Dutch Art in the Nineteenth Century PDF Download
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Author: Gerharda Hermina Marius
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 175
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Book Description
The author was a respected art critic in Holland and was also a painter herself. In this book, she traces the origins and development of nineteenth-century painters back to the late eighteenth-century painters. She argues that their painting skills had been adapted to suit the needs of their time but not altogether lost and that from them new styles and talents were born.
Author: Gerharda Hermina Marius
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 175
Get Book Here
Book Description
The author was a respected art critic in Holland and was also a painter herself. In this book, she traces the origins and development of nineteenth-century painters back to the late eighteenth-century painters. She argues that their painting skills had been adapted to suit the needs of their time but not altogether lost and that from them new styles and talents were born.
Author: Christie's Amsterdam B.V.
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages : 239
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Book Description
Author: Ann Dumas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
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Book Description
"Inspiring Impressionism" explores links between Impressionists and the major European art-historical movements that came before them, demonstrating how often beneath the Impressionists' commitment to capturing contemporary life there lay a deep exploration of the art of the past. Presents Impressionist works by artists including Manet, Monet, Degas, Bazille, Cassatt, and Cezanne alongside those of Raphael, El Greco, Rubens, Velazquez, and others.
Author: Christie's Amsterdam B.V.
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages : 0
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Book Description
Author: Götz Adriani
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316
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Book Description
Author: Elizabeth Basye Gilmore Holt
Publisher: Yale University Press
ISBN: 0300033583
Category : Art
Languages : en
Pages : 639
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Book Description
The nineteenth-century historian and artist shared the same aim, to present the unsystematic diversity of peoples, cultures, customs, and myths in a process of evolutionary transformation, that was to be comprehended by feeling.
Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 1876509996
Category : Art, American
Languages : en
Pages : 341
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Book Description
An exhibition publication featuring curatorial essays and works from the Metropolitan Museum of Art, New York
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Richard Shiff
Publisher: University of Chicago Press
ISBN: 022623777X
Category : Art
Languages : en
Pages : 337
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Book Description
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 160606892X
Category : Art
Languages : en
Pages : 386
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Book Description
This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
