Author: Antonio Gutiérrez
Publisher:
ISBN:
Category :
Languages : es
Pages :

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Author: Baroness Mary Elizabeth Herbert Herbert
Publisher: London : R. Bentley
ISBN:
Category : Spain
Languages : en
Pages : 366

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Author: Rosa Chacel
Publisher: U of Nebraska Press
ISBN: 0803214731
Category : Fiction
Languages : en
Pages : 718

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Book Description
A masterpiece of modernist fiction about one man’s search for meaning, Dream of Reason (La sinrazón) reveals Rosa Chacel as an intellectual and literary innovator whose work stands alongside that of Joyce, Proust, and Woolf. This meditative novel, grounded in the thinking of Spain’s great modern philosopher Ortega y Gasset, unfolds as the journal of a bourgeois chemist who makes his way in Buenos Aires just before and during the Spanish Civil War. Tracing his relationship with three women, Santiago Hernández explores the power of his own intentions and the limits of human reason. His introspective experiment, set against the background of world-altering events, documents the workings of a self-absorbed mind speculating on the inseparability of self and circumstance and is a brilliant enactment of how, from such tensions, narrative emerges.

Author: Dolores Ibárruri
Publisher: INTERNATIONAL PUBLISHERS CO
ISBN: 9780717804689
Category : Biography & Autobiography
Languages : en
Pages : 358

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The gripping, autobiographical story of the Spanish Civil War by the legendary Communist leader.

Author: William Carlos Williams
Publisher:
ISBN: 9780811221702
Category :
Languages : en
Pages : 0

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"Far more 'modern' than ever Hemingway or even Gertie ever thought of being" is how William Carlos Williams described The Dog and the Fever: "The first recorded use of the pure image to tell a story" and "hot as hell besides." Williams translated this Spanish novella, originally published in 1625, with the help of Raquel Hélene Williams, his Puerto Rican mother. Williams recalled that its biting satire -- targeting the corruption of the court, the church, and society and driven by comic double entendre -- made them laugh out loud and amused them tremendously as they worked on the translation. The editor, Jonathan Cohen, contributes a surprising introduction with details about Williams as translator and the novella's author Pedro Espinosa, setting the stage for this charming tale from the Spanish Golden Age.

Author: Masha Salazkina
Publisher: University of Chicago Press
ISBN: 0226734161
Category : Performing Arts
Languages : en
Pages : 232

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During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.

Author: David Bordwell
Publisher: Routledge
ISBN: 1000159094
Category : Biography & Autobiography
Languages : en
Pages : 372

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Book Description
The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.

Author: Jay Leyda
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184

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Author: Sergei Eisenstein
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156309356
Category : Biography & Autobiography
Languages : en
Pages : 316

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Book Description
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.

Author: Sergio de la Mora
Publisher: University of Texas Press
ISBN: 0292782314
Category : Performing Arts
Languages : en
Pages : 257

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Book Description
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.