Author: Public Catalogue Foundation
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This catalogue reveals all the oil paintings from the Museum's various locations around the country 1,870 works in total. This includes a significant body of work by Connard, Knight, Lavery, the Nashes, Nevinson, Orpen and Weight.
Oil Paintings in Public Ownership in the Imperial War Museum
Author: Public Catalogue Foundation
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This catalogue reveals all the oil paintings from the Museum's various locations around the country 1,870 works in total. This includes a significant body of work by Connard, Knight, Lavery, the Nashes, Nevinson, Orpen and Weight.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This catalogue reveals all the oil paintings from the Museum's various locations around the country 1,870 works in total. This includes a significant body of work by Connard, Knight, Lavery, the Nashes, Nevinson, Orpen and Weight.
Oil Paintings in Public Ownership in the Imperial War Museum
Author: Public Catalogue Foundation
Publisher: Pub Catalogue Foundation
ISBN: 9781904931287
Category : Art
Languages : en
Pages : 270
Book Description
"By the end of the First World War the Imperial War Museum held the most important collection of contemporary British art in the country. Augmented by subsequent war artist schemes, the collection now offers an insight into twentieth century warfare both on the front line and at home. This catalogue reveals all the oil paintings - 1,870 in total. This includes important works of modern British art by artists such as Knight, the Nashes, Nevinson, Orpen, Sargent and Spencer, alongside more recent acquisitions."--BOOK JACKET.
Publisher: Pub Catalogue Foundation
ISBN: 9781904931287
Category : Art
Languages : en
Pages : 270
Book Description
"By the end of the First World War the Imperial War Museum held the most important collection of contemporary British art in the country. Augmented by subsequent war artist schemes, the collection now offers an insight into twentieth century warfare both on the front line and at home. This catalogue reveals all the oil paintings - 1,870 in total. This includes important works of modern British art by artists such as Knight, the Nashes, Nevinson, Orpen, Sargent and Spencer, alongside more recent acquisitions."--BOOK JACKET.
Oil Paintings in Public Ownership in the Victoria and Albert Museum
Author: Sonia Roe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 396
Book Description
The Victoria and Albert Museum's collection of oil paintings is less well known than its encyclopaedic holdings of sculpture and applied arts, watercolours, miniatures and other works on paper. However, the museum has also acquired oil paintings since its foundation, and currently has over 2,500 works in this medium. The Victoria and Albert Museum initially collected and displayed oil paintings to tell the story of British art and provide exemplary material for designers: it continues to do so to elucidate the history of art and design from the Middle Ages to the present. Since the nineteenth century the V & A set high standards in its published catalogues. Its combined holdings of paintings, miniatures, watercolours and drawings now run to tens of thousands of items. This is the museum's first illustrated summary catalogue of oil paintings which are shown through thousands of photographs. Trade Orders: Professional Discount Only
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 396
Book Description
The Victoria and Albert Museum's collection of oil paintings is less well known than its encyclopaedic holdings of sculpture and applied arts, watercolours, miniatures and other works on paper. However, the museum has also acquired oil paintings since its foundation, and currently has over 2,500 works in this medium. The Victoria and Albert Museum initially collected and displayed oil paintings to tell the story of British art and provide exemplary material for designers: it continues to do so to elucidate the history of art and design from the Middle Ages to the present. Since the nineteenth century the V & A set high standards in its published catalogues. Its combined holdings of paintings, miniatures, watercolours and drawings now run to tens of thousands of items. This is the museum's first illustrated summary catalogue of oil paintings which are shown through thousands of photographs. Trade Orders: Professional Discount Only
Oil Paintings in Public Ownership in the Government Art Collection
Author: Sonia Roe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 396
Book Description
For just over a century, the British Government has collected works of art by mainly British artists from the 16th century to the present day. With over 13,000 works in a broad range of media, this unique collection is displayed in Government buildings in the UK and around the world. Bringing together all the oil paintings in the Collection for the first time, this catalogue provides an important insight into the key role the Government Art Collection plays in promoting British art and culture. This is the 19th catalogue in the Oil Paintings in Public Ownership series published by the Public Catalogue Foundation. Consisting of over 350 pages, the catalogue lists 2,499 works and show color photographs of almost every one together with some 40 page color reproductions. Trade Orders: Professional Discount Only
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 396
Book Description
For just over a century, the British Government has collected works of art by mainly British artists from the 16th century to the present day. With over 13,000 works in a broad range of media, this unique collection is displayed in Government buildings in the UK and around the world. Bringing together all the oil paintings in the Collection for the first time, this catalogue provides an important insight into the key role the Government Art Collection plays in promoting British art and culture. This is the 19th catalogue in the Oil Paintings in Public Ownership series published by the Public Catalogue Foundation. Consisting of over 350 pages, the catalogue lists 2,499 works and show color photographs of almost every one together with some 40 page color reproductions. Trade Orders: Professional Discount Only
Oil Paintings in Public Ownership in the City of London
Author: Public Catalogue Foundation
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
An amazing publication that brings together all the publicly owned oil paintings in The City of London in one concise volume.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Book Description
An amazing publication that brings together all the publicly owned oil paintings in The City of London in one concise volume.
