Old Master Portraits from the Cook Collection

Old Master Portraits from the Cook Collection PDF Author: Solomon Charles Kaines Smith
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Old Master Portraits from the Cook Collection

Old Master Portraits from the Cook Collection PDF Author: Solomon Charles Kaines Smith
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Old Master Portraits from the Cook Collection

Old Master Portraits from the Cook Collection PDF Author: Brighton (East Essex). Public Library, Museums, and Fine Art Galleries
Publisher:
ISBN:
Category : Portraits
Languages : en
Pages : 11

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Paintings by Old Masters from the Cook Collection

Paintings by Old Masters from the Cook Collection PDF Author: Graves Art Gallery (Sheffield, England)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Catalog of Fine Old Master Paintings from the Cook Collection

Catalog of Fine Old Master Paintings from the Cook Collection PDF Author:
Publisher:
ISBN:
Category : Painting, European
Languages : en
Pages : 86

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Paintings by Old Masters (5th Selection) from the Cook Collection

Paintings by Old Masters (5th Selection) from the Cook Collection PDF Author: Solomon Charles Kaines Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 4

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Paintings by Old Masters from the Cook Collection

Paintings by Old Masters from the Cook Collection PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 4

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Paintings Byb Old Masters from the Cook Collection

Paintings Byb Old Masters from the Cook Collection PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts

Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts PDF Author: Martin Kemp
Publisher: Oxford University Press
ISBN: 0192543288
Category : History
Languages : en
Pages : 256

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Book Description
The Salvator Mundi is the first Leonardo painting to be discovered for over a century. Following its re-emergence, it played a leading role in the landmark Leonardo exhibition at the National Gallery in London in 2011, after which it was purchased by a Russian oligarch. In 2017 it was auctioned by Christie's in New York, fetching the world record price of $450m, and now forms part of the collection of Louvre Abu Dhabi. The Salvator Mundi may be seen as the devotional counterpart to the Mona Lisa, having an extraordinary, communicative presence. The artist has reformed the very traditional subject matter in a number of ways. The elusiveness of Christ's expression suggests his spiritual origins beyond the world of the senses. The traditional sphere of the earth has been transformed into a rock-crystal orb and signifies a crystalline sphere of the heavens. In addition to its spiritual dimension, the image exploits Leonardo's optical knowledge and his growing sense of the illusiveness of seeing. Only the blessing hand is in reasonably sharp focus, with his features softly veiled. The scintillating curls of his hair are characterised in line with his theory that the physics of the curling of hair is analogous to vortex motion in water. This book looks at evidence of Leonardo's Salvator Mundi in the collections of Charles I and Charles II. It explores the appraisal of works by Leonardo at the Stuart courts, and proposes that how works attributed to Leonardo were first encountered and understood in seventeenth-century Britain would shape the wider evolution of Leonardo as a cultural icon. This volume gives a dramatic first-hand account of the modern-day discovery of the painting, from its purchase in a minor New Orleans auction house, to the cleaning of the picture that would disclose it as Leonardo's startling original, and the research processes that would uncover illustrious and obscure former owners. The book presents the definitive study of the new masterpiece.

Masters in art

Masters in art PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 524

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The Last Leonardo

The Last Leonardo PDF Author: Ben Lewis
Publisher: Ballantine Books
ISBN: 1984819267
Category : Art
Languages : en
Pages : 402

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Book Description
An epic quest exposes hidden truths about Leonardo da Vinci’s Salvator Mundi, the recently discovered masterpiece that sold for $450 million—and might not be the real thing. In 2017, Leonardo da Vinci’s small oil painting the Salvator Mundi was sold at auction. In the words of its discoverer, the image of Christ as savior of the world is “the rarest thing on the planet.” Its $450 million sale price also makes it the world’s most expensive painting. For two centuries, art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the early sixteenth century. But where was the original by the master himself? In November 2017, Christie’s auction house announced they had it. But did they? The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings, and sheikhs. Ben Lewis takes us to Leonardo’s studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Amsterdam, Moscow, and New Orleans; to the galleries, salerooms, and restorer’s workshop as the painting slowly, painstakingly emerged from obscurity. The vicissitudes of the highly secretive art market are charted across six centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, in which we’re never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth. Praise for The Last Leonardo “The story of the world’s most expensive painting is narrated with great gusto and formidably researched detail in Ben Lewis’s book. . . . Lewis’s probings of the Salvator’s backstory raise questions about its historical status and visibility, and these lead in turn to the fundamental question of whether the painting is really an autograph work by Leonardo.”—Charles Nicholl, The Guardian “As the art historian and critic Ben Lewis shows in his forensically detailed and gripping investigation into the history, discovery and sales of the painting, establishing the truth is like nailing down jelly.”— Michael Prodger, The Sunday Times