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Author: Juan Wang
Publisher: UBC Press
ISBN: 0774823402
Category : History
Languages : en
Pages : 248
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Book Description
Merry Laughter and Angry Curses reveals how the late-Qing-era tabloid press became the voice of the people. As periodical publishing reached a fever pitch, tabloids had free rein to criticize officials, mock the elite, and scandalize readers. Tabloid writers produced a massive amount of anti-establishment literature, whose distinctive humour and satirical style were both potent and popular. This book shows the tabloid community to be both a producer of meanings and a participant in the social and cultural dialogue that would shake the foundations of imperial China and lead to the 1911 Republican Revolution.
Author: Juan Wang
Publisher: UBC Press
ISBN: 0774823402
Category : History
Languages : en
Pages : 248
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Book Description
Merry Laughter and Angry Curses reveals how the late-Qing-era tabloid press became the voice of the people. As periodical publishing reached a fever pitch, tabloids had free rein to criticize officials, mock the elite, and scandalize readers. Tabloid writers produced a massive amount of anti-establishment literature, whose distinctive humour and satirical style were both potent and popular. This book shows the tabloid community to be both a producer of meanings and a participant in the social and cultural dialogue that would shake the foundations of imperial China and lead to the 1911 Republican Revolution.
Author: William T. Rowe
Publisher: Harvard University Press
ISBN: 0674735412
Category : History
Languages : en
Pages : 376
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Book Description
In a brisk revisionist history, William Rowe challenges the standard narrative of Qing China as a decadent, inward-looking state that failed to keep pace with the modern West. The Great Qing was the second major Chinese empire ruled by foreigners. Three strong Manchu emperors worked diligently to secure an alliance with the conquered Ming gentry, though many of their social edicts—especially the requirement that ethnic Han men wear queues—were fiercely resisted. As advocates of a “universal” empire, Qing rulers also achieved an enormous expansion of the Chinese realm over the course of three centuries, including the conquest and incorporation of Turkic and Tibetan peoples in the west, vast migration into the southwest, and the colonization of Taiwan. Despite this geographic range and the accompanying social and economic complexity, the Qing ideal of “small government” worked well when outside threats were minimal. But the nineteenth-century Opium Wars forced China to become a player in a predatory international contest involving Western powers, while the devastating uprisings of the Taiping and Boxer rebellions signaled an urgent need for internal reform. Comprehensive state-mandated changes during the early twentieth century were not enough to hold back the nationalist tide of 1911, but they provided a new foundation for the Republican and Communist states that would follow. This original, thought-provoking history of China’s last empire is a must-read for understanding the challenges facing China today.
Author: Zhongshu Qian
Publisher: Columbia University Press
ISBN: 0231152752
Category : Fiction
Languages : en
Pages : 234
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Book Description
This book brings together the essay collection "Written in the margins of life (Xie zai ren sheng bian shang)" and the short story collection "Human, beast, ghost (Ren shou gui)."
Author: Meihuai Ke
Publisher: Fulton Books, Inc.
ISBN:
Category : Fiction
Languages : en
Pages : 1094
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Book Description
In The Allegory of the Cave, Plato describes a group of people who have been chained in a cave all their lives, facing a blank wall. They watch shadows projected on the wall from objects passing in front of a fire behind them, and they give names to these shadows. Although they are not accurate representations of the world, these shadows become the prisoners' reality. One prisoner is freed from the cave and, after seeing the natural world, realizes that the shadows are an illusion. He returns to the cave and tells the other prisoner what he has seen. The prisoners of the cave, however, who know only this life would rather see him die than hear the truth, and they sentence him to death. This is the tale told by these volumes. Prisoners of the Cave: Love, Loss, and Survival After the Chinese Communist Revolution is a translated, abridged edition of the original Chinese publication The Dream in Lake Village. The first of two volumes recounts the true stories of villagers living in Nanke, a small lakeside town in southern China, from 1949 to 1999. These stories cover many pivotal, political events from Chinese history, including the Great Leap Forward, Cultural Revolution, Land Reform Movement, Anti-Rightist Campaign, Three Red Banners Movement, Reform and Opening Up, and June Fourth Incident--all of which had huge permanent impacts on Chinese society. Beginning with a kind-hearted widow named Aunt Li, who seeks to find the truth behind the chaos and turmoil of the world, the novel follows the paths of many of her family members, friends, and neighbors. Their stories of suffering, loss, love, and success continuously return to the two threads that run through the entire novel--one of good and one of evil. The progression of their lives reveals that humans are inherently good and that no matter how evil an ideology or practice, it can only pollute an inherently kind and compassionate mind for so long. Evil cannot run rampant forever--eventually, good will triumph.
