Author: Carlo James
Publisher: Amsterdam University Press
ISBN: 9789053562437
Category : Art
Languages : en
Pages : 502
Book Description
This long awaited English edition of Manuale per la conservazione e il restauro di disegni e stampe antichi (1991) offers a clear and complete manual for the preservation and conservation of old master prints and drawings. The authors throw light on the historical and scientific backgrounds concerning the problems of restoration techniques of arts on paper, from 1150, when paper was first introduced in Europe, until the middle of the nineteenth century. The book is indispensable for anyone occupied with the study and conservation of old prints and drawings. This richly illustrated, first English edition is revised and brought fully up to date.
Old Master Prints and Drawings
Author: Carlo James
Publisher: Amsterdam University Press
ISBN: 9789053562437
Category : Art
Languages : en
Pages : 502
Book Description
This long awaited English edition of Manuale per la conservazione e il restauro di disegni e stampe antichi (1991) offers a clear and complete manual for the preservation and conservation of old master prints and drawings. The authors throw light on the historical and scientific backgrounds concerning the problems of restoration techniques of arts on paper, from 1150, when paper was first introduced in Europe, until the middle of the nineteenth century. The book is indispensable for anyone occupied with the study and conservation of old prints and drawings. This richly illustrated, first English edition is revised and brought fully up to date.
Publisher: Amsterdam University Press
ISBN: 9789053562437
Category : Art
Languages : en
Pages : 502
Book Description
This long awaited English edition of Manuale per la conservazione e il restauro di disegni e stampe antichi (1991) offers a clear and complete manual for the preservation and conservation of old master prints and drawings. The authors throw light on the historical and scientific backgrounds concerning the problems of restoration techniques of arts on paper, from 1150, when paper was first introduced in Europe, until the middle of the nineteenth century. The book is indispensable for anyone occupied with the study and conservation of old prints and drawings. This richly illustrated, first English edition is revised and brought fully up to date.
The Craft of Old-Master Drawings
Author: James Watrous
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 170
Book Description
Old Master Portrait Drawings
Author: James Spero
Publisher: Courier Corporation
ISBN: 0486263649
Category : Art
Languages : en
Pages : 50
Book Description
Masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto, and Titian to Rembrandt, Van Dyck, and Ingres. 47 plates.
Publisher: Courier Corporation
ISBN: 0486263649
Category : Art
Languages : en
Pages : 50
Book Description
Masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto, and Titian to Rembrandt, Van Dyck, and Ingres. 47 plates.
Master Class in Figure Drawing
Author: Robert Beverly Hale
Publisher: Watson-Guptill Publications
ISBN: 9780823030149
Category : Art
Languages : en
Pages : 144
Book Description
Explains how to make realistic drawings of the arms, legs, feet, hands, and other parts of the human body
Publisher: Watson-Guptill Publications
ISBN: 9780823030149
Category : Art
Languages : en
Pages : 144
Book Description
Explains how to make realistic drawings of the arms, legs, feet, hands, and other parts of the human body
Portrait Painting Atelier
Author: Suzanne Brooker
Publisher: Watson-Guptill
ISBN: 0823008355
Category : Art
Languages : en
Pages : 210
Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
Publisher: Watson-Guptill
ISBN: 0823008355
Category : Art
Languages : en
Pages : 210
Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
Modern Painters, Old Masters
Author: Elizabeth Prettejohn
Publisher: Association of Human Rights Institutes series
ISBN: 9780300222753
Category : Art
Languages : en
Pages : 0
Book Description
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Publisher: Association of Human Rights Institutes series
ISBN: 9780300222753
Category : Art
Languages : en
Pages : 0
Book Description
Le revers de la jaquette indique : "With the rise of museums in the 19th century, including the formation in 1824 of the National gallery in London, the art of the past became visible and accessible (in Victorian England) as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velazquez, and others, British artists transformed contemporary art through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by artists, as well as critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering Victorian art from the Pre-Raphaelites through to the early modernists, she vividly traces the ways in wich artist such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past to produce some of the greatest art of the late nineteenth and early twentieth centuries."
Old Master Paintings in Soviet Museums
Author: Irina Vladimirovna Linnik
Publisher:
ISBN: 9785730004405
Category : Art museums
Languages : en
Pages : 220
Book Description
Publisher:
ISBN: 9785730004405
Category : Art museums
Languages : en
Pages : 220
Book Description
Drawing Now
Author: Laura J. Hoptman
Publisher: The Museum of Modern Art
ISBN: 9780870703621
Category : Architecture
Languages : en
Pages : 200
Book Description
Published to accompany the exhibition held at the Museum of Modern Art QNS, New York, 17 October 2002 - 6 January 2003.
Publisher: The Museum of Modern Art
ISBN: 9780870703621
Category : Architecture
Languages : en
Pages : 200
Book Description
Published to accompany the exhibition held at the Museum of Modern Art QNS, New York, 17 October 2002 - 6 January 2003.
British Romanticism and the Reception of Italian Old Master Art, 1793-1840
Author: Dr Maureen McCue
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409468321
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Offering cultural, historical and literary readings of the responses to Italian Old Master art by early nineteenth-century writers, McCue illuminates the important role these artworks played in shaping the themes that are central to our understanding of Romanticism. She argues that they informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409468321
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
Offering cultural, historical and literary readings of the responses to Italian Old Master art by early nineteenth-century writers, McCue illuminates the important role these artworks played in shaping the themes that are central to our understanding of Romanticism. She argues that they informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities.
Dürer to de Kooning
Author: Staatliche Graphische Sammlung München
Publisher: Hirmer Verlag GmbH
ISBN: 9783777451718
Category : Drawing
Languages : en
Pages : 0
Book Description
The Staatliche Graphische Sammlung in Munich houses one of the finest and most famous collections of drawings and prints in Germany, with holdings of around 400,000 works ranging from the fifteenth century to modernity. Published to accompany an exhibition at the Morgan Library and Museum in New York, 100 Master Drawings from Munich comprises lush full-color illustrations of over one hundred of the museum's works of art. Demonstrating the impressive depth and breadth of works owned by the Staatliche Graphische Sammlung, the works in this volume range from rough preparatory sketches to meticulously executed studies and encompass a variety of media, including silverpoint, chalk, ink, and aquarelle. Among the many extraordinary pieces are Old Dutch and German prints, nineteenth-century German drawings, and works by Dürer and Rembrandt. But equally not to be missed are the many compelling works of contemporary graphic art for which the museum is best known.
Publisher: Hirmer Verlag GmbH
ISBN: 9783777451718
Category : Drawing
Languages : en
Pages : 0
Book Description
The Staatliche Graphische Sammlung in Munich houses one of the finest and most famous collections of drawings and prints in Germany, with holdings of around 400,000 works ranging from the fifteenth century to modernity. Published to accompany an exhibition at the Morgan Library and Museum in New York, 100 Master Drawings from Munich comprises lush full-color illustrations of over one hundred of the museum's works of art. Demonstrating the impressive depth and breadth of works owned by the Staatliche Graphische Sammlung, the works in this volume range from rough preparatory sketches to meticulously executed studies and encompass a variety of media, including silverpoint, chalk, ink, and aquarelle. Among the many extraordinary pieces are Old Dutch and German prints, nineteenth-century German drawings, and works by Dürer and Rembrandt. But equally not to be missed are the many compelling works of contemporary graphic art for which the museum is best known.