Old English Poems of Christ and His Saints PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Old English Poems of Christ and His Saints PDF full book. Access full book title Old English Poems of Christ and His Saints by Mary Clayton. Download full books in PDF and EPUB format.
Author: Mary Clayton
Publisher:
ISBN: 9780674053182
Category : Christian poetry, English (Old)
Languages : en
Pages : 0
Get Book Here
Book Description
Religious piety has rarely been animated as vigorously as in Old English Poems of Christ and His Saints. Ranging from lyrical to dramatic to narrative and showing great inventiveness, these ten anonymous poems vividly demonstrate the extraordinary hybrid that emerges when traditional Germanic verse adapts itself to Christian themes.
Author: Mary Clayton
Publisher:
ISBN: 9780674053182
Category : Christian poetry, English (Old)
Languages : en
Pages : 0
Get Book Here
Book Description
Religious piety has rarely been animated as vigorously as in Old English Poems of Christ and His Saints. Ranging from lyrical to dramatic to narrative and showing great inventiveness, these ten anonymous poems vividly demonstrate the extraordinary hybrid that emerges when traditional Germanic verse adapts itself to Christian themes.
Author: Cynewulf
Publisher:
ISBN: 9780674072633
Category : Christian poetry, English (Old)
Languages : en
Pages : 0
Get Book Here
Book Description
Other than his name, we have no biographical details of Cynewulf, not even where or when he lived. Yet his Old English poems attest to a powerfully inventive imagination, deeply learned in Christian doctrine and traditional verse-craft. He reveals an expert control of structure and a flair for extended similes and dramatic dialogue.
Author: Daniel Donoghue
Publisher: University of Pennsylvania Press
ISBN: 0812294882
Category : Literary Criticism
Languages : en
Pages : 245
Get Book Here
Book Description
The scribes of early medieval England wrote out their vernacular poems using a format that looks primitive to our eyes because it lacks the familiar visual cues of verse lineation, marks of punctuation, and capital letters. The paradox is that scribes had those tools at their disposal, which they deployed in other kinds of writing, but when it came to their vernacular poems they turned to a sparser presentation. How could they afford to be so indifferent? The answer lies in the expertise that Anglo-Saxon readers brought to the task. From a lifelong immersion in a tradition of oral poetics they acquired a sophisticated yet intuitive understanding of verse conventions, such that when their eyes scanned the lines written out margin-to-margin, they could pinpoint with ease such features as alliteration, metrical units, and clause boundaries, because those features are interwoven in the poetic text itself. Such holistic reading practices find a surprising source of support in present-day eye-movement studies, which track the complex choreography between eye and brain and show, for example, how the minimal punctuation in manuscripts snaps into focus when viewed as part of a comprehensive system. How the Anglo-Saxons Read Their Poems uncovers a sophisticated collaboration between scribes and the earliest readers of poems like Beowulf, The Wanderer, and The Dream of the Rood. In addressing a basic question that no previous study has adequately answered, it pursues an ambitious synthesis of a number of fields usually kept separate: oral theory, paleography, syntax, and prosody. To these philological topics Daniel Donoghue adds insights from the growing field of cognitive psychology. According to Donoghue, the earliest readers of Old English poems deployed a unique set of skills that enabled them to navigate a daunting task with apparent ease. For them reading was both a matter of technical proficiency and a social practice.
Author: Robert Finnegan
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889208123
Category : Religion
Languages : en
Pages : 182
Get Book Here
Book Description
Christ and Satan is the title of the last of four poems in the eleventh-century Junius XI manuscript of Anglo-Saxon poetry. This critical edition contains text, glossary, textual and explanatory notes, and an essay surveying former criticisms and setting forth the author’s ideas on the poem’s principle of unity. Of particular value to students and scholars of Old English, Christ and Satan makes an important contribution to the understanding of this fine and interesting poem.
Author: Joseph St. John
Publisher: Taylor & Francis
ISBN: 104007765X
Category : Literary Criticism
Languages : en
Pages : 221
Get Book Here
Book Description
Genesis Myth in Beowulf and Old English Biblical Poetry explores the adaptation of antediluvian Genesis and related myth in the Old Testament poems Genesis A and Genesis B, as well as in Beowulf, a secular heroic narrative. The book explores how the Genesis poems resort to the Christian exegetical tradition and draw on secular social norms to deliver their biblically derived and related narratives in a manner relevant to their Christian Anglo-Saxon audiences. In this book it is suggested that these elements work in unison, and that the two Genesis poems function coherently in the context of the Junius 11 manuscript. Moreover, the book explores recourse to Genesis-derived myth in Beowulf, and points to important similarities between this text and the Genesis poems. It is therefore shown that while Beowulf differs from the Genesis poems in several respects, it belongs in a corpus where religious verse enjoys prominence.
