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Author: René Clemencic
Publisher: Conran Octopus
ISBN:
Category : Music
Languages : en
Pages : 110
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Book Description
Author: René Clemencic
Publisher: Conran Octopus
ISBN:
Category : Music
Languages : en
Pages : 110
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Book Description
Author: Genevieve Helsby
Publisher: Sourcebooks, Inc.
ISBN: 1402208251
Category : Juvenile Nonfiction
Languages : en
Pages : 178
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Book Description
"Your guide to the orchestra through sounds and stories." front cover.
Author: William Waterhouse
Publisher: T. Bingham
ISBN:
Category : Art
Languages : en
Pages : 566
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Book Description
This book is an entirely new work rather than a revision of Lyndsay Langwill's sixth edition. It is the standard work in its field, the most comprehensive work on wind instrument makers in any language and a major reference tool for collectors and researchers. Some features of the New Langwill Index are: Entries for nearly 6500 makers and inventors, active from the beginning until the middle of the 20th century; Nearly 400 representations of maker's marks; An index of makers under workplace, listing over 1000 localities; A comprehensive bibliography of over 600 titles. - Publisher.
Author: Francis William Galpin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 510
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Book Description
Author: Peter H. Adams
Publisher: Schiffer Book for Collectors
ISBN: 9780764300271
Category : Music
Languages : en
Pages : 0
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Book Description
Designed for collectors of antique brass musical instruments made before 1920, this book features more than 100 original line drawings from instrument catalogs as well as interesting new information. Also includes a helpful value guide, a glossary of terms, bibliography and several appendices, along with a current price guide.
Author: Nancy Skolos
Publisher: HarperCollins
ISBN: 9780060168971
Category : Music
Languages : en
Pages : 120
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Book Description
Highlights the work of a creator of handmade, one-of-a-kind guitars
Author:
Publisher: Auzou
ISBN: 9782733827154
Category : Board books
Languages : en
Pages : 0
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Book Description
An interactive way to discover the different sounds of five musical intruments!
Author: Voichita Bucur
Publisher: Springer
ISBN: 3319320807
Category : Technology & Engineering
Languages : en
Pages : 977
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Book Description
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
Author: Neville H. Fletcher
Publisher: Springer Science & Business Media
ISBN: 0387216030
Category : Science
Languages : en
Pages : 763
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Book Description
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Author: Jeremy Montagu
Publisher: Scarecrow Press
ISBN: 1461669944
Category : Music
Languages : en
Pages : 193
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Book Description
For everyone who's read the Bible and wondered what David's harp, or Nebuchadnezzar's sackbut and cornett really were, Jeremy Montagu, retired curator of Oxford's Bate Collection of Historical Instruments, has composed an astoundingly thorough investigation and explanation of the musical instruments that pepper the pages of Western Civilization's most holy book. This is a detailed study of all the musical instruments mentioned in the Bible, using the resources of linguistics, organology, and ethnomusicology to identify and describe them. Every reference to an instrument is noted and all the misconceptions of translation are corrected. The Bible, as we know it in English, is a translation, and the history of biblical translations into Aramaic, Greek, Latin and other languages is one of guesswork. The substitution of the musical instruments from the translator's era for those of the original author is as common as it is overlooked. Jubal did not have an organ, nor David a harp. This book uses all the resources available to establish what each instrument really was, what it looked like, and how it was played and is arranged in the same order as the King James Bible, with explanation where this differs from other versions in English. As well as a full bibliography, there are three indexes. The first is of Biblical Citations so that readers may check every mention in the Bible from its chapter and verse. The second is a quadrilingual parallel citation in Hebrew, Greek, Latin, and English, so that each reference can be crosschecked. The third is a general index. The four biblical languages, Hebrew, Aramaic, Greek, and Latin, are used to the full, and the original texts are cited frequently. There are 18 illustrations, some of which are archeological remains, some ethnographic parallels, and one is of the sole biblical instrument still in regular use: the ram's horn which brought down the walls of Jericho. Musical Instruments of the Bible is perfect for university theology and comparative religion depa