Oil Paintings in Public Ownership in Essex
Author: Sonia Roe
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 356
Book Description
This catalog reveals the rich and diverse cultural heritage of Essex through its 59 public collections and their 2,135 oil paintings. Whilst there is much to admire amongst the county's paintings from the eighteenth and nineteenth centuries, it is the twentieth century works that stand out. These include 638 works in oil by Sir Alfred Munnings at his house in Dedham, 40 by the North-West Essex artists in the Fry Gallery at Saffron Walden and the largest collection of publicly owned Latin American art in Europe at the University of Essex. The Public Catalogue Foundation is a registered charity based in the National Gallery, London, that has been set up to record the nation's entire collection of oil paintings in public ownership and to make this accessible through a series of affordable catalogs. The catalogs are produced on a county-by-county basis. Catalogs published to date: Cambridgeshire: The Fitzwilliam Museum, Suffolk, East Sussex, Kent, London: The Slade and UCL, West Sussex and West Yorkshire: Leeds, North Yorkshire, Surrey, Norfolk and The Imperial War Museum .
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 356
Book Description
This catalog reveals the rich and diverse cultural heritage of Essex through its 59 public collections and their 2,135 oil paintings. Whilst there is much to admire amongst the county's paintings from the eighteenth and nineteenth centuries, it is the twentieth century works that stand out. These include 638 works in oil by Sir Alfred Munnings at his house in Dedham, 40 by the North-West Essex artists in the Fry Gallery at Saffron Walden and the largest collection of publicly owned Latin American art in Europe at the University of Essex. The Public Catalogue Foundation is a registered charity based in the National Gallery, London, that has been set up to record the nation's entire collection of oil paintings in public ownership and to make this accessible through a series of affordable catalogs. The catalogs are produced on a county-by-county basis. Catalogs published to date: Cambridgeshire: The Fitzwilliam Museum, Suffolk, East Sussex, Kent, London: The Slade and UCL, West Sussex and West Yorkshire: Leeds, North Yorkshire, Surrey, Norfolk and The Imperial War Museum .
Oil Paintings in Public Ownership in West Yorkshire
Author: Public Catalogue Foundation
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 478
Book Description
Paintings held in Bradford, Golcar, Halifax, Haworth, Huddersfield, Ossett, Otlay, Overton, Pontefract, Wakefield, and Wetherby.I
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 478
Book Description
Paintings held in Bradford, Golcar, Halifax, Haworth, Huddersfield, Ossett, Otlay, Overton, Pontefract, Wakefield, and Wetherby.I
Exhibiting War
Author: Jennifer Wellington
Publisher: Cambridge University Press
ISBN: 1107135079
Category : Art
Languages : en
Pages : 367
Book Description
A comparative study of how museum exhibitions in Britain, Canada and Australia were used to depict the First World War.
Publisher: Cambridge University Press
ISBN: 1107135079
Category : Art
Languages : en
Pages : 367
Book Description
A comparative study of how museum exhibitions in Britain, Canada and Australia were used to depict the First World War.
Poppies
Author: Imperial War Museum
Publisher: Imperial War Museums
ISBN: 9781904897514
Category : History
Languages : en
Pages : 0
Book Description
The major art installation Blood Swept Lands and Seas of Red at the Tower of London marked one hundred years since the first full day of Britain's involvement in the First World War. Created by artists Paul Cummins and Tom Piper, 888,246 ceramic poppies progressively filled the Tower's famous moat between 17 July and 11 November 2014. Each poppy represented a British military fatality during the war. The poppies encircled the iconic landmark, creating a spectacular display visible from all around the Tower, which attracted more than 5 million visitors. The scale of the installation was intended to reflect the magnitude of such an important centenary and create a powerful visual commemoration. Featuring forewords by Paul Cummins and Tom Piper and stunning photography of the installation, The Poppies: Blood Red Lands and Seas of Red is the only official publication to mark this landmark event. As thousands of the poppies used in the installation tour the country during the remainder of the First World War Centenary, this publication will undoubtedly prove popular with visitors to both the Tower and the new venues alike.
Publisher: Imperial War Museums
ISBN: 9781904897514
Category : History
Languages : en
Pages : 0
Book Description
The major art installation Blood Swept Lands and Seas of Red at the Tower of London marked one hundred years since the first full day of Britain's involvement in the First World War. Created by artists Paul Cummins and Tom Piper, 888,246 ceramic poppies progressively filled the Tower's famous moat between 17 July and 11 November 2014. Each poppy represented a British military fatality during the war. The poppies encircled the iconic landmark, creating a spectacular display visible from all around the Tower, which attracted more than 5 million visitors. The scale of the installation was intended to reflect the magnitude of such an important centenary and create a powerful visual commemoration. Featuring forewords by Paul Cummins and Tom Piper and stunning photography of the installation, The Poppies: Blood Red Lands and Seas of Red is the only official publication to mark this landmark event. As thousands of the poppies used in the installation tour the country during the remainder of the First World War Centenary, this publication will undoubtedly prove popular with visitors to both the Tower and the new venues alike.
British and Irish Paintings in Public Collections
Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.