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Author: Naifei Ding
Publisher: Duke University Press
ISBN: 0822383446
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
In Obscene Things Naifei Ding intervenes in conventional readings of Jin Ping Mei, an early scandalous Chinese novel of sexuality and sexual culture. After first appearing around 1590, Jin Ping Mei was circulated among some of China’s best known writers of the time and subsequently was published in three major recensions. A 1695 version by Zhang Zhupo became the most widely read and it is this text in particular on which Ding focuses. Challenging the preconceptions of earlier scholarship, she highlights the fundamental misogyny inherent in Jin Ping Mei and demonstrates how traditional biases—particularly masculine biases—continue to inform the concerns of modern criticism and sexual politics. The story of a seductive bondmaid-concubine, sexual opportunism, domestic intrigue, adultery and death, Jin Ping Mei has often been critiqued based on the coherence of the text itself. Concentrating instead on the processes of reading and on the social meaning of this novel, Ding looks at the various ways the tale has been received since its first dissemination, particularly by critiquing the interpretations offered by seventeenth-century Ming literati and by twentieth-century scholars. Confronting the gender politics of this “pornographic” text, she troubles the boundaries between premodern and modern readings by engaging residual and emergent Chinese gender and hierarchic ideologies.
Author: Naifei Ding
Publisher: Duke University Press
ISBN: 0822383446
Category : Literary Criticism
Languages : en
Pages : 367
Get Book
Book Description
In Obscene Things Naifei Ding intervenes in conventional readings of Jin Ping Mei, an early scandalous Chinese novel of sexuality and sexual culture. After first appearing around 1590, Jin Ping Mei was circulated among some of China’s best known writers of the time and subsequently was published in three major recensions. A 1695 version by Zhang Zhupo became the most widely read and it is this text in particular on which Ding focuses. Challenging the preconceptions of earlier scholarship, she highlights the fundamental misogyny inherent in Jin Ping Mei and demonstrates how traditional biases—particularly masculine biases—continue to inform the concerns of modern criticism and sexual politics. The story of a seductive bondmaid-concubine, sexual opportunism, domestic intrigue, adultery and death, Jin Ping Mei has often been critiqued based on the coherence of the text itself. Concentrating instead on the processes of reading and on the social meaning of this novel, Ding looks at the various ways the tale has been received since its first dissemination, particularly by critiquing the interpretations offered by seventeenth-century Ming literati and by twentieth-century scholars. Confronting the gender politics of this “pornographic” text, she troubles the boundaries between premodern and modern readings by engaging residual and emergent Chinese gender and hierarchic ideologies.
Author: F. Gonzalez-Crussi
Publisher: Bloomsbury Academic
ISBN: 9780715635360
Category : Vision
Languages : en
Pages : 236
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Book Description
"What Oliver Sacks does for the mind, Gonzalez-Crussi (On Being Born and Other Difficulties) does for the eye in this captivating set of philosophical meditations on the relationship between the viewer and the viewed. The author, amused and amazed by our desire to see what is forbidden, draws on historical and cultural examples, from Actaeon spying on the goddess Diana to a pair of voyeurs in revolutionary France who unwittingly incite a massacre. Mixed in with such accounts are personal reflections drawn from medicine. He is astounded, for example, at how many people have pestered him for access to an autopsy, just to say they'd seen one. The ornate sentences are filled with stunning images, like his description of an infant just emerged from the womb, bloody, "weakly flailing his arms" and crying, appearing to the author not as a symbol of life but as resembling "a foot-soldier in a defeated army, a pitiful survivor in a catastrophic retreat," and his prose never loses its elegance, even when the stories he tells veer into the bawdy. Not every anecdote resonates perfectly, but here is a charming raconteur who will who will win over readers with his thoughts on our visual connection to the world around us." c2.
Author: John Faulkner Potts
Publisher:
ISBN:
Category :
Languages : en
Pages : 996
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Book Description
Author: Jeremy F. Hultin
Publisher: BRILL
ISBN: 904743367X
Category : Religion
Languages : en
Pages : 301
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Book Description
This book examines the earliest Christian comments about foul language, situating them in their historical context by means of a broad survey of ancient uses of and views about obscene speech.
Author: John Ford
Publisher:
ISBN:
Category : Obscenity (Law)
Languages : en
Pages : 158
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Book Description
Author: United States. Congress. House. Committee on Post Office and Civil Service. Subcommittee on Postal Facilities and Mail
Publisher:
ISBN:
Category : Obscenity (Law)
Languages : en
Pages : 126
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Book Description
Author: Emanuel Swedenborg
Publisher:
ISBN:
Category :
Languages : en
Pages : 952
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Book Description
Author: Keith Johnstone
Publisher: Routledge
ISBN: 1136610464
Category : Performing Arts
Languages : en
Pages : 205
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Book Description
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
Author: Emanuel Swedenborg
Publisher:
ISBN:
Category : Marriage
Languages : en
Pages : 652
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Book Description
Author: Erica Weitzman
Publisher: Northwestern University Press
ISBN: 0810143186
Category : Literary Criticism
Languages : en
Pages : 447
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Book Description
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
