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Author: Norberto Bobbio
Publisher: Blackwell Publishing
ISBN: 9780745623870
Category : Biography & Autobiography
Languages : en
Pages : 108
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Book Description
This book by one of Italy's oldest and wisest intellectuals is a philosophical and personal meditation on ageing. The question of old age has preoccupied writers from Cicero to Amery, but in this volume Norberto Bobbio produces an account that is specific to our times. Born in 1909, Bobbio has lived through the major events of the past century, and his experiences of Fascism, Communism and the Cold War lend his reflections a melancholy that distinguishes them from earlier eulogies on old age and death. Bobbio's conclusions are often sobering, yet his investigation into memory and mortality is written with both humour and emotion. In the opening chapter, Bobbio reassesses the notion of progress from the perspective of an old man. Arguing for an understanding of historical change as the transfer between generations, Bobbio explains how the elderly are increasingly marginalized in contemporary society. Referring to the traditional idea of old age as the 'age of wisdom', Bobbio argues that our ever-accelerating technological progress has dramatically shifted the power of knowledge from old to young. This discussion of old age as a social problem is accompanied by a reflection on old age as a personal predicament. In his elegant and lucid prose, Bobbio confronts the facts of decrepitude and death. In taking stock of his life, he argues once again for the importance of democracy and human rights. This is a beautifully written book that will be of great interest to the academic and general reader alike. Its intellectual content renders it of particular value to students in the fields of philosophy, politics and the social sciences.
Author: Norberto Bobbio
Publisher: Blackwell Publishing
ISBN: 9780745623870
Category : Biography & Autobiography
Languages : en
Pages : 108
Get Book Here
Book Description
This book by one of Italy's oldest and wisest intellectuals is a philosophical and personal meditation on ageing. The question of old age has preoccupied writers from Cicero to Amery, but in this volume Norberto Bobbio produces an account that is specific to our times. Born in 1909, Bobbio has lived through the major events of the past century, and his experiences of Fascism, Communism and the Cold War lend his reflections a melancholy that distinguishes them from earlier eulogies on old age and death. Bobbio's conclusions are often sobering, yet his investigation into memory and mortality is written with both humour and emotion. In the opening chapter, Bobbio reassesses the notion of progress from the perspective of an old man. Arguing for an understanding of historical change as the transfer between generations, Bobbio explains how the elderly are increasingly marginalized in contemporary society. Referring to the traditional idea of old age as the 'age of wisdom', Bobbio argues that our ever-accelerating technological progress has dramatically shifted the power of knowledge from old to young. This discussion of old age as a social problem is accompanied by a reflection on old age as a personal predicament. In his elegant and lucid prose, Bobbio confronts the facts of decrepitude and death. In taking stock of his life, he argues once again for the importance of democracy and human rights. This is a beautifully written book that will be of great interest to the academic and general reader alike. Its intellectual content renders it of particular value to students in the fields of philosophy, politics and the social sciences.
Author: Bertrand Russell
Publisher: Routledge
ISBN: 100026078X
Category : Biography & Autobiography
Languages : en
Pages : 177
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Book Description
‘I have come to think that one of the main causes of trouble in the world is dogmatic and fanatical belief in some doctrine for which there is no adequate evidence.’ – Bertrand Russell, Portraits from Memory Portraits from Memory is one of Bertrand Russell’s most self-reflective and engaging books. Whilst not intended as an autobiography, it is a vivid recollection of some of his celebrated contemporaries, such as George Bernard Shaw, Sidney and Beatrice Webb and D. H. Lawrence. Russell provides some arresting and sometimes amusing insights into writers with whom he corresponded. He was fascinated by Joseph Conrad, with whom he formed a strong emotional bond, writing that his Heart of Darkness was not just a story but an expression of Conrad’s ‘philosophy of life’. There are also some typically pithy Russellian observations; H. G. Wells ‘derived his importance from quantity rather than quality’, whilst after a brief and fraught friendship Russell thought D. H. Lawrence ‘had no real wish to make the world better, but only to indulge in eloquent soliloquy about how bad it was’. This engaging book also includes some of Russell’s customary razor-sharp essays on a rich array of subjects, from his ardent pacifism, liberal politics and morality to the ethics of education, the skills of good writing and how he came to philosophy as a young man. These include ‘A Plea for Clear Thinking’, ‘A Philosophy for Our Time’ and ‘How I Write’. Portraits from Memory is Russell at his best and will enthrall those new to Russell as well as those already well-acquainted with his work. This Routledge Classics edition includes a new foreword by the Russell scholar Nicholas Griffin, editor of The Selected Letters of Bertrand Russell.