Author: Christopher Rea
Publisher: Univ of California Press
ISBN: 0520283848
Category : History
Languages : en
Pages : 355
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Book Description
The Age of Irreverence tells the story of why ChinaÕs entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called Òhistories of laughter.Ó In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this periodÑfrom the 1890s to the 1930sÑtransformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughterÑjokes, play, mockery, farce, and humorÑhe reveals the textures of comedy that were a part of everyday life during modern ChinaÕs first Òage of irreverence.Ó This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.
Author: Bruce Rusk
Publisher: Columbia University Press
ISBN: 0231551371
Category : History
Languages : en
Pages : 793
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Book Description
“Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment. Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library. Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.
Author: Carlos Rojas
Publisher: Oxford University Press
ISBN: 019976560X
Category : History
Languages : en
Pages : 730
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Book Description
What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity — all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.
Author: Niv Horesh
Publisher: Liverpool University Press
ISBN: 1782841415
Category : History
Languages : en
Pages : 150
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Book Description
This book sets out to explain how Shanghai emerged from relative obscurity in 1842 to become one of the world's best-known finance and industry hubs. As China's largest city, Shanghai today plays a central economic role, much as it did in the 1920s. The author provides a concise diachronic survey of the economic history of modern Shanghai, setting out how the city's urban infrastructure, municipal institutions, consumer culture and industry have shaped, and have been shaped by, this economic power house. The work is aimed at a broad readership of all who are interested in Asian history, and tackles a range of themes including: the city's millionaires, then and now; racial tensions and quotidian liaisons between Europeans and Asians before World War II; and the gambling and prostitution industry. The post-war era is portrayed in comparative discussions on Shanghai under Mao Zedong, and during the reform era. These discussions bring the narrative up to date to cover important events such as the designation of the Pudong precinct as the city's new engine of growth in 1991. The city's illustrious pre-war past is compared with its present ambitions to become Asia's leading financial centre. The book employs insights from studies frameworks of new institutional economics as well as from the development trajectory of other world cities by way of better understanding Shanghai's historic distinctness, its relative weaknesses and contemporary strengths.
Author: Weijie Song
Publisher: Oxford University Press
ISBN: 0190200677
Category : History
Languages : en
Pages : 321
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Book Description
Mapping Modern Beijing investigates the five methods of representing Beijing-a warped hometown, a city of snapshots and manners, an aesthetic city, an imperial capital in comparative and cross-cultural perspective, and a displaced city on the Sinophone and diasporic postmemory-by authors travelling across mainland China, Taiwan, Hong Kong, and overseas Sinophone and non-Chinese communities. The metamorphosis of Beijing's everyday spaces and the structural transformation of private and public emotions unfold Manchu writer Lao She's Beijing complex about a warped native city. Zhang Henshui's popular snapshots of fleeting shocks and everlasting sorrows illustrate his affective mapping of urban transition and human manners in Republican Beijing. Female poet and architect Lin Huiyin captures an aesthetic and picturesque city vis- -vis the political and ideological urban planning. The imagined imperial capital constructed in bilingual, transcultural, and comparative works by Lin Yutang, Princess Der Ling, and Victor Segalen highlights the pleasures and pitfalls of collecting local knowledge and presenting Orientalist and Cosmopolitan visions. In the shadow of World Wars and Cold War, a multilayered displaced Beijing appears in the Sinophone postmemory by diasporic Beijing native Liang Shiqiu, Taiwan sojourners Zhong Lihe and Lin Haiyin, and migr martial arts novelist Jin Yong in Hong Kong. Weijie Song situates Beijing in a larger context of modern Chinese-language urban imaginations, and charts the emotional topography of the city against the backdrop of the downfall of the Manchu Empire, the rise of modern nation-state, the 1949 great divide, and the formation of Cold War and globalizing world. Drawing from literary canons to exotic narratives, from modernist poetry to chivalric fantasy, from popular culture to urban planning, Song explores the complex nexus of urban spaces, archives of emotions, and literary topography of Beijing in its long journey from imperial capital to Republican city and to socialist metropolis.
Author: Stephen Cushion
Publisher: Peter Lang
ISBN: 9781433107764
Category : Art
Languages : en
Pages : 364
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Book Description
"De-westernising journalism studies in an intelligent way, this book deserves to be read around the world."---Professor James Curran, Goldsmiths, University of London, United Kingdom --
