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Author: Langston Hughes
Publisher: University of Missouri Press
ISBN: 0826263798
Category : African Americans
Languages : en
Pages : 448
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Book Description
For the first time in many years, Langston Hughes's published collections of stories are now available in a single book. Included in this volume are: Ways of White Folks, originally published in 1934; Laughing to Keep from Crying, originally published in 1952; and additional stories from Something in Common and Other Stories, originally published in 1963; as well as previously uncollected stories. These fictions, carefully crafted in the language Hughes loved, manifest the many themes for which he is best known. We meet and come to know many characters--black and white, young and old, men and women & mdash;all as believable as our own families, friends, and acquaintances. Hughes's stories portray people as they actually are: a mixture of good, bad, and much in-between. In these short stories, as in the Simple stories, the reader enjoys Hughes's humor and irony. The stories show us his inclination to mock himself and his beloved people, as much as he ridicules the flaws of those who belittle his race. His genuine characters interact and realistically bring to life this era of America's past. By maintaining the form and format of the original story collections, this volume presents Hughes's stories as he wanted them to be read. This volume will be an invaluable addition to the library of anyone interested in African American literature generally and the fiction of Langston Hughes specifically.
Author: Langston Hughes
Publisher: University of Missouri Press
ISBN: 0826263798
Category : African Americans
Languages : en
Pages : 448
Get Book Here
Book Description
For the first time in many years, Langston Hughes's published collections of stories are now available in a single book. Included in this volume are: Ways of White Folks, originally published in 1934; Laughing to Keep from Crying, originally published in 1952; and additional stories from Something in Common and Other Stories, originally published in 1963; as well as previously uncollected stories. These fictions, carefully crafted in the language Hughes loved, manifest the many themes for which he is best known. We meet and come to know many characters--black and white, young and old, men and women & mdash;all as believable as our own families, friends, and acquaintances. Hughes's stories portray people as they actually are: a mixture of good, bad, and much in-between. In these short stories, as in the Simple stories, the reader enjoys Hughes's humor and irony. The stories show us his inclination to mock himself and his beloved people, as much as he ridicules the flaws of those who belittle his race. His genuine characters interact and realistically bring to life this era of America's past. By maintaining the form and format of the original story collections, this volume presents Hughes's stories as he wanted them to be read. This volume will be an invaluable addition to the library of anyone interested in African American literature generally and the fiction of Langston Hughes specifically.
Author: Paul McCann
Publisher: Associated University Presse
ISBN: 9780838641408
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on jazz was informed largely by a broad range of anxieties endemic to the turbulent decades of the mid-twentieth century. As the United States faced a new crisis in either foreign or domestic policy, writers and intellectuals often used jazz as a forum to change both the public's understanding of the musical tradition as well as the nation's understanding of itself. In many ways, the rise of jazz from low to high art was a product of this discourse. The study relies on a close reading of several notable authors including F. Scott Fitzgerald, Langston Hughes, Eudora Welty, Ralph Ellison, and Jack Kerouac but also responds to a broad range of popular writers from the decade whose contribution to the discourse on jazz has been largely forgotten. This book provides an insightful glimpse into how the United States negotiates and ultimately understands its own cultural artifacts. Paul McCann is an English Professor at Del Mar College.
Author: Paul Allen Anderson
Publisher: Duke University Press
ISBN: 9780822325918
Category : History
Languages : en
Pages : 356
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Book Description
DIVA critical and historical study of the debate over early African-American music that draws on the views of W.E.B. Du Bois, Alain Locke, Langston Hughes, Zora Neal Hurston, and others to show competing notions of how this music relates to cultural inherita/div
Author: United States National Museum
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 744
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Book Description
Author: Robert Asa Cushman
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 738
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Book Description
Author: Wesley Stace
Publisher: Everyman's Library
ISBN: 1101908416
Category : Fiction
Languages : en
Pages : 465
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Book Description
A beautiful hardcover anthology of short stories about music by a remarkable array of literary greats, selected by someone who is both a musician and a writer Music may be a universal language that transcends words, but that hasn't stopped our most accomplished writers from trying to capture its essence on the page, paying homage to one art form through another. The dazzling examples collected here range from Virginia Woolf's "The String Quartet" to Langston Hughes's "The Blues I'm Playing" and Donald Barthelme's "The King of Jazz," and from Ivan Turgenev's "The Song of Triumphant Love" to Katherine Mansfield's "The Singing Lesson" and Ian McEwan's "A Duet." Here are melodious scenes from E. M. Forster's Howards End and Vikram Seth's An Equal Music, and stories by James Joyce, Gustave Flaubert, and Marcel Proust in harmony with pieces by Vladimir Nabokov, Maya Angelou, Kazuo Ishiguro, and Philip K. Dick. Together these twenty-four musical tales make up a gorgeous symphony of literary delights. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
Author: David Levering Lewis
Publisher: Penguin
ISBN: 0140170367
Category : Fiction
Languages : en
Pages : 818
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Book Description
Gathering a representative sampling of the New Negro Movement's most important figures, and providing substantial introductory essays, headnotes, and brief biographical notes, Lewis' volume—organized chronologically—includes the poetry and prose of Sterling Brown, Countee Cullen, W. E. B. Du Bois, Zora Neale Hurston, James Weldon Johnson, and others.
Author: Sascha Feinstein
Publisher: Indiana University Press
ISBN: 0253221374
Category : Fiction
Languages : en
Pages : 529
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Book Description
What sounds throughout these stories is the universal voice of humanity that is the essence of the music.
Author: James Clark Parshall
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 460
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Book Description
Author: Venetria K. Patton
Publisher: Rutgers University Press
ISBN: 9780813529301
Category : History
Languages : en
Pages : 678
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Book Description
In this important new anthology. Venetria K. Patton and Maureen Honey bring together a comprehensive scicction of texts from the Harlem Renalssance a key period in the literary and cultural history of the cultural life of the United States. The collection revolutionizes our way of viewing this era, as it redresses the ongoing emphasis on the male writers of this time. Double.Take offers a unique, balanced collection of writers - men and women, gay and straight, familiar and obscure. The editors have also included works from a wide variety of genres poetry, short stories, drama, essays, music, and art - allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the places are included in their entirely. Double.Take also includes artwork and illustrations, many of which are from periodicals and have never before been reprinted. Significantly, Double-Take is the first book to include music lyrics to illustrate the interrelation of various art forms. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essay