Author: Wayne Koestenbaum
Publisher: Macmillan
ISBN: 0374533776
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
"A new book of essays by the cultural critic Wayne Koestenbaum, author of The Queen's Throat and Jackie Under My Skin"--
Author: Bruno Bettelheim
Publisher: Alfred A. Knopf
ISBN:
Category : History
Languages : en
Pages : 454
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Book Description
Includes sections on Adolf Eichmann and Totalitarianism.
Author: Michael Kinsley
Publisher: Crown
ISBN: 1101903775
Category : Literary Collections
Languages : en
Pages : 162
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Book Description
Vanity Fair columnist Michael Kinsley escorts his fellow Boomers through the door marked "Exit." The notorious baby boomers—the largest age cohort in history—are approaching the end and starting to plan their final moves in the game of life. Now they are asking: What was that all about? Was it about acquiring things or changing the world? Was it about keeping all your marbles? Or is the only thing that counts after you’re gone the reputation you leave behind? In this series of essays, Michael Kinsley uses his own battle with Parkinson’s disease to unearth answers to questions we are all at some time forced to confront. “Sometimes,” he writes, “I feel like a scout from my generation, sent out ahead to experience in my fifties what even the healthiest Boomers are going to experience in their sixties, seventies, or eighties.” This surprisingly cheerful book is at once a fresh assessment of a generation and a frequently funny account of one man’s journey toward the finish line. “The least misfortune can do to make up for itself is to be interesting,” he writes. “Parkinson’s disease has fulfilled that obligation.”
Author: Hans Hofmann
Publisher: MIT Press
ISBN: 9780262580083
Category : Architecture
Languages : en
Pages : 100
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Book Description
The writings of the "dean of the New York School of Abstract-Expressionist Painting." "The creative process lies not in imitating, but in paralleling nature; translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive and every work of art should be alive." Thus Hans Hofmann wrote nearly half a century ago. He left the Old World, Germany, for the New, at the age of 50. In 1948, when the retrospective exhibition was held at the Addison Gallery of American Art, Hofmann was 68; he had been in the United States for 18 years, a citizen for seven years. Yet he was scarcely recognized in Europe or America as an artist of significance and had never had a full-scale retrospective exhibition of his work. Beginning with a group exhibition in Germany in 1909, he had been given 12 one-man shows and had been included in four group exhibitions before the exhibit at Andover. Subsequently, he was to have 33 one-man shows and to be in over 60 group exhibitions, including the 1960 Venice Biennale, in which he was one of the four artists chosen to represent America. The catalogue of the 1948 retrospective at the Addison Gallery incorporated Hofmann's writings, all originally written in German, some pieces translated fluently, others awkwardly paraphrasing the original. He had written them over a period of 40 years for periodicals journals, or his own teaching purposes; occasionally they overlapped; there was no sequence of development. In the original volume of Search for the Real, published in 1948, it was felt desirable to edit his writing as little as possible, nevertheless to present the essays in the most lucid English true to his meaning, printed only with his approval. "The Search for the Real in the Visual Arts," "Sculpture," and "Painting and Culture" were all printed in full. The section "Excerpts from the Teaching of Hans Hofmann" was composed of selections from his essays "On the Aims of Art" and "Plastic Creation." The last brief section, "Terms," was gleaned from the other essays, lectures, diagrams, notes, and cryptic memoranda written to himself, headed by one of Hoffman's diagrams. It was a further distillation of his own definitions in the nature of a vocabulary. In the last 18 years of his life, recognition was his, nationally and internationally, in proportion to the originality and depth of his thinking, his versatility and comprehensiveness, his productivity and vigor. His was a prophetic visual expression of action in a three-dimensional world on a vibrating two-dimensional surface. He was a dynamic teacher; the wide range of his influence is to be seen in the list of artists comprising an exhibition "Hans Hofmann and His Students," circulated in America and abroad during the three years before his death in 1966. Among the 32 painters and sculptors in this exhibition were students as varied in their developed personal idioms as Helen Frankenthaler, Larry Rivers, Louise Nevelson, Richard Stankiewicz, and Alan Kaprow. Running simultaneously and also shown in South America and Europe as well as in the United States, a one-man show of 40 major works initiated by the Museum of Modern Art, New York, is a testimony to the words of the "dean of the New York School of Abstract-Expressionist Painting."