Author:
Publisher: University of Pennsylvania Press
ISBN: 0812248473
Category : Humor
Languages : en
Pages : 1248
Get Book Here
Book Description
Includes the Junius manuscript, Exeter book, Vercelli book, Beowulf and Judith, metrical psalms of Paris Psalter and the meters of Boethius, poems of the Anglo-Saxon chronicle, riddles, charms, and a number of minor additional poems.
Author: John Masefield
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 70
Get Book Here
Book Description
The play was performed in Canterbury Cathedral in 1928. It was commissioned as part of the newly-instituted Canterbury Festival, and is said to have been the first attempt at reviving medieval mystery drama since the Middle Ages. The subject is the Nativity (though it was actually performed at Whitsun, on 28 May 1928), chiefly the adoration of the three kings and the shepherds. The kings are a capitalist, a tyrant and a mystical enthusiast, while the shepherds are cynical war veterans, who compare keeping watch over their sheep to their memories of night-watches in what sounds a lot like the trenches of the First World War.
Author: Daniel Anlezark
Publisher: Harvard University Press
ISBN: 0674053192
Category : History
Languages : en
Pages : 364
Get Book Here
Book Description
The Old English poems in this volume are among the first retellings of scriptural texts in a European vernacular. More than simple translations, they recast the familiar plots in daringly imaginative ways, from Satan's seductive pride (anticipating Milton), to a sympathetic yet tragic Eve, to Moses as a headstrong Germanic warrior-king, to the lyrical nature poetry in Azarias. Whether or not the legendary Caedmon authored any of the poems in this volume, they represent traditional verse in all its vigor. Three of them survive as sequential epics in a manuscript in the Bodleian Library at Oxford. The first, the Old English Genesis, recounts biblical history from creation and the apocryphal fall of the angels to the sacrifice of Isaac; Abraham emerges as the central figure struggling through exile toward a lasting covenant with God. The second, Exodus, follows Moses as he leads the Hebrew people out of Egyptian slavery and across the Red Sea. Both Abraham and Moses are transformed into martial heroes in the Anglo-Saxon mold. The last in the triad, Daniel, tells of the trials of the Jewish people in Babylonian exile up through Belshazzar's feast. Azarias, the final poem in this volume (found in an Exeter Cathedral manuscript), relates the apocryphal episode of the three youths in Nebuchadnezzar's furnace.
Author: Nicholas Watson
Publisher: University of Pennsylvania Press
ISBN: 0812298349
Category : Literary Criticism
Languages : en
Pages : 617
Get Book Here
Book Description
For over seven hundred years, bodies of writing in vernacular languages served an indispensable role in the religious and intellectual culture of medieval Christian England, yet the character and extent of their importance have been insufficiently recognized. A longstanding identification of medieval western European Christianity with the Latin language and a lack of awareness about the sheer variety and quantity of vernacular religious writing from the English Middle Ages have hampered our understanding of the period, exercising a tenacious hold on much scholarship. Bringing together work across a range of disciplines, including literary study, Christian theology, social history, and the history of institutions, Balaam's Ass attempts the first comprehensive overview of religious writing in early England's three most important vernacular languages, Old English, Insular French, and Middle English, between the ninth and sixteenth centuries. Nicholas Watson argues not only that these texts comprise the oldest continuous tradition of European vernacular writing, but that they are essential to our understanding of how Christianity shaped and informed the lives of individuals, communities, and polities in the Middle Ages. This first of three volumes lays out the long post-Reformation history of the false claim that the medieval Catholic Church was hostile to the vernacular. It analyzes the complicated idea of the vernacular, a medieval innovation instantiated in a huge body of surviving vernacular religious texts. Finally, it focuses on the first, long generation of these writings, in Old English and early Middle English.
Author: Éamonn Ó Carragáin
Publisher: University of Toronto Press
ISBN: 9780802090089
Category : History
Languages : en
Pages : 492
Get Book Here
Book Description
In bringing together these scattered witnesses to the sustained brilliance of Anglo-Saxon artistic achievement across several centuries, ?amonn ? Carrag?in has produced a study of great significance to Anglo-Saxon history.
