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Author: Юрий Карлович Олеша
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 326
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Book Description
"This is the most comprehensive collection in English of Olesha's work. It includes eight stories that have been translated especially for the Anchor edition."--Back cover.
Author: Юрий Карлович Олеша
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 326
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Book Description
"This is the most comprehensive collection in English of Olesha's work. It includes eight stories that have been translated especially for the Anchor edition."--Back cover.
Author: Rimgaila Salys
Publisher: Northwestern University Press
ISBN: 9780810113121
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
The novel Envy provides a humorous look at the individual's struggle with an increasingly industrialized society. This critical companion, edited by Rimgailia Salys, aims to acquaint readers with the history, biographical context, critical reception and interpretation problems related to the novel. It also helps the first time reader decipher some of the text's more difficult features, including its shifting narrators and fluid boundaries between dream and reality.
Author: I︠U︡riĭ Karlovich Olesha
Publisher: Northwestern University Press
ISBN: 9780810113824
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
"First published in 1965 and reprinted many times in the Soviet Union and Russia, Yury Olesha's No Day without a Line is a series of thematically assembled journal entries which together form an unusual and extremely engaging personal memoir." "Ranging from Olesha's prerevolutionary childhood, to notable cultural figures, to Russian and Western literature, the entries are artfully composed units in which an image is developed, a memory precisely delineated, or an apercu elaborated. Occasionally, the units coalesce in a chain of reflections on a common theme, such as Olesha's memories of the 1905 Potyomkin mutiny, his recollections of the poet Mayakovsky, or his discussion of the writings of Tolstoy or Hemingway." --Book Jacket.
Author: Юрий Карлович Олеша
Publisher: Psychology Press
ISBN: 9780415275040
Category : Drama
Languages : en
Pages : 136
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Book Description
Two outstanding examples of socialist-themed plays are combined in this remarkable volume. The Conspiracy of Feelings by Yurii Olesha (1899-1960) is based on his highly respected short novel Envy about the struggle between the old and new in Soviet society. The play, called The Conspiracy of Feelings, is not a simple adaptation, but an original work that reconceived the novel. The play explores the precarious position of the intelligentsia in the new collective state. The Little Theatre of The Green Goose was written by Konstanty Ildefons Galczynski (1905-53) who was one of Poland's most beloved poets. After World War II, he began work as a playwright, inventing a colorful theatre troupe of performers (animal and human) and contributing a new instalment of The Little Theatre of the Green Goose each week to Przekroj, the Cracow literary magazine. Intended for reading only, The Green Goose went unperformed in Galczynski's life and was finally staged in 1955 and gained a permanent place in the theatre and became a force for the creation of the new Polish drama that flourished in the 1960s.
Author: Eliot Borenstein
Publisher: Duke University Press
ISBN: 9780822325925
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
An analysis of the construction of masculinity in early Soviet culture that finds in the novels of Babel and others an utopian society composed exclusively of men.
Author: José Vergara
Publisher: Cornell University Press
ISBN: 1501759914
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
All Future Plunges to the Past explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or "translations," of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment.
Author: Eric Laursen
Publisher: Northwestern University Press
ISBN: 0810128659
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
Satire and the fantastic, vital literary genres in the 1920s, are often thought to have fallen victim to the official adoption of socialist realism. Eric Laursen contends that these subversive genres did not just vanish or move underground. Instead, key strategies of each survive to sustain the villain of socialist realism. Laursen argues that the judgment of satire and the hesitation associated with the fantastic produce a narrative obsession with controlling the villain’s influence. In identifying a crucial connection between the questioning, subversive literature of the 1920s and the socialist realists, Laursen produces an insightful revision of Soviet literary history.
Author: Janet G. Tucker
Publisher: Slavica Publishers
ISBN:
Category : History
Languages : en
Pages : 216
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Book Description
Author: Andrei Platonov
Publisher: ISCI
ISBN:
Category : Political Science
Languages : en
Pages : 123
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Book Description
Written at the height of Stalin's first "five-year plan" for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei Platonov's The Foundation Pit registers a dissonant mixture of utopian longings and despair. Furthermore, it provides essential background to Platonov's parody of the mainstream Soviet "production" novel, which is widely recognized as one of the masterpieces of twentieth-century Russian prose. In addition to an overview of the work's key themes, it discusses their place within Platonov's oeuvre as a whole, his troubled relations with literary officialdom, the work's ideological and political background, and key critical responses since the work's first publication in the West in 1973.
Author: Andrey Platonov
Publisher: New York Review of Books
ISBN: 9781590172544
Category : Fiction
Languages : en
Pages : 404
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Book Description
A New York Review Books Original The Soviet writer Andrey Platonov saw much of his work suppressed or censored in his lifetime. In recent decades, however, these lost works have reemerged, and the eerie poetry and poignant humanity of Platonov’s vision have become ever more clear. For Nadezhda Mandelstam and Joseph Brodsky, Platonov was the writer who most profoundly registered the spiritual shock of revolution. For a new generation of innovative post-Soviet Russian writers he figures as a daring explorer of word and world, the master of what has been called “alternative realism.” Depicting a devastated world that is both terrifying and sublime, Platonov is, without doubt, a universal writer who is as solitary and haunting as Kafka. This volume gathers eight works that show Platonov at his tenderest, warmest, and subtlest. Among them are “The Return,” about an officer’s difficult homecoming at the end of World War II, described by Penelope Fitzgerald as one of “three great works of Russian literature of the millennium”; “The River Potudan,” a moving account of a troubled marriage; and the title novella, the extraordinary tale of a young man unexpectedly transformed by his return to his Asian birthplace, where he finds his people deprived not only of food and dwelling, but of memory and speech. This prizewinning English translation is the first to be based on the newly available uncensored texts of Platonov’s short fiction.