Author: Donald Hall
Publisher: Houghton Mifflin Harcourt
ISBN: 0544286944
Category : Literary Collections
Languages : en
Pages : 143
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Book Description
The former U.S. Poet Laureate contemplates life, death, and the view from his window in these “alternately lyrical and laugh-out-loud funny” essays (The New York Times). From an early age, Donald Hall dedicated his life to the written word. In his long and celebrated career, he was an accomplished poet, essayist, memoirist, dramatist, and children’s author. Now, in the “unknown, unanticipated galaxy” of very old age, his essays continue to startle, move, and delight. In Essays After Eighty, Hall ruminates on his past: “thirty was terrifying, forty I never noticed because I was drunk, fifty was best with a total change of life, sixty extended the bliss of fifty . . .” He also addresses his present: “When I turned eighty and rubbed testosterone on my chest, my beard roared like a lion and gained four inches.” Most memorably, Hall writes about his enduring love affair with his ancestral Eagle Pond Farm and with the writing life that sustains him every day: “Yesterday my first nap was at 9:30 a.m., but when I awoke I wrote again.” “Deliciously readable…Donald Hall, if abandoned by the muse of poetry, has wrought his prose to a keen autumnal edge.” —The Wall Street Journal
Author: Elizabeth Roper Marcus
Publisher: Simon and Schuster
ISBN: 1647420547
Category : Biography & Autobiography
Languages : en
Pages : 331
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Book Description
Edna and Leo, a perpetually warring, tyrannical pair in their 80s, begin wintering In Mexico, where they abandon their usual prudence to embrace adventure and a bevy of sketchy new friends. Soon, Edna adopts a pair of shyster builders whom she trusts over her own architect-daughter Elizabeth, and a farcical house results. Blithely indifferent to the calamities that result, the pair refuse all help from their too-compliant only child. Later, following her mother’s sudden death, Elizabeth’s wise, principled father attempts to fill his late wife’s shoes with a string of loopy, live-in housekeepers—with privileges, he hopes. Before it is over the Mexican escapade will bring down the kind of disasters commonly found in pulp fiction. Why can’t Elizabeth stop any of this from happening? No matter the madness, she cannot confront her parents any more than she ever could. In the end, the surprising way in which they come undone reveals just what they spent their lives trying to hide, thereby setting her free. Though unique in its loony details, Don’t Say A Word! will resonate with beleaguered adult-children everywhere who will recognize the special misery of watching, helpless, as stubborn, diminished parents careen precariously toward the end of life.
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 16
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Book Description
George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell's Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the 'four great motives for writing' – 'sheer egoism', 'aesthetic enthusiasm', 'historical impulse' and 'political purpose' – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell's mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer's oeuvre.
Author: Francis Spufford
Publisher: Yale University Press
ISBN: 0300230052
Category : Literary Collections
Languages : en
Pages : 354
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Book Description
An irresistible collection of favorite writings from an author celebrated for his bravura style and sheer unpredictability Francis Spufford's welcome first volume of collected essays gathers an array of his compelling writings from the 1990s to the present. He makes use of a variety of encounters with particular places, writers, or books to address deeper questions relating to the complicated relationship between story-telling and truth-telling. How must a nonfiction writer imagine facts, vivifying them to bring them to life? How must a novelist create a dependable world of story, within which facts are, in fact, imaginary? And how does a religious faith felt strongly to be true, but not provably so, draw on both kinds of writerly imagination? Ranging freely across topics as diverse as the medieval legends of Cockaigne, the Christian apologetics of C. S. Lewis, and the tomb of Ayatollah Khomeini, Spufford provides both fresh observations and thought-provoking insights. No less does he inspire an irresistible urge to turn the page and read on.
