost, and Sherwood Anderson.The novelist Ford Madox Ford once declared that when in the States he never lectured or went to a university or a literary party without someone asking, "What about Garnett ! What sort of a fellow is he?"' Smith's biography of Edward Garnett provides a fascinating response to that question. Drawing on extensive archive material, some of which is previously unpublished, The Uncommon Reader presents an intimate portrait of the life and world of a man who did much to shape the literary landscape of early twentieth-century Britain and beyond.
Author: Anthony Anemone
Publisher: Northwestern University Press
ISBN: 0810126923
Category : History
Languages : en
Pages : 342
Get Book Here
Book Description
Just Assassins examines terrorism as it's manifested in Russian culture past and present, with essays devoted to Russian literature, film, and theater; historical narrative; and even amateur memoir, songs, and poetry posted on the Internet. Along with editor Anthony Anemone's introduction, these essays chart the evolution of modern political terrorism in Russia, from the Decembrist uprising to the horrific school siege in Beslan in 2004, showing how Russia's cultural engagement with its legacy of terrorism speaks to the wider world.
Author: Luke Kelly
Publisher: Springer
ISBN: 3319651900
Category : History
Languages : en
Pages : 224
Get Book Here
Book Description
This book analyses the efforts of British civil society to help a Russia seen to be struggling between 1890 and the 1920s. Luke Kelly seeks to show why churches, pressure groups, charities, politicians and journalists came to promote religious and political liberty and to relieve the victims of famines in late-tsarist and early communist Russia. By focusing on the roles of Christian, Jewish and liberal interests in deploying humanitarian solutions, Kelly shows how humanitarianism developed ‘from below’, while also examining the growth of a broader humanitarian discourse in the context of the Anglo-Russian relationship.
Author: Paul Skinner
Publisher: Rodopi
ISBN: 9042022485
Category : English literature
Languages : en
Pages : 275
Get Book Here
Book Description
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. But he was a prolific writer in many different modes, which include criticism of others' writing, and reminiscences of the many writers he had known. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the fin-de-siècle, he collaborated for a decade with Joseph Conrad, and befriended Henry James, and H. G. Wells. In Edwardian London he founded the English Review, publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the transatlantic review in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. He spent more time in America from the later 1920s, spending time with Southern Agrarians, and poets such as William Carlos Williams, Charles Olson, and Robert Lowell. He was always a tireless promoter of younger writers, reading manuscripts and recommending them to publishers. This book takes Ford's 'literary contacts' to include such creative friendships, editorial involvements, and influential biographical encounters; and they form the most substantial, central section on 'Contemporaries and Confrères', covering figures like Proust, Carlos Williams, Rebecca West, Herbert Read, and Hemingway. But it also explores contacts with literary texts. The first section on 'Predecessors' considers the impact of Ford's reading of Trollope, George Eliot, and Turgenev. The final section discusses 'Successors' writers such as Graham Greene, Burgess, and A. S. Byatt, whose literary contacts with Ford have been as his admiring readers and eloquent critics. Ford has been described as 'a writer's writer'. This volume reveals how true that has been, and in how many ways, as it sheds new light on his relationships with other writers, both familiar and surprising. It includes two pieces published here for the first time: one by Ford himself, on Turgenev; the other a memoir about Ford by his contemporary, Marie Belloc Lowndes (the sister of Hilaire Belloc).
Author: Robert Henderson
Publisher: Bloomsbury Publishing
ISBN: 1472578902
Category : History
Languages : en
Pages : 369
Get Book Here
Book Description
Vladimir Burtsev and the Struggle for a Free Russia examines the life of the journalist, historian and revolutionary, Vladimir Burtsev. The book analyses his struggle to help liberate the Russian people from tsarist oppression in the latter half of the 19th century before going on to discuss his opposition to Bolshevism following the Russian Revolution of 1917. Robert Henderson traces Burtsev's political development during this time and explores his movements in Paris and London at different stages in an absorbing account of an extraordinary life. At all times Vladimir Burtsev and the Struggle for Free Russia sets Burtsev's life in the wider context of Russian and European history of the period. It uses Burtsev as a means to discuss topics such as European police collaboration, European prison systems, international diplomatic relations of the time and Russia's relationship with Europe specifically. Extensive original archival research and previously untranslated Russian source material is also incorporated throughout the text. This is an important study for all historians of modern Russia and the Russian Revolution.
Author: Faith Hillis
Publisher: Oxford University Press
ISBN: 0190066334
Category : History
Languages : en
Pages : 361
Get Book Here
Book Description
Utopia's Discontents provides the first synthetic treatment of the Russian revolutionary emigration before the Revolution. It argues that neighborhoods created by Russian exiles became sites of revolutionary experimentation that offered their residents a taste of their anticipated utopian future.
Author: Michael Hughes
Publisher: Open Book Publishers
ISBN: 1805111973
Category : History
Languages : en
Pages : 212
Get Book Here
Book Description
Feliks Volkhovskii (1846-1914) was a significant figure in the Russian revolutionary movement of the nineteenth and early twentieth centuries. He lived through pivotal changes ranging from the rise of ‘nihilism’ in the 1860s and the growth of populism in the 1870s, through to the creation of the Socialist Revolutionary Party in the early 1900s. Imprisoned three times before he turned thirty, he spent ten years in Siberian exile before fleeing abroad to join the fight against tsarist autocracy from western Europe. Following Volkhovskii’s arrival in Britain in 1890, he played a central role in the campaign to win sympathy for the Russian revolutionary movement, editing newspapers and journals including Free Russia. He also helped to smuggle propaganda into Russia as well as becoming one of the most prominent figures in the émigré leadership of the Socialist Revolutionaries. Throughout his life, Volkhovskii was also a prolific writer of poetry and short stories, and was on good terms with many leading literary figures of the time including Ford Maddox Ford and Edward and Constance Garnett. Michael Hughes’s groundbreaking new biography provides a vivid history of this notable but hitherto neglected figure of both the political and literary worlds. Based on ten years of research in archives across the world and drawing on sources in multiple languages, this masterful biography explores how Volkhovskii’s life illuminates broader intellectual and historical questions about the Russian revolutionary movement. It is essential reading for anyone interested in late Imperial Russia and the Russian revolution.
Author: Rebecca Beasley
Publisher: Oxford University Press
ISBN: 0192522485
Category : Literary Criticism
Languages : en
Pages : 553
Get Book Here
Book Description
Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class--the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.
Author: Patricia Pye
Publisher: Springer
ISBN: 1137540176
Category : Literary Criticism
Languages : en
Pages : 202
Get Book Here
Book Description
This book explores the literary representation of late Victorian and early Edwardian London from an auditory perspective, arguing that readers should ‘listen’ to impressions of the city, as described by writers such as Conrad, Doyle, Ford and Gissing. It was in this period that London began to ‘sound modern’ and, through a closer hearing of its literature, writers’ wider responses to modernity are revealed. The book is structured into familiar modernist themes, revisiting time and space, social progress and popular culture through an exploration of the sound impressions of some key works. Each chapter is contextualized by these themes, revealing how the sound of the news, social protest, music hall and suburbanization impacted on writers’ literary imaginations. Suitable for students of modernist literature and specialists in sound studies, this book will also appeal to readers with a wider interest in London’s history and popular culture between 1880-1918.
Author: Galya Diment
Publisher: Edinburgh University Press
ISBN: 1474426166
Category : Literary Criticism
Languages : en
Pages : 330
Get Book Here
Book Description
Reveals diverse notions of distributed cognition in the early Greek and Roman worlds
